LAST CHANCE Nazgol Ansarinia: Instruments of Viewing an Obscurity

Recent projects from the Tehran-born artist. Nazgol Ansarinia’s work examines the systems and networks that underpin her daily life – from everyday objects to routines, events and experiences. She’s interested in the relationships they form to make up a larger social context. Ansarinia’s practice reflects upon tensions between private worlds and the wider socioeconomic realm, and “how local iterations of a culture might act as a site for the hopes and fears of those living in a (faltering) globalised world” as the gallery puts it. This exhibition of recent work ranges across sculpture, installation, drawing, and video, representing ways of understanding the role of architecture in delineating interior and exterior spaces and private and public spheres.