Second day for opening weekend of the Junction's festival of short plays: each weekend features 10 to 11 original 10-minute plays, meaning audiences will get the chance to see a diverse lineup of stories, styles and performances in a single [ ... ]
One of two 10-minute play festivals running concurrently in Dubai on six successive weekends with a basically similar format. This one is the Junction's: each weekend features 10 to 11 original 10-minute plays, meaning audiences will get the chance to [ ... ]
A second performance for Culture Emulsion’s production (in French, of course) of the popular comedy by Matthieu Delaporte and Alexandre de la Patellière. It’s a story about names and family relationships; 40-something Vincent is about to become a father for [ ... ]
Culture Emulsion’s production (in French, of course) of the popular comedy by Matthieu Delaporte and Alexandre de la Patellière that premiered in 2010 and went on to become a successful film adaptation. It’s a story about names and family relationships; [ ... ]
The Junction does comedy for two consecutive (but not repeated) nights on 4 and 5 April: "Jukebox Junction is where stand-up and improv collide for a night that’s fast, unpredictable, and seriously fun ... Sharp written comedy meets completely unscripted [ ... ]
The Junction does comedy for two consecutive (but not repeated) nights on 4 and 5 April: "Jukebox Junction is where stand-up and improv collide for a night that’s fast, unpredictable, and seriously fun ... Sharp written comedy meets completely unscripted [ ... ]
An interesting experiment in open-access open-ended performance by The Junction. It's a kind of open mic for any kind of performance: you can pitch for a slot for whatever it is you want to do (anything goes, apparently) – book [ ... ]
Final performance for Neil Simon's comedy of relationships. Jake is a New York novelist with a troubled marriage; he can’t stop talking to other women in his life, some of whom are imaginary, in an attempt to gain some insight [ ... ]
A second performance for Neil Simon's comedy of relationships. Jake is a New York novelist with a troubled marriage; he can’t stop talking to other women in his life, some of whom are imaginary, in an attempt to gain some [ ... ]
Jake is a New York novelist with a troubled marriage; he can’t stop talking to other women in his life, some of whom are imaginary, in an attempt to gain some insight on the problem – his daughter Molly, his [ ... ]
Second of four Junction performances for Culture Emulsion’s production (in French, of course) of the popular comedy by Matthieu Delaporte and Alexandre de la Patellière. Forty-something Vincent is about to become a father for the first time. Invited to dinner [ ... ]
Culture Emulsion’s production (in French, of course) of the popular comedy by Matthieu Delaporte and Alexandre de la Patellière that premiered in 2010 and went on to become a successful film adaptation. It’s a story about names and family relationships; [ ... ]
Second performance for this francophone Midsummer Night's Dream, directed by Stéphane Brismontier and featuring Culture Emulsion's theatre school players. It's described as "d'après l'oeuvre de William Shakespeare", so we're expecting an adaptation that hopefully omits some of the duller jokes [ ... ]
A francophone Midsummer Night's Dream, directed by Culture Emulsion's main man Stéphane Brismontier and featuring CE's theatre school players – around a dozen of them, which should make for a fun show on the Junction's stage. It's described as "d'après [ ... ]
Final performance for H72's production of David Lindsay-Abaire's play about a family navigating love, loss, and the possibility of finding light in unexpected places.
A second performance for H72's production of David Lindsay-Abaire's play about a family navigating love, loss, and the possibility of finding light in unexpected places. The final show is on 8 February.
It looks as though the Junction has found another small gem – David Lindsay-Abaire's play, winner of the 2007 Pulitzer Prize for Drama, is a deeply moving yet surprisingly funny story about a family navigating love, loss, and the search [ ... ]
Yasmina Reza's cult comedy classic uses three friends' reactions to an expensive all-white painting to examine the dynamics of friendship. Spoiler alert: it's not really about art per se – the white painting is just the catalyst, but it does [ ... ]
Yasmina Reza's cult comedy classic uses three friends' reactions to an expensive all-white painting to examine the dynamics of friendship. Spoiler alert: it's not really about art per se – the white painting is just the catalyst, but it does [ ... ]
What exactly is 'art'? Yasmina Reza's cult comedy classic uses that as the starting point for a caustic examination of the potentially fragile architecture of friendship. One of the three friends has just bought a very expensive painting – it's [ ... ]
The second performance for this affectionate high-energy shot-for-shot parody of the iconic 90s film Jurassic Park, with two blokes and a Foley artist delivering all the key characters (including most of the dinosaurs). Token low-budget costumes combined with the actors’ [ ... ]
The second performance for this irreverent high-energy high-physicality parody of Lord of the Rings (the film rather than the novel, in fact). Intricate Foley work is matched by the sheer skill of the actors and the increasingly manic complexity of [ ... ]
The second performance for this joyful lesson in how theatre can transcend language barriers. An actress receives a student for a private drama lesson in her apartment; he is eager to learn the tricks of the trade, she is thrilled [ ... ]
An irreverent high-energy high-physicality parody of Lord of the Rings (the film rather than the novel, in fact). Intricate Foley work is matched by the sheer skill of the actors and the increasingly manic complexity of the situations – the [ ... ]
Two blokes and a Foley artist deliver a high-energy shot-for-shot parody of the iconic 90s film Jurassic Park, playing all the key characters (including most of the dinosaurs). Token low-budget costumes combined with the actors’ slick physicality, vocal creativity and [ ... ]
A joyful lesson in theatre and a tribute to the theatrical talent of Italians for connecting to anyone, transcending language barriers. Set partly in English and partly in Italian (and without subtitles), the show ironically demolishes preconceived notions of the [ ... ]
The final performance for Steven Moffat's black comedy of manners, boundaries, and exquisitie embarassment. The final show is on 14 December.
A second performance for Steven Moffat's black comedy of manners, boundaries, and exquisitie embarassment. The final show is on 14 December.
Peter and Debbie are a timorous suburban couple who are “dying of manners”. They can’t communicate with their teenage children, can’t stand their neighbour, and can’t believe they have agreed to host a brash American, Elsa, who was amusing company [ ... ]
Written and directed by Rasika Agashe, this magical look at the fate of Scheherazade, the narrator of the original ‘One Thousand and One Nights’, is back for one night only (it was at the Junction in March this year). Rasika [ ... ]
The final performance for this razor-sharp comedy that marks The Junction's tenth anniversary. An outbreak of mumps forces people in the community to reconsider the liberal vaccine policy operated by Eureka Day Elementary School; as cases rise, the school’s Executive [ ... ]
Second performance for this razor-sharp comedy that marks The Junction's tenth anniversary. An outbreak of mumps forces people in the community to reconsider the liberal vaccine policy operated by Eureka Day Elementary School; as cases rise, the school’s Executive Committee [ ... ]
Eureka Day Elementary School is an institution that prides itself on ensuring every voice is heard, and every child is welcome — that is, until an outbreak of mumps forces people in the community to reconsider the school’s liberal vaccine [ ... ]
The final performance for writer/director Gaby Milky's satirical comedy: Neverland is actually Neverland Publishing, Hook is the Managing Editor, and Peter Pan is organising the workforce to counter the threat of a new AI robot brought in to “enhance workflow [ ... ]
The second performance for writer/director Gaby Milky's satirical comedy: Neverland is actually Neverland Publishing, Hook is the Managing Editor, and Peter Pan is organising the workforce to counter the threat of a new AI robot brought in to “enhance workflow [ ... ]
Now this sounds a lot of fun: at Neverland Publishing, deadlines are chaos, the creatives are barely holding it together, and Managing Editor James Hook has some terrible news: Upper Management has sent in Sylvia, a brand-new AI robot, to [ ... ]
The final day of performances (at 2.30 and 7.30pm) for Marius von Mayenburg’s very dark comedy about beauty, identity and getting ahead in life “makes its points with the lightest of touches” (The Guardian).
When the extent of his ugliness is revealed, Lette turns to a plastic surgeon for help – but when the bandages come off, Lette soon learns that there is such a thing as too beautiful ... The second day of [ ... ]
When the extent of his ugliness is revealed, Lette turns to a plastic surgeon for help – but when the bandages come off, Lette soon learns that there is such a thing as too beautiful ... Translated from the original [ ... ]
The final two performances for this Agatha Christie spy/theft/murder thriller. with legendary detective Hercule Poirot assessing the case. There are performances at 2.30 and 7.30pm.
Second performance for Agatha Christie’s spy/theft/murder thriller. with legendary detective Hercule Poirot assessing the case. There are further performances at 2.30 and 7.30pm on 28 September.
Agatha Christie’s first piece of writing for the stage, initially produced in 1930 and the start of a successful second career for her as a playwright. In her 1977 autobiography she describes it as "a conventional spy thriller ... full [ ... ]
The final performance of this run for “one of the funniest plays you’ll ever see about depression – and possibly one of the funniest plays you’ll ever see, full stop”. The Junction’s main man Gautam Goenka directs and performs; the [ ... ]
A second night for this single-hander written by the English playwright/director Duncan Macmillan with actor/writer/comedian Johnny Donahoe, The Guardian called the original Edinburgh Festival production “one of the funniest plays you’ll ever see about depression – and possibly one of [ ... ]
A very welcome return for this single-hander play that has already been a smash hit at the Junction four times in the last three years. It’s not hard to see why: written by the English playwright/director Duncan Macmillan with actor/writer/comedian [ ... ]
Third and final performance of Gogol's comedy of mistaken identity, satirizing human greed, stupidity, and political corruption. It's also very funny, "proving that bureaucracy and buffoonery are a match made in theatrical heaven" as the producers put it.
The second performance of the Junction's production of Gogol's comedy of mistaken identity, satirizing human greed, stupidity, and political corruption. It's also very funny, "proving that bureaucracy and buffoonery are a match made in theatrical heaven" as the producers put [ ... ]
Somehow Nikolai Gogol's play never feels outdated: originally published in 1836 and revised in 1842, the play is a comedy of mistaken identity, satirizing human greed, stupidity, and political corruption. It's also very funny, "proving that bureaucracy and buffoonery are [ ... ]
This 45-minute play -- first seen at the NYUAD Arts Center last autumn – is a joyful lesson in theatre and a tribute to the theatrical talent of Italians for connecting to anyone, transcending language barriers. Set partly in English [ ... ]
Successful 40s-ish photographer Mat (James Cuningham) takes us on a heart-warming, epiphanic journey in this one-man show, written by Nick Warren and directed by Jenine Collocott. On learning that his girlfriend is pregnant, a stunned Mat goes for a jog [ ... ]
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