LAST CHANCE Unfixed ground

A group exhibition that approaches ‘ground’ as “something continuously produced: fractured, inscribed, and held in tension between erasure and persistence …”

The first of two spaces has works by Mandy El Sayegh, Mohamed Ahmed Ibrahim, Omar El Gurg, and Rand Abdul Jabbar – painting, sculpture, and material assemblage that make visible the processes of layering, repetition, and transformation: Says the gallery: “Grids loosen into dense surfaces where language and gesture intersect, while symbolic forms develop through accumulation and return. Elsewhere, sculptural bodies appear suspended between terrain and figure, suggesting ground as something both physical and imagined … Rather than resolving into fixed meanings, these works hold multiple temporalities at once … The space becomes one of ongoing construction, where meaning is contingent and continuously negotiated …”

The second space is quieter and more contemplative, featuring works by Asad Faulwell and Dima Srouji where cycles of repetition and rupture unfold through painting and material fragments. Faulwell’s works have recurring gestures and figures, “tracing forms of endurance that move between ritual and resistance”; Srouji’s practice introduces light and fragility through fractured elements without restoring them to wholeness.

Across both spaces, “Unfixed Ground … reflects on how ground—whether material, political, or symbolic—is continually made and remade. In this context, instability becomes generative: a condition through which forms are shaped, undone, and sustained”.