LAST CHANCE Zhou Song: Supernatural·Algorithm

Zhou Song’s solo show echoes traditional Chinese landscape painting but employs symbolic imagery to explore relationships between nature, technology, and faith. The ‘anthropomorphic tree’ is central, serving as a metaphor for nature’s alienation by technology – “these trees retain natural forms while merging with human features, hinting at a future possibility: as algorithms silently infiltrate every corner of nature, can it preserve its primal purity? Or will it inevitably fuse with human civilisation, becoming an entirely new entity?”