When this show debuted in September last year, it sold out – and deservedly so: it was well acted (and most of the same gang are back for this revival), well directed (by Satya Baskaran, who's also in charge this [... more]
Set in a luxury tennis club suite, this play follows seven long-time friends reunited for a destination wedding; but a seemingly innocent game of sharing phone messages and calls turns into digital Russian roulette. Secrets, affairs, emotional confessions, and some [... more]
The final performance of this play. Set in a luxury tennis club suite, it follows seven long-time friends reunited for a destination wedding; but a seemingly innocent game of sharing phone messages and calls turns into digital Russian roulette. Secrets, [... more]
First staged to critical acclaim at the Edinburgh Festival in the late 1990s, Shakespeare 4 Kidz’ A Midsummer Night’s Dream is a lively, funny and accessible musical retelling of Shakespeare’s timeless classic. The comed follows the Duke of Athens as [... more]
Two more performances of Shakespeare 4 Kidz' lively, funny and accessible musical retelling of Shakespeare’s timeless classic There are performances at 9am-10.30am and 11.45am-1.15pm, with two more tomorrow (21 October) at the same time.
Two final performances for Shakespeare 4 Kidz' lively, funny and accessible musical retelling of Shakespeare’s classic. There are shows at 9 – 10.30am and 11.45am – 1.15pm
When the extent of his ugliness is revealed, Lette turns to a plastic surgeon for help – but when the bandages come off, Lette soon learns that there is such a thing as too beautiful ... Translated from the original [... more]
As his mother battles chronic depression, a child creates a list of every thing they can think of that makes life worth living. As the child grows, so does the list. Looking back on a life of ups and downs, [... more]
When the extent of his ugliness is revealed, Lette turns to a plastic surgeon for help – but when the bandages come off, Lette soon learns that there is such a thing as too beautiful ... The second day of [... more]
Second of two performances for Ahmed El Attar's Arabic version of a touching, funny, and uplifting play originally in English.
The final day of performances (at 2.30 and 7.30pm) for Marius von Mayenburg’s very dark comedy about beauty, identity and getting ahead in life “makes its points with the lightest of touches” (The Guardian).
Now this sounds a lot of fun: at Neverland Publishing, deadlines are chaos, the creatives are barely holding it together, and Managing Editor James Hook has some terrible news: Upper Management has sent in Sylvia, a brand-new AI robot, to [... more]
The second performance for writer/director Gaby Milky's satirical comedy: Neverland is actually Neverland Publishing, Hook is the Managing Editor, and Peter Pan is organising the workforce to counter the threat of a new AI robot brought in to “enhance workflow [... more]
The final performance for writer/director Gaby Milky's satirical comedy: Neverland is actually Neverland Publishing, Hook is the Managing Editor, and Peter Pan is organising the workforce to counter the threat of a new AI robot brought in to “enhance workflow [... more]
Eureka Day Elementary School is an institution that prides itself on ensuring every voice is heard, and every child is welcome — that is, until an outbreak of mumps forces people in the community to reconsider the school’s liberal vaccine [... more]
Second performance for this razor-sharp comedy that marks The Junction's tenth anniversary. An outbreak of mumps forces people in the community to reconsider the liberal vaccine policy operated by Eureka Day Elementary School; as cases rise, the school’s Executive Committee [... more]
The final performance for this razor-sharp comedy that marks The Junction's tenth anniversary. An outbreak of mumps forces people in the community to reconsider the liberal vaccine policy operated by Eureka Day Elementary School; as cases rise, the school’s Executive [... more]
Written and directed by Rasika Agashe, this magical look at the fate of Scheherazade, the narrator of the original ‘One Thousand and One Nights’, is back for one night only (it was at the Junction in March this year). Rasika [... more]
Peter and Debbie are a timorous suburban couple who are “dying of manners”. They can’t communicate with their teenage children, can’t stand their neighbour, and can’t believe they have agreed to host a brash American, Elsa, who was amusing company [... more]
A second performance for Steven Moffat's black comedy of manners, boundaries, and exquisitie embarassment. The final show is on 14 December.
The final performance for Steven Moffat's black comedy of manners, boundaries, and exquisitie embarassment. The final show is on 14 December.
Tolstoy’s epic novel has often resisted dramatisation as a one-off theatrical performance – it’s huge, after all, which is the classic BBC series from 1972 ran for fully 20 episodes and Sergei Bondarchuk's film adaptation from the 60s spanned seven [... more]
The second and final performance of the Vakhtangov State Academic Theatre adaptation of Tolstoy’s epic novel, by celebrated director Rimas Tuminas. Reviews suggest that most of the grandeur and complexity of Tolstoy’s work has been retained, with the Napoleonic Wars [... more]
A funny, clever, humane, and ultimately entertaining show, improvised by James Scarr and accompanied live by Paul Jones (who also wrote the music). “A stranger, completely created using audience suggestions, is imaginatively painted onto a mannequin. Then, I tell his [... more]
A second performance for this funny, clever, humane, and ultimately entertaining show, improvised by James Scarr and accompanied live by Paul Jones (who also wrote the music). “A stranger, completely created using audience suggestions, is imaginatively painted onto a mannequin. [... more]
A joyful lesson in theatre and a tribute to the theatrical talent of Italians for connecting to anyone, transcending language barriers. Set partly in English and partly in Italian (and without subtitles), the show ironically demolishes preconceived notions of the [... more]
Two blokes and a Foley artist deliver a high-energy shot-for-shot parody of the iconic 90s film Jurassic Park, playing all the key characters (including most of the dinosaurs). Token low-budget costumes combined with the actors’ slick physicality, vocal creativity and [... more]
An irreverent high-energy high-physicality parody of Lord of the Rings (the film rather than the novel, in fact). Intricate Foley work is matched by the sheer skill of the actors and the increasingly manic complexity of the situations – the [... more]
Now this sounds like a lot of fun – an immersive hi-tech retelling of the story of the Mahabharata epic hero Karn. Raised in a humble village, unaware of his noble birth, a stable boy among princes, Karn’s journey leads [... more]
The second performance for this joyful lesson in how theatre can transcend language barriers. An actress receives a student for a private drama lesson in her apartment; he is eager to learn the tricks of the trade, she is thrilled [... more]
The second performance for this irreverent high-energy high-physicality parody of Lord of the Rings (the film rather than the novel, in fact). Intricate Foley work is matched by the sheer skill of the actors and the increasingly manic complexity of [... more]
The second performance for this affectionate high-energy shot-for-shot parody of the iconic 90s film Jurassic Park, with two blokes and a Foley artist delivering all the key characters (including most of the dinosaurs). Token low-budget costumes combined with the actors’ [... more]
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