An exhibition created by the Bulgarian immersive-experience specialists Poliforma, using surround-sound and surround-visuals to celebrate "stories of people who have overcome, adapted, or ignored their limitations" through "captivating video inserts, stunning 3D projections, and four interactive installations". Apparently it's "a [... more]
Rand Abdul Jabbar’s first gallery solo show, curated by Meitha Almazrooei, weaves narrative with sculpture and textile to explore myth-making as a method of preservation and transformation. The exhibition follows on from her award of the Richard Mille Prize ('Earthly [... more]
A solo exhibition of small sculptures by the celebrated Spanish artist at the gallery’s Atlantis outpost. Noted for his ability to transform familiar forms and classical references into contemporary pieces, Valdés uses meticulous craftsmanship to recontextualise idioms from the art [... more]
New paintings and works on paper from the Louisville-based artist that explore pearls as "a metaphor for achieving stability and the needed structural integrity for life itself to regenerate". Drawing on her experiences as a war survivor and immigrant (Iraqi-born, [... more]
Fariba Boroufar’s first exhibition at the gallery features her signature woven forms. Reminiscent of elements of the built environment, they offer a poetical portrait of our broken present, a protest against forgetting, and a paean to another way of moving [... more]
The top Ukrainian pianist Oleg Poliansky plays works by Debussy, Scriabin and Stravinsky for the latest recital in Alliance Française's UAE Classical Talents series, now in its fifth season. The price here is for non-members; AF members pay AED 130. [... more]
Last of three consecutive nights of scares, laughter and payback for Halloween. This is one of the Courtyard's most successful improv innovations; the audience gets to share stories of Horrible Bosses, and the team acts out some sweet revenge for [... more]
Susan Hill's elegantly eerie ghost story has been seen by more than seven million people in the stage adaptation by Stephen Mallatratt, and very few will have been disappointed (or unshaken). A lawyer obsessed with a curse that he believes [... more]
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