Peter and Debbie are a timorous suburban couple who are “dying of manners”. They can’t communicate with their teenage children, can’t stand their neighbour, and can’t believe they have agreed to host a brash American, Elsa, who was amusing company [... more]
Written and directed by Rasika Agashe, this magical look at the fate of Scheherazade, the narrator of the original ‘One Thousand and One Nights’, is back for one night only (it was at the Junction in March this year). Rasika [... more]
The final performance for this razor-sharp comedy that marks The Junction's tenth anniversary. An outbreak of mumps forces people in the community to reconsider the liberal vaccine policy operated by Eureka Day Elementary School; as cases rise, the school’s Executive [... more]
Second performance for this razor-sharp comedy that marks The Junction's tenth anniversary. An outbreak of mumps forces people in the community to reconsider the liberal vaccine policy operated by Eureka Day Elementary School; as cases rise, the school’s Executive Committee [... more]
Eureka Day Elementary School is an institution that prides itself on ensuring every voice is heard, and every child is welcome — that is, until an outbreak of mumps forces people in the community to reconsider the school’s liberal vaccine [... more]
The final performance for writer/director Gaby Milky's satirical comedy: Neverland is actually Neverland Publishing, Hook is the Managing Editor, and Peter Pan is organising the workforce to counter the threat of a new AI robot brought in to “enhance workflow [... more]
The second performance for writer/director Gaby Milky's satirical comedy: Neverland is actually Neverland Publishing, Hook is the Managing Editor, and Peter Pan is organising the workforce to counter the threat of a new AI robot brought in to “enhance workflow [... more]
Now this sounds a lot of fun: at Neverland Publishing, deadlines are chaos, the creatives are barely holding it together, and Managing Editor James Hook has some terrible news: Upper Management has sent in Sylvia, a brand-new AI robot, to [... more]
The final day of performances (at 2.30 and 7.30pm) for Marius von Mayenburg’s very dark comedy about beauty, identity and getting ahead in life “makes its points with the lightest of touches” (The Guardian).
When the extent of his ugliness is revealed, Lette turns to a plastic surgeon for help – but when the bandages come off, Lette soon learns that there is such a thing as too beautiful ... The second day of [... more]
When the extent of his ugliness is revealed, Lette turns to a plastic surgeon for help – but when the bandages come off, Lette soon learns that there is such a thing as too beautiful ... Translated from the original [... more]
The final performance of this play. Set in a luxury tennis club suite, it follows seven long-time friends reunited for a destination wedding; but a seemingly innocent game of sharing phone messages and calls turns into digital Russian roulette. Secrets, [... more]
Set in a luxury tennis club suite, this play follows seven long-time friends reunited for a destination wedding; but a seemingly innocent game of sharing phone messages and calls turns into digital Russian roulette. Secrets, affairs, emotional confessions, and some [... more]
When this show debuted in September last year, it sold out – and deservedly so: it was well acted (and most of the same gang are back for this revival), well directed (by Satya Baskaran, who's also in charge this [... more]
© 2026 magpie media