studio salasil has curated this group show of six artists "who engage in risk and interruption within their practices", structuring the exhibition around the effective concept of the backbone – "a central, internal structure of strength that binds and connects [ ... ]
A survey of the work and practice of Emily Karaka. A largely self-taught painter, she is an abstract expressionist, a colourist and (occasionally) an assemblage artist. Her work is personal, passionate and anchored in the politics of the culture clash [ ... ]
Amplifying the voices of migrant and disenfranchised communities, Khalili makes manifest micro-histories erased by the nation-state. Featuring a selection of her most significant projects over the last two decades, including the regional premiere of The Public Storyteller (2024), the exhibition [ ... ]
The Moroccan artist's debut Middle East exhibition is described by the gallery as "a milestone event that offers a unique opportunity to experience Agzenaï’s vibrant and dynamic art in person". On show is a collection of Agzenaï’s signature totems and [ ... ]
A summer-long exhibition of work from one of the gallery’s stalwarts, Timur D'Vatz, featuring his signature mix of stylised figures and symbolic settings that owe something to mediaeval European tapestry, something to Byzantine decoration. The title refers to the dawn [ ... ]
Subtitled “look into the history of contemporary digital art in China” and curated by Jing She, this exhibition features works from 10 artists or collectives from the contemporary digital art scene in China that showcase AI, generative art, 3D imaging, [ ... ]
A seven-part lecture series by art historian Rose Balston on female artists from the 16th through to the 18th century – “women who have not only been side-lined, but literally (and shockingly) blocked out of history”, mainly by the (male) [ ... ]
The inaugural solo exhibition of the Syrian visual artist whose practice spans painting, drawing, sculpture, video, and installation. In this recent work, Maddah repurposes the vocabulary of traditional miniature paintings to depict "dream-like scenes that negotiate themes of belonging, resilience, [ ... ]
An exhibition of Navarro's abstract paintings. The artist says he considers himself primarily a colourist, and the sun of Dubai has led him towards a palette of golden colours, with light shades, infused with the energy and movement that characterise [ ... ]
The first Project Space exhibition of the new season features a series of paintings, sculptures, and installations through which Susan Doe explores ideas of intersectionality, rooted in her own bicultural upbringing. Says the gallery: "Reflecting on her Chinese American background, [ ... ]
The first solo exhibition in the UAE for the Saudi Arabian artist presents a new body of paintings and watercolours that seeks to "peel back the layers in order to expose her personal vocabulary". Her point of departure is the [ ... ]
Najib is a multidisciplinary artist from Iran whose practice includes painting, drawing, photography, sculpture, and art jewellery but primarily revolves around kinetic mechanisms and magnetic fields. His fascination with magnetism, ergonomic placement elements, and environmental sensing has led him to [ ... ]
Alagroobi’s evocative, highly textured landscapes provide a glimpse into “a world where reality and imagination intersect”. Her practice celebrates the physical and metaphysical, using layers of acrylic to sculpt imagined landscapes that blur the boundaries between the tangible and the [ ... ]
This exhibition of carpets designed by artists and curated by Behrang Samadzadegan is described by the gallery as "a territory where artists navigate unbridled fantasies ... Like architects of dreams, they go beyond the surface, delving into the unseen, weaving [ ... ]
A solo show for the Aleppo-born Lebanese-based artist with a very distinctive practice – he paints with cartoon-like characters to talk about the current state of the world, usually a boy (Fasoon) and a girl (Fasooneh) who are always smiling [ ... ]
This travelling edition of the Colomboscope arts festival features work by 19 artists from South Asia and Africa. Taking over Galleries 1 and 2 inside 421 Arts Campus, it focuses on interdependence, custodianship, and restorative practices across rainforests, wilderness, mountain [ ... ]
The second in this seven-part lecture series by art historian Rose Balston on female artists from the 16th through to the 18th century – “women who have not only been side-lined, but literally (and shockingly) blocked out of history”, mainly [ ... ]
The Los Angeles-based artist’s first solo exhibition in West Asia. Through ceramics, liquids and organic materials, Lin spotlights histories of trade, colonialism and extraction in this new central installation. It's co-commissioned with the Biennale of Sydney and Monash University Museum [ ... ]
Gjoen invites the viewer to explore the delicate balance between history and modernity, as envisioned through a distinctive style that fuses street art influences with pop culture and fine art – symbols and themes from the Renaissance and Baroque are [ ... ]
An exhibition of Navarro's abstract paintings. The artist says he considers himself primarily a colourist, and the sun of Dubai has led him towards a palette of golden colours, with light shades, infused with the energy and movement that characterise [ ... ]
A master draughtsman, illustrator, filmmaker and sculptor, William Kentridge is also a prolific theatre-maker who has collaborated with local theatre groups and world-renowned opera houses. This is the first exhibition to focus solely on Kentridge’s theatre practice and surveys 23 [ ... ]
Work by Antonio Dias (1944–2018), an artist who relentlessly transgressed material and conceptual boundaries, tackling complex sociopolitical issues across diverse mediums. Drawing upon Hélio Oiticica’s 1969 analysis of Dias’ practice, the title embraces the versatile, ever-changing and subversive nature of [ ... ]
This group exhibition, curated by Lucas Morin, highlights unexpectedly interconnected geographies, resources and commodities, moving between land and sea to tell stories of conflict, erosion and extraction; it's based on works from the Art Jameel Collection plus loans and new [ ... ]
The Moroccan artist's debut Middle East exhibition is described by the gallery as "a milestone event that offers a unique opportunity to experience Agzenaï’s vibrant and dynamic art in person". On show is a collection of Agzenaï’s signature totems and [ ... ]
A duo exhibition for Emirati artist Mohamed Yousif and Kenyan sculptor Maggie Otieno that "celebrates the grounded connections between the practices of the two artists and the cross-cultural exchange between the Middle East and Africa". Or as curator Shamma Al [ ... ]
The third in this seven-part lecture series by art historian Rose Balston on female artists from the 16th through to the 18th century – “women who have not only been side-lined, but literally (and shockingly) blocked out of history”, mainly [ ... ]
A solo exhibition for the London-based artist that draws inspiration from Buhais Geology Park and Jebel Buhais archaeological site in Al Madam. Neelova's sculptures, crafted from a variety of materials including glass, clay, and fossilized shark teeth, offer a speculative [ ... ]
An explicitly-titled exhibition of 27 paintings selected from two Dubai collections, those of the International House Group and Al Noon Residence; included are works by Farid Aouad, Amine El Bacha, Saliba Douaihy, Farghali Abdel Hafez, Faek Hassan, Shaker Hassan, Emanuel [ ... ]
Gjoen invites the viewer to explore the delicate balance between history and modernity, as envisioned through a distinctive style that fuses street art influences with pop culture and fine art – symbols and themes from the Renaissance and Baroque are [ ... ]
A solo show for the Aleppo-born Lebanese-based artist with a very distinctive practice – he paints with cartoon-like characters to talk about the current state of the world, usually a boy (Fasoon) and a girl (Fasooneh) who are always smiling [ ... ]
The first solo exhibition in the UAE for the Saudi Arabian artist presents a new body of paintings and watercolours that seeks to "peel back the layers in order to expose her personal vocabulary". Her point of departure is the [ ... ]
Fourth in this seven-part lecture series by art historian Rose Balston on female artists from the 16th through to the 18th century – “women who have not only been side-lined, but literally (and shockingly) blocked out of history”, mainly by [ ... ]
Alagroobi’s evocative, highly textured landscapes provide a glimpse into “a world where reality and imagination intersect”. Her practice celebrates the physical and metaphysical, using layers of acrylic to sculpt imagined landscapes that blur the boundaries between the tangible and the [ ... ]
The Third Line's first solo exhibition with Louisville-based artist Vian Sora features new paintings and works on paper that explore pearls as "a metaphor for achieving stability and the needed structural integrity for life itself to regenerate". Sora draws on [ ... ]
Rand Abdul Jabbar’s first gallery solo show, curated by Meitha Almazrooei, weaves narrative with sculpture and textile to explore myth-making as a method of preservation and transformation. The exhibition follows on from her award of the Richard Mille Prize ('Earthly [ ... ]
The inaugural solo exhibition of the Syrian visual artist whose practice spans painting, drawing, sculpture, video, and installation. In this recent work, Maddah repurposes the vocabulary of traditional miniature paintings to depict "dream-like scenes that negotiate themes of belonging, resilience, [ ... ]
Continuing this seven-part lecture series by art historian Rose Balston on female artists from the 16th through to the 18th century – “women who have not only been side-lined, but literally (and shockingly) blocked out of history”, mainly by the [ ... ]
Najib is a multidisciplinary artist from Iran whose practice includes painting, drawing, photography, sculpture, and art jewellery but primarily revolves around kinetic mechanisms and magnetic fields. His fascination with magnetism, ergonomic placement elements, and environmental sensing has led him to [ ... ]
Works spanning the last eight years of the artist’s practice that critically engage with the socio-political contexts of architectural heritage and modernist ideologies and aesthetics. Drawing is at the centre of Amba Sayal-Bennett’s practice, expanding across works on paper, projections [ ... ]
Continuing this seven-part lecture series by art historian Rose Balston on female artists from the 16th through to the 18th century – “women who have not only been side-lined, but literally (and shockingly) blocked out of history”, mainly by the [ ... ]
Sancintya Mohini Simpson is a descended from indentured labourers sent from India to work on colonial sugar plantations in South Africa; her work navigates the complexities of migration, memory and trauma, moving between painting, video, poetry and performance to address [ ... ]
Augustine Paredes’ artist’s room brings together his own personal histories and stories that explore his relationship to identity and family via his personal journey as a migrant, navigating constantly between time, places and identities. Gradually moving away from the camera [ ... ]
A survey of the work and practice of Emily Karaka. A largely self-taught painter, she is an abstract expressionist, a colourist and (occasionally) an assemblage artist. Her work is personal, passionate and anchored in the politics of the culture clash [ ... ]
Amplifying the voices of migrant and disenfranchised communities, Khalili makes manifest micro-histories erased by the nation-state. Featuring a selection of her most significant projects over the last two decades, including the regional premiere of The Public Storyteller (2024), the exhibition [ ... ]
Last in this seven-part lecture series by art historian Rose Balston on female artists from the 16th through to the 18th century – “women who have not only been side-lined, but literally (and shockingly) blocked out of history”, mainly by [ ... ]
The Third Line's first solo exhibition with Louisville-based artist Vian Sora features new paintings and works on paper that explore pearls as "a metaphor for achieving stability and the needed structural integrity for life itself to regenerate". Sora draws on [ ... ]
The first major solo show in the GCC for the Bangladesh-born US-based artist. Her practice spans drawing, painting and sculpture, "exploring the material and conceptual possibilities of form and medium ... Sultana proposes that fragility can be a form of [ ... ]
A master draughtsman, illustrator, filmmaker and sculptor, William Kentridge is also a prolific theatre-maker who has collaborated with local theatre groups and world-renowned opera houses. This is the first exhibition to focus solely on Kentridge’s theatre practice and surveys 23 [ ... ]
Work by Antonio Dias (1944–2018), an artist who relentlessly transgressed material and conceptual boundaries, tackling complex sociopolitical issues across diverse mediums. Drawing upon Hélio Oiticica’s 1969 analysis of Dias’ practice, the title embraces the versatile, ever-changing and subversive nature of [ ... ]
This travelling edition of the Colomboscope arts festival features work by 19 artists from South Asia and Africa. Taking over Galleries 1 and 2 inside 421 Arts Campus, it focuses on interdependence, custodianship, and restorative practices across rainforests, wilderness, mountain [ ... ]
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