A reprise of Culture Emulsion's careful and effective treatment of the Vagina Monologues; the dramatist Eve Ensler based her text on more than 200 interviews with women who confided their sensations, their traumas, their aspirations, their anxieties, their joys … [ ... ]
A second performance of this comic thriller by students of Culture Emulsion's Dubai-based drama school as part of its annual Tous en Scène festival of Francophone theatre.
Panic blows through a burlesque cabaret when the star artists discover the assassination of their boss. Sassy or down to earth, rebellious or naive, or even mothers with psychopathic tendencies, they decide to carry out the investigation – in their [ ... ]
A second show for this Feydeau farce set in a notorious hotel, with a motley group of guests entering and exiting rooms that are only sometimes the right ones ... Performed by students of Culture Emulsion's Dubai-based drama school as [ ... ]
Classic Feydeau farce (actually co-written with Maurice Desvallières). It's set in a notorious hotel, with a motley group of guests entering and exiting rooms that are only sometimes the right ones ... Lies and misunderstandings, frustrations and lack of luck [ ... ]
You can't fault the Junction's resident H72 theatre company for lack of ambition; Othello is an expansive play, full of big characters and demanding powerful acting to deliver Shakespeare's tale of jealousy, interpersonal politics and social commentary. We know little [ ... ]
You can't fault the Junction's resident H72 theatre company for lack of ambition; Othello is an expansive play, full of big characters and demanding powerful acting to deliver Shakespeare's tale of jealousy, interpersonal politics and social commentary. We know little [ ... ]
You can't fault the Junction's resident H72 theatre company for lack of ambition; Othello is an expansive play, full of big characters and demanding powerful acting to deliver Shakespeare's tale of jealousy, interpersonal politics and social commentary. We know little [ ... ]
The final two performances for this hit comedy two-hander by Pierre Guillois and Olivier Martin-Salvan, reworked from the French original for an Anglophone audience at last year’s Edinburgh Festival. There were rave reviews for a show that has an imposing [ ... ]
The second performance for this hit comedy two-hander by Pierre Guillois and Olivier Martin-Salvan, reworked from the French original for an Anglophone audience at last year’s Edinburgh Festival. There were rave reviews for a show that has an imposing Shakespearian [ ... ]
This is an English version of an award-winning French comedy from 2021, Les Gros Patinent Bien, by Pierre Guillois and Olivier Martin-Salvan. That was a story which began with boxes: in the corner of a rehearsal room, deprived of stage [ ... ]
The final day of performances (7.30pm and 9.30pm) for this world premiere of a new play written and directed by the award-winning Australian writer/director Alex Broun. Torn is described as "a sexy, fast-paced, brutal, funny and at times moving dissection [ ... ]
A second day of performances (4pm, 7.30pm, 9.30pm) for this world premiere of a new play written and directed by the award-winning Australian writer/director Alex Broun, well known to Dubai audiences for the past 15 or so years (not least [ ... ]
The world premiere of a new play written and directed by the award-winning Australian writer/director Alex Broun, well known to Dubai audiences for the past 15 or so years (not least from his promotion of and participation in the Short [ ... ]
The Vagina Monologues may have had the title toned down for wider public consumption – the original was hardly likely to get past the censors, even in this French-language version – but it still packs a powerful piece of feminist [ ... ]
A programme of monologues and duologues by members of Dubai Drama Group – "enjoy a night of comedy and drama where we celebrate the inclusivity and joy of live theatre". Should be a good evening.
The fifth and final performances of the culture Emulsion production of Francis Veber's highly successful modern French farce. Pierre Brochant is one of the Parisian businessmen who have a weekly 'idiots' dinner', where guests bring along a dimwit who can [ ... ]
The penultimate performances of the culture Emulsion production of Francis Veber's highly successful modern French farce. Pierre Brochant is one of the Parisian businessmen who have a weekly 'idiots' dinner', where guests bring along a dimwit who can be ridiculed. [ ... ]
The first of three more performances of the culture Emulsion production of Francis Veber's highly successful modern French farce. Pierre Brochant is one of the Parisian businessmen who have a weekly 'idiots' dinner', where guests bring along a dimwit who [ ... ]
A second performance of Francis Veber's highly successful modern French farce by Culture Emulsion. Pierre Brochant is one of the Parisian businessmen who have a weekly 'idiots' dinner', where guests bring along a dimwit who can be ridiculed. Brochant finds [ ... ]
Francis Veber's highly successful modern French farce gets the Culture Emulsion treatment. Pierre Brochant is one of the Parisian businessmen who have a weekly 'idiots' dinner', where guests bring along a dimwit who can be ridiculed. Brochant finds an excellent [ ... ]
An adaptation of Sidney Lumet’s courtroom drama 12 Angry Men, transposed to Punjab in the 1890s (and delivered in Punjabi, with English subtitles). The members of a jury deliberate a guilty verdict that means death for the accused; one of [ ... ]
An adaptation of Kurosawa’s Rashomon transposed to Punjab (and delivered in Punjabi, with English subtitles). A man is found dead and his wife abused; a bandit confesses, but the wife’s story is different – and the dead man himself has [ ... ]
The second of two nights for Marc Camoletti's farce The play has a delicious 60s vibe: swinging bachelor Bernard is simultaneously engaged to Gloria, Gabriella, and Gretchen, all flight attendants who don’t know of each other's existence. But then things [ ... ]
Marc Camoletti's farce had a short run in November at the Junction, but now it's back by popular demand, as they say, and for two nights only. The play has a delicious 60s vibe: swinging bachelor Bernard is simultaneously engaged [ ... ]
The final performances for this science fiction musical, said to be the first original musical play to be produced in the UAE: long ago people left an uninhabitable earth to make a life in the stars. That sort of worked, [ ... ]
Second performance for this science fiction musical, said to be the first original musical play to be produced in the UAE: long ago people left an uninhabitable earth to make a life in the stars. That sort of worked, but [ ... ]
A science fiction musical: long ago people left an uninhabitable earth to make a life in the stars. That sort of worked, but after centuries the infrastructure of their colonies is in disrepair and standards of living are crumbling. Then [ ... ]
A final pair of performances for Marc Camoletti's swinging 60s farce, adapted into English by Beverly Cross and Francis Evans) and now it's getting the Dubai treatment with a H72 production at The Junction. Swinging bachelor Bernard is simultaneously engaged [ ... ]
A second evening for Marc Camoletti's farce, adapted into English by Beverly Cross and Francis Evans) and now it's getting the Dubai treatment with a H72 production at The Junction. It has a classic farce plot: swinging bachelor Bernard is [ ... ]
Marc Camoletti's farce, which first played in 1960, was a smash hit in his native country and (in the English translation by Beverly Cross and Francis Evans) on Broadway and the West End; it went to Hollywood too in 1965, [ ... ]
Gaby Milky writes and directs this "musical-ish satire", first seen back in 2017. The king of Blinktonasia is imposing a strict regime that requires eradication of the clowns, the threat to his monarchy; so he orders the Professor to devise [ ... ]
Gaby Milky writes and directs this "musical-ish satire", first seen back in 2017. The king of Blinktonasia is imposing a strict regime that requires eradication of the clowns, the threat to his monarchy; so he orders the Professor to devise [ ... ]
Gaby Milky writes and directs this "musical-ish satire", first seen back in 2017. The king of Blinktonasia is imposing a strict regime that requires eradication of the clowns, the threat to his monarchy; so he orders the Professor to devise [ ... ]
The final performance for Graham Linehan's adaptation of the 1955 Ealing comedy film: "an action-packed black comedy" with the imaginative, immovable Mrs Wilberforce faced by a corrupt gang of five evildoers. "With only a parrot and one of the dimmest [ ... ]
A second performance for Graham Linehan's adaptation of the 1955 Ealing comedy film: "an action-packed black comedy" with the imaginative, immovable Mrs Wilberforce faced by a corrupt gang of five evildoers. "With only a parrot and one of the dimmest [ ... ]
It was a classic Alec Guinness Ealing comedy film of the 1950s and then a Coen Brothers remake (with massive infrastructure alterations) of 2004. Then in 2011 Graham Linehan adapted the 1955 original for the stage; it's recognisable, and you [ ... ]
The second and final performance of this epic love story, timed for the Independence Day weekend of India and Pakistan. Sohni Mahiwal (or Suhni Mehar) is a long-established tragic romance from Sindh and Punjab, dating back to the 10th century [ ... ]
An award winning treatment by Yusra Irfan of an epic love story, timed for the Independence Day weekend of India and Pakistan, and set in Punjab (which is part of both). Sohni Mahiwal (or Suhni Mehar) is a established tragic [ ... ]
The third and final performance of this bittersweet comedy by the American writer Christopher Durang. Praised as a humorous adaptation of Chekhovian themes that doesn't require any familiarity with Chekhov, its story revolves around the relationships of three middle-aged single [ ... ]
A second performance (of three) for this bittersweet comedy by H72 Productions. Vanya and Sonia and Masha and Spike, a play by the American writer Christopher Durang, has been praised as a humorous adaptation of Chekhovian themes that doesn't require [ ... ]
H72 Productions has found another interesting play for its current season. Vanya and Sonia and Masha and Spike, a comedy by the American writer Christopher Durang, has been praised as a humorous adaptation of Chekhovian themes that doesn't require any [ ... ]
Matinee and evening performances (2pm and 7.30pm) for this musical adaptation of La-La Land by Yasseen Ashri, who also directs The Greenroom youth theatre group.
Aspiring actress and young jazz musician find love in Los Angeles. Yes, it's the plot of La-La Land, and City of Stars ∼ which also happens to be one of the better songs from the soundtrack – is an adaptation [ ... ]
Two final performance for H72's production of John Cariani’s play, made up of a series of interconnected vignettes that explore love and loss in a remote, mythical New England town called Almost. It's a charming exploration of love's many facets, [ ... ]
A second evening for the H72 production of John Cariani’s play, a series of interconnected vignettes that explore love and loss in a remote, mythical New England town called Almost. A charming exploration of love's many facets, filled with wit, [ ... ]
John Cariani’s play is made up of a series of interconnected vignettes that explore love and loss in a remote, mythical New England town called Almost. A charming exploration of love's many facets, filled with wit, warmth, and unexpected surprises, [ ... ]
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