Two series of works, Junk Garden and Protective Shield, from the Ramallah-born artist. “The Field of Dreams is an exploration of formations of ‘steel’ in the public space from the perspective of the relationship between the self, the object, and [... more]
Rana Begum brings her textile works to The Third Line for the first time. Her fifth solo exhibition at the gallery features a new body of large-scale wool tapestries presented alongside works on linen, paper and MDF, all reflecting the [... more]
A mid-career exhibition dedicated to the work of the Emirati multidisciplinary artist, curated by Aysha Al Hemeiri. Ranging from intimate jewellery pieces to large-scale public works, Al Qubaisi's practice invites audiences to encounter the UAE's natural resources through space, structure, [... more]
A solo exhibition by the Mumbai-based artist; much of his work comes from what he has seen and handled there. Nai works with jute, newspaper, cardboard, used clothing, mosquito mesh and corrugated metal; he cuts, folds, compresses and layers these [... more]
Karima Al Shomely's work draws from the clothing, textiles and adornments of Emirati women. The burqa is a recurring subject, appearing in works that look at how it was made, worn and passed down through generations; Al Shomely also works [... more]
A solo exhibition by the Syrian artist that includes large-scale portraits, a tile installation, sculptures, artist books, and works on paper. At the centre of Tallaa's practice is the face, not as portrait or likeness, but as witness; this exhibition, curated [... more]
Built from layers of sand collected in the UAE, chalk powder, pigments, and acrylic, the surfaces of Ahmad Tallaa's large-scale portraits at the centre of this show are dense and almost sculptural – as the gallery puts it, "Faces do [... more]
Built from layers of sand collected in the UAE, chalk powder, pigments, and acrylic, the surfaces of Ahmad Tallaa’s large-scale portraits at the centre of this show are dense and almost sculptural – as the gallery puts it, “Faces do [... more]
A solo presentation by the French-Algerian artist and filmmaker that reinterprets The Conference of the Birds,a 12th-century epic poem by Farid ud-Din Attar, in which a flock of birds search for a mighty ruler and ultimately find their strength within [... more]
A new body of 15 paintings by the Kuwaiti artist that takes us into a life split between two worlds, London and Kuwait– considering what it means to live in two places, or "to be two Dalals" as the artist [... more]
Afrah Shafiq’s Nobody Knows for Certain is a multimedia game that draws on the illustrated children’s books that were distributed widely in India by the USSR, highlighting a little-known chapter of Cold War-era cultural exchange. These richly illustrated Soviet fairytales [... more]
New works by the Kenyan artist Maggie Otieno, her first solo show here since the gallery began representing her in 2024 . Otieno’s practice centres on the transformation of reclaimed and distressed materials.; working across wood, metal, and mixed media, [... more]
Bani Abidi’s Artist’s Room displays a single body of work, Trembling hands (2024) – a series of portraits of artists, journalists, politicians, lawyers, doctors and civil society leaders who publicly spoke out against the genocide of Palestinians, often using public platforms [... more]
A group exhibition organised with Feminin Pluriel, featuring the work of a selection of contemporary female artists. Participating artists were given carte blanche to explore their own creative perspectives; the result is seen in photography, painting, sculpture, 3D and mixed [... more]
A group exhibition of newly commissioned and recent works by Rajni Perera, Sancintya Mohini Simpson, Soma Surovi Jannat, Karan Shrestha and Rain Wu, five artists who offer different perspectives on our relationship with place. Says the gallery: "The Territory Dreams [... more]
The latest edition of Sharjah Art Foundation's open-call photography exhibition examines the evolving possibilities of documentary photography through newly commissioned works by six artists – Luisa Dörr, Latifa AlBokhari, Sathish Kumar, Adam Rouhana, Guanyu Xu and Maheder Haileselassie. The principle [... more]
An exhibition conceived and curated by Prof Omar Kholeif, featuring Sonia Balassanian, Jai Chuhan, Luísa Correia Pereira, Lalitha Lajmi, Irene Scheinmann and Omar Kholeif himself. Developed from nearly two decades of Kholeif’s research, writing and relationships with artists, the exhibition [... more]
An exhibition born out of the question: how will this time be remembered and who will tell the stories of the people who live here? It's one of the outcomes of Kutubna’s initiative Documenting Culture in the Gulf in a [... more]
Major works by Shahana Rajani, the recipient of the inaugural South Asian Video Art Production Grant, Rohini Devasher, and Sarker Protick that examine how land, water, and the cosmos serve as living archives of memory and history. Through photography, moving [... more]
The final exhibition in the series The importance of staying quiet, "an attempt to acknowledge a minimal vocabulary within Pakistani art", focuses on conceptual and material practices shaped by stillness and abstraction.
Curated by Nada Shabout of NYUAD's al Mawrid Arab Center for the Study of Art, this exhibition investigates and celebrates the work and influence of one of the most important art movement of the mid-Century Middle East. Dr Shabout brings [... more]
The first institutional solo exhibition by Emirati artist Juma Alhaj is the culmination of his participation in 421 Arts Campus' Artistic Development Program. Grounded in reading, journaling, and philosophical inquiry, it explores themes of reflection, solitude, and self-discovery; the exhibition [... more]
A group show curated by Deniz Kirkali and Elham Puriya Mehr that brings together works in video, sound installations, and performance that explore “alternative infrastructures for knowledge-making such as whispers, murmurs, hums, gossip, and storytelling”. The artists include Aliaskar Abarkas, [... more]
Rend Beiruti’s research display, sharing insights into her investigation of the baqala neighbourhood grocery store as a vital urban entity in Dubai, exploring its history, its influence on urban development, and its role as a cultural signal. Through photographs, mapping, [... more]
A group exhibition of newly commissioned and recent works by Rajni Perera, Sancintya Mohini Simpson, Soma Surovi Jannat, Karan Shrestha and Rain Wu, five artists who offer different perspectives on our relationship with place. Says the gallery: "The Territory Dreams [... more]
A landmark retrospective for one of the key modernist painters to emerge from the Levant in the twentieth century. Alongside significant works drawn primarily from the artist’s estate, many travelling outside Lebanon for the very first time, the exhibition – [... more]
An exhibition that brings contemporary UAE-based artist Lana Khayat into dialogue with Lebanese modernists Etel Adnan and Helen Khal, linking distinct practices across generations of Lebanese artists. Says the gallery: "Their work differs in scale and sensibility, yet each built [... more]
A selection of work by a pioneering figure of modern sculpture in Lebanon, presented in collaboration with the Alfred Basbous Foundation. Basbous worked across stone, marble, wood and bronze, responding closely to the particular qualities of each material rather than [... more]
Marking her first solo exhibition in the UAE, Lulua Alyahya's Artist's Room brings together new commissions, loans and works from the Art Jameel Collection. Through her paintings, Alyahya explores culturally embedded archetypes with tenderness, humour and a critical inflection, often [... more]
Dawood's New Dream Machine Project centres on a 3m-high rotating and flickering light sculpture, an homage to artist and writer Brion Gysin's Dreamachine; driving the mechanism is a perforated cylinder emitting pulses of light at the frequency of the brain's [... more]
This Artist's Room traces forty years of Walid Siti's practice, including new sculptural commissions and material from the artist's studio. Across his body of work, structural forms mirror geological formations, rising summits, Mesopotamian ziggurats, and the Tower of Babel, all [... more]
This spectacular exhibition follows a thousand years of maritime history and culture, charting the routes that connected the civilisations of Africa, Asia, and beyond. It documents the evolution of navigation and the techniques that enabled adventurous sailors to explore the [... more]
A group show curated by Eugenia Kikodze, this exhibition brings together a multigenerational group of artists from across the Arab world and Eastern Europe, bound by a shared interest in metaphysics and its representation within art. The artists include Zaha [... more]
Bringing together paintings, archival photographs, sketches and ephemera produced after 2018, this exhibition promises an immersive encounter with Salah Elmur’s world – "where memory, landscape and identity merge and ripple through time", exploring the artist’s shifting sense of belonging and [... more]
Bringing together paintings, archival photographs, sketches and ephemera produced after 2018, this exhibition offers an immersive encounter with Salah Elmur’s world, "one where memory, landscape and identity merge and ripple through time" as the Jameel puts it.
Following showings in Paris, Lyon, Seoul and Shanghai, this exhibition – "a strategic research project for L'ÉCOLE, at the crossroads of archaeology and the history of techniques, and goldsmithing craftsmanship" – demonstrates the skills and techniques in reproducing a Celtic [... more]
Bani Abidi’s Artist’s Room displays a single body of work, Trembling hands (2024) – a series of portraits of artists, journalists, politicians, lawyers, doctors and civil society leaders who publicly spoke out against the genocide of Palestinians, often using public platforms [... more]
Afrah Shafiq’s Nobody Knows for Certain is a multimedia game that draws on the illustrated children’s books that were distributed widely in India by the USSR, highlighting a little-known chapter of Cold War-era cultural exchange. These richly illustrated Soviet fairytales [... more]
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