The second performance for writer/director Gaby Milky's satirical comedy: Neverland is actually Neverland Publishing, Hook is the Managing Editor, and Peter Pan is organising the workforce to counter the threat of a new AI robot brought in to “enhance workflow [ ... ]
Now this sounds a lot of fun: at Neverland Publishing, deadlines are chaos, the creatives are barely holding it together, and Managing Editor James Hook has some terrible news: Upper Management has sent in Sylvia, a brand-new AI robot, to [ ... ]
The final day of performances (at 2.30 and 7.30pm) for Marius von Mayenburg’s very dark comedy about beauty, identity and getting ahead in life “makes its points with the lightest of touches” (The Guardian).
When the extent of his ugliness is revealed, Lette turns to a plastic surgeon for help – but when the bandages come off, Lette soon learns that there is such a thing as too beautiful ... The second day of [ ... ]
When the extent of his ugliness is revealed, Lette turns to a plastic surgeon for help – but when the bandages come off, Lette soon learns that there is such a thing as too beautiful ... Translated from the original [ ... ]
The final two performances for this Agatha Christie spy/theft/murder thriller. with legendary detective Hercule Poirot assessing the case. There are performances at 2.30 and 7.30pm.
Second performance for Agatha Christie’s spy/theft/murder thriller. with legendary detective Hercule Poirot assessing the case. There are further performances at 2.30 and 7.30pm on 28 September.
Agatha Christie’s first piece of writing for the stage, initially produced in 1930 and the start of a successful second career for her as a playwright. In her 1977 autobiography she describes it as "a conventional spy thriller ... full [ ... ]
The final performance of this run for “one of the funniest plays you’ll ever see about depression – and possibly one of the funniest plays you’ll ever see, full stop”. The Junction’s main man Gautam Goenka directs and performs; the [ ... ]
A second night for this single-hander written by the English playwright/director Duncan Macmillan with actor/writer/comedian Johnny Donahoe, The Guardian called the original Edinburgh Festival production “one of the funniest plays you’ll ever see about depression – and possibly one of [ ... ]
A very welcome return for this single-hander play that has already been a smash hit at the Junction four times in the last three years. It’s not hard to see why: written by the English playwright/director Duncan Macmillan with actor/writer/comedian [ ... ]
Third and final performance of Gogol's comedy of mistaken identity, satirizing human greed, stupidity, and political corruption. It's also very funny, "proving that bureaucracy and buffoonery are a match made in theatrical heaven" as the producers put it.
The second performance of the Junction's production of Gogol's comedy of mistaken identity, satirizing human greed, stupidity, and political corruption. It's also very funny, "proving that bureaucracy and buffoonery are a match made in theatrical heaven" as the producers put [ ... ]
Somehow Nikolai Gogol's play never feels outdated: originally published in 1836 and revised in 1842, the play is a comedy of mistaken identity, satirizing human greed, stupidity, and political corruption. It's also very funny, "proving that bureaucracy and buffoonery are [ ... ]
This 45-minute play -- first seen at the NYUAD Arts Center last autumn – is a joyful lesson in theatre and a tribute to the theatrical talent of Italians for connecting to anyone, transcending language barriers. Set partly in English [ ... ]
Successful 40s-ish photographer Mat (James Cuningham) takes us on a heart-warming, epiphanic journey in this one-man show, written by Nick Warren and directed by Jenine Collocott. On learning that his girlfriend is pregnant, a stunned Mat goes for a jog [ ... ]
Successful 40s-ish photographer Mat takes us on a heart-warming, epiphanic journey in this one-man show, written by Nick Warren and directed by Jenine Collocott. On learning that his girlfriend is pregnant, a stunned Mat (James Cuningham) goes for a run [ ... ]
Third and final performance for Culture Emulsion's production of Alexis Michalik's massively popular theatrical tour de force – a literary treasure hunt that takes its audience through several eras and several lands in the company of a multitude of colourful [ ... ]
Second performance (of three) for Culture Emulsion's production of Alexis Michalik's massively popular theatrical tour de force – a literary treasure hunt that takes its audience through several eras and several lands in the company of a multitude of colourful [ ... ]
La Troupe de Culture Emulsion (Dubai's only Francophone theatre group?) presents Alexis Michalik's massively popular theatrical tour de force – a literary treasure hunt that takes its audience through several eras and several lands in the company of a multitude [ ... ]
The second performance of this retelling of One Thousand and One Nights, written and directed by Rasika Agashe who has approached the Arabian Nights stories as the account of strong women navigating their survival through storytelling.
"A mesmerising tapestry of tales" promises the blurb. Written and directed by Rasika Agashe, it's a magical look at the fate of Scheherazade, the narrator of the original ‘One Thousand and One Nights’. Rasika Agashe says she has long been [ ... ]
The second (and final) performance of Tom Foreman's account of the almost impossible but true survival story of Frederick Barrett, lead firemen in one of the boiler rooms on the Titanic. Barrett’s story is one of the most devastating accounts [ ... ]
Now this should be an impressive piece of theatre: Boiler Room Six tells the almost impossible but true survival story of Frederick Barrett, lead firemen in one of the boiler rooms on the Titanic. Barrett’s story is one of the [ ... ]
The final performances (at 2pm and 8pm) for this powerful two-hander by Johanna Adams. Over the course of a parent/teacher conference, a grieving mother and an emotionally overwhelmed primary school teacher have a fraught conversation about the tragic suicide of [ ... ]
Two further performances (at 2pm and 8pm) for this powerful two-hander by Johanna Adams. Over the course of a parent/teacher conference, a grieving mother and an emotionally overwhelmed primary school teacher have a fraught conversation about the tragic suicide of [ ... ]
Over the course of a parent/teacher conference, a grieving mother and an emotionally overwhelmed primary school teacher have a fraught conversation about the tragic suicide of the mother’s son. Gidion may have been bullied – or he may have been [ ... ]
A second performance for Complices Théâtre's production of this fun comedy. It's mad as trumpets, with echoes of Monty Python, Laurel and Hardy, and the Mighty Boosh. An imposing Shakespearian actor tells incredible stories of a man journeying through Europe [ ... ]
This English version of an award-winning French comedy has been winning rave reviews, and the production has popped up a few times at various Dubai venues in the last few months – most (deservedly) selling out. It’s fun, mad as [ ... ]
The final performance for this evening of short plays written and directed by Sanjeev Dixit for Third Half Theatre: The Monkey's Paw: A story of a family whose lives are altered when an old friend brings a strange talisman into [ ... ]
A second evening of short plays written and directed by Sanjeev Dixit for Third Half Theatre: The Monkey's Paw: A story of a family whose lives are altered when an old friend brings a strange talisman into their home. (adaptated [ ... ]
An evening of short plays written and directed by Sanjeev Dixit for Third Half Theatre: The Monkey's Paw: A story of a family whose lives are altered when an old friend brings a strange talisman into their home. (adaptated from [ ... ]
"Clean and family friendly stand up" about "everyday relatable things like bargaining at shops, learning how to cook and getting married the old-fashioned arranged-marriage way".
Unscripted and unexpected, the team reacts to prompts from the audience. Classic improv, with the added bonus of experienced actors from the Junction's resident performers.
The final performances of this Complices Théâtre production of Neil Simon’s farce. A group of friends gathers for a dinner party, only to find that something is not quite right – the kitchen staff have vanished, the hostess is missing, [ ... ]
The second performance of this Complices Théâtre production of Neil Simon’s farce. A group of friends gathers for a dinner party, only to find that something is not quite right – the kitchen staff have vanished, the hostess is missing, [ ... ]
Complices Théâtre presents Neil Simon’s farcical package of gags, twists and zingers. A group of friends gathers for a dinner party, only to find that something is not quite right – the kitchen staff have vanished, the hostess is missing, [ ... ]
A return for this single-hander, written by and (we think) performed by Gillian Rhodes, who is really very good at this storytelling-with-performance sort of thing. This time it's a coming-of-age tale of a young boy in the late 19th century; [ ... ]
The second and final performance by Dubai Drama Group of this stage adaptation of the fourth (and best-scripted) of the BBC sitcom – a series of schemes by Captain Edmund Blackadder to escape the horrors of World War One, aided [ ... ]
A stage adaptation of the fourth (and best-scripted) of the BBC sitcom originally written by Richard Curtis and Ben Elton. Dubai Drama Group really can't go wrong with this – a series of schemes by Captain Edmund Blackadder to escape [ ... ]
It's all in the name: chills and chuckles inspired by audience suggestions, with the Junction decked out in spooky decorations and eerie lighting. Come dressed in your most creative Halloween costume – best wins a special prize. The price is [ ... ]
The final performances for Kate Hamill's "feminist revenge fantasy" are at 2pm and 7.30pm today. The familiar vampire tale is infused with post-modern wit and "a stake through the heart of toxic masculinity", as the New York Times put it [ ... ]
A second performance for Kate Hamill's "feminist revenge fantasy" – which infuses the familiar vampire tale with post-modern wit and "a stake through the heart of toxic masculinity", as the New York Times put it when it was first performed. [ ... ]
Kate Hamill's "feminist revenge fantasy" infuses the familiar vampire tale with post-modern wit and "a stake through the heart of toxic masculinity", as the New York Times put it when it was first performed. "The world women inhabit in this [ ... ]
The Junction's experiment with improv gets another outing; last time out the "unscripted and unexpected live improvised theatrical show" was pretty good, by all accounts. Individual tickets are AED 100, but you can buy two for AED 160 ...
The final performance for this Agatha Christie play. There's an unusual twist on the traditional murder mystery , the action moving from past to present and illuminating the danger of relying on personal testimony warped by time, prejudice and perception. [ ... ]
Second performance of this Agatha Christie play. There's an unusual twist on the traditional murder mystery , the action moving from past to present and illuminating the danger of relying on personal testimony warped by time, prejudice and perception. Carla [ ... ]
Agatha Christie wrote more than a dozen plays as well as the novels that made her name, and this is one -- written in 1960, an adaptation of her story Five Little Pigs with Hercule Poirot removed from the story. [ ... ]
Last chance to see this series of Dubai-set playlets. They are written by three Dubai-based playwrights (Dee Gee, Edwige Narbey, Alex Broun) and directed by Dee Gee; cast and crew are drawn from 11 different nationalities – which is about [ ... ]
Second performance for this series of playlets. They are written by three Dubai-based playwrights (Dee Gee, Edwige Narbey, Alex Broun) and directed by Dee Gee; set in Dubai on New Year’s fireworks time, they feature cast and crew drawn from [ ... ]
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