The Jameel's annual Youth Takeover is the manifestation of the Assembly, an experimental learning programme designed to foster creative leaders aged 18 to 24 in the UAE, "inviting the creation and curation of projects reflective of their generation’s areas of [ ... ]
Experimental photography works by the Iraqui artist, who says: “Inspired by the Sumerian myth and my archaeological excavations in our invisible life, the mythological love series invites us to contemplate the magical love relationship between human women and the Anunnaki [ ... ]
Al Braithwaite is a contemporary artist from London who works across a variety of disciplines including sculpture, assemblage, found material and installation. For this show, Braithwaite’s Material Abstraction (MATAB) comprises textured panels arrayed as physical sculptures. Says the gallery: “Their [ ... ]
Single man Min-sang is a meticulous planner and obsessively tidy. He just wants peace and quiet — but his building has become an unofficial home for stray dogs, thanks to the free-spirited vet Jin-young who is his tenant. A chance [ ... ]
After a stint in a mental hospital, Korean teen Su-mi reunites with her beloved sister Su-yeon and they return to live at their family home. The girls' father has remarried, and the siblings are immediately resentful of his new wife. [ ... ]
This adaptation of Yasmina Reza's Le Dieu du Carnage is described as a "compelling theatrical experience that delves into the fragile facade of civility". The play follows two couples who meet to resolve a conflict between their children – but [ ... ]
The second performance of MTDXB's production of the musical classic, with a cast of 50 and a 14-piece live band. There are further performances at 7.30pm on 23 and 24 May, with a 2.30pm matinée on 24 May too; use [ ... ]
The Abu Dhabi stop on this month's Laughter Factory tour. The acts: Aaron Butler engaging Belfast-born stand-up known for his high spirited stage presence Justin Panks observational comic with a genius for approaching seemingly everyday subjects from extraordinary angles. Roxy [ ... ]
The second performance for this four-day run of the West End hit – all 37 of the bard's plays, condensed into 97 minutes of fast-paced comedy, silliness, audience participation, and "just the right amount of innuendo". Look out for Othello [ ... ]
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