Pieter Obels and Hermann Nitsch: Momentous Convergence

You wouldn’t normally put these two artists together; but the gallery describes this show as “a platform that showcases a compelling dialogue between their distinct artistic visions”, one that “celebrates abstract and profound concepts while highlighting the intriguing harmony between the artists despite their distinct stylistic approaches”.

Pieter Obels (b.1968) transforms steel into sculptures that defy its inherent rigidity, creating light, graceful pieces with organic shapes. Here he presents a collection inspired by the beauty of Dubai. “When you look at my sculptures you start to follow the lines; ‘Where do I begin and where do I go.’ It’s like travelling, finding new roads, walking unknown paths. For me, showing my sculptures in Dubai feels the same. A new place to explore and meet. It’s a great adventure that starts in my studio and brings me new unknown encounters. I follow.”

The art of Hermann Nitsch (1938-2022), rooted in Expressionism and religious symbolism, aims to be more intense and provocative. His art, especially through the Theatre of Orgies and Mysteries series, aimed to engage all senses, often incorporating intense and provocative elements such as flesh and blood to explore themes of tragedy and passion.

To 15 March.

Above: (left) Pieter Obels, No One Else in Mind (2023) – (right) Hermann Nitsch, KK_15_13 (2013)