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X-ORIGINAL-URL:https://magpie.ae
X-WR-CALDESC:Events for magpie
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BEGIN:VTIMEZONE
TZID:Asia/Dubai
BEGIN:STANDARD
TZOFFSETFROM:+0400
TZOFFSETTO:+0400
TZNAME:+04
DTSTART:20220101T000000
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END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260613
DTEND;VALUE=DATE:20260614
DTSTAMP:20260521T161053Z
CREATED:20260521T161053Z
LAST-MODIFIED:20260521T161053Z
UID:10013799-1781308800-1781395199@magpie.ae
SUMMARY:Laila Majid and Inaam Zafar: Body Quotidian
DESCRIPTION:Recent works by Laila Majid and Inaam Zafar that explore the human body and its presence in contemporary life through metaphor and symbolism. In Majid’s practice\, sculptural and photographic works unfold through slow revelation; Zafar’s practice explores themes of death and decay\, while foregrounding the body as a perishable entity. Bringing together these works\, Body Quotidian explores how light\, material\, gesture and atmosphere filters bodily experience; Moving between domestic scenes and abstraction\, the exhibition reflects on the quiet\, everyday moments through which the body continues to shape how we see and inhabit the world. \nBody Quotidian is curated by Raja’a Khalid\, Assistant Curator at Sharjah Art Foundation. To 20 September. \nAbove: Laila Majid\, dressing for pleasure 01 (2024). Below: Inaam Zafar\, Mourners (2026) \n \n 
URL:https://magpie.ae/event/laila-majid-and-inaam-zafar-body-quotidian/
LOCATION:Al Mureijah Square\, Sharjah
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260607
DTEND;VALUE=DATE:20260608
DTSTAMP:20260120T105511Z
CREATED:20260120T105511Z
LAST-MODIFIED:20260120T105511Z
UID:10013327-1780790400-1780876799@magpie.ae
SUMMARY:LAST CHANCE Jorge Tacla: Time the destroyer is time the preserver
DESCRIPTION:While Jorge Tacla was only an adolescent during the 1973 coup against Chile’s democratically-elected socialist president Salvador Allende\, the upheaval left an irrevocable mark on his politics and practice. Titled after a line from a TS Eliot poem\, Tacla’s “most expansive presentation to date” examines how enduring truths can be excavated in the aftermath of a destructive incident. \nStructured as eight ‘chapters’\, the exhibition traces Tacla’s sustained challenge to the supposed hierarchies of human suffering\, false binaries of victim and perpetrator\, and the structural violence connecting seemingly disparate events; the paintings reassert the primacy of human memory and perception in navigating the complexities of representation and interpretation. By depicting buildings and landscapes ‘in negative’\, the artist defines form through absence\, “creating images that reflect on how events are inscribed within individual and collective consciousness”.
URL:https://magpie.ae/event/last-chance-jorge-tacla-time-the-destroyer-is-time-the-preserver/
LOCATION:Al Mureijah Square\, Sharjah
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260503
DTEND;VALUE=DATE:20260504
DTSTAMP:20260120T124857Z
CREATED:20260120T124857Z
LAST-MODIFIED:20260120T124857Z
UID:10013329-1777766400-1777852799@magpie.ae
SUMMARY:LAST CHANCE Ahaad Alamoudi: Sunkissed
DESCRIPTION:Alamoudi’s snapshots of contemporary Khaleeji aesthetics playfully capture the give-and-take between developmental goals and their real-world manifestation. Viral memes\, talking falcons\, automated toy cars and insect light traps all function as tools to process accelerating change; together\, these works explore how the overarching desire for development is absorbed and rearticulated in everyday life.
URL:https://magpie.ae/event/last-chance-ahaad-alamoudi-sunkissed/
LOCATION:Al Mureijah Square\, Sharjah
CATEGORIES:Art,Exhibition,Photography
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260208
DTEND;VALUE=DATE:20260209
DTSTAMP:20260120T112320Z
CREATED:20260120T112320Z
LAST-MODIFIED:20260120T112320Z
UID:10013328-1770508800-1770595199@magpie.ae
SUMMARY:Ahaad Alamoudi: Sunkissed
DESCRIPTION:The motifs of the sun and its intense heat as well as the sand and its pervasive orange hue often serve to represent and condense the Gulf’s complex ecologies and aspirations. This selection of recent and newly commissioned works by Jeddah-based artist Ahaad Alamoudi draws on these stereotypical symbols to examine how collective identity and visual expression intersect\, emerge and unfold amid the region’s rapidly transforming landscape. \nAlamoudi’s snapshots of contemporary Khaleeji aesthetics playfully capture the give-and-take between developmental goals and their real-world manifestation. Viral memes\, talking falcons\, automated toy cars and insect light traps all function as tools to process accelerating change; together\, these works explore how the overarching desire for development is absorbed and rearticulated in everyday life. \nThe exhibition is curated by Amal Al Ali\, Curatorial Assistant at the Foundation. To 3 May. \nAbove: Ahaad Alamoudi\, Those Who Don’t Know Falcons Grill Them (still)\, (2018)
URL:https://magpie.ae/event/ahaad-alamoudi-sunkissed/
LOCATION:Al Mureijah Square\, Sharjah
CATEGORIES:Art,Exhibition,Photography
ATTACH;FMTTYPE=image/webp:https://magpie.ae/thumbpress-image/2026/01/Ahaad_-_Banner.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260208
DTEND;VALUE=DATE:20260209
DTSTAMP:20260120T111801Z
CREATED:20260120T105122Z
LAST-MODIFIED:20260120T111801Z
UID:10013326-1770508800-1770595199@magpie.ae
SUMMARY:Jorge Tacla: Time the destroyer is time the preserver
DESCRIPTION:While Jorge Tacla was only an adolescent during the 1973 coup against Chile’s democratically-elected socialist president Salvador Allende\, the upheaval left an irrevocable mark on his politics and practice. Titled after a line from a TS Eliot poem\, Tacla’s “most expansive presentation to date” examines how enduring truths can be excavated in the aftermath of a destructive incident. \nStructured as eight ‘chapters’\, the exhibition traces Tacla’s sustained challenge to the supposed hierarchies of human suffering\, false binaries of victim and perpetrator\, and the structural violence connecting seemingly disparate events; the paintings reassert the primacy of human memory and perception in navigating the complexities of representation and interpretation. By depicting buildings and landscapes ‘in negative’\, the artist defines form through absence\, “creating images that reflect on how events are inscribed within individual and collective consciousness”. \nThe exhibition is curated by SAF director Hoor Al Qasimi with Abdulla Aljanahi\, Curatorial Assistant at the Foundation. To 7 June. \nAbove: Jorge Tacla\, La Distribucion de los Primarios (The Distribution of the Primes) (1995)
URL:https://magpie.ae/event/jorge-tacla-time-the-destroyer-is-time-the-preserver/
LOCATION:Al Mureijah Square\, Sharjah
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/thumbpress-image/2026/01/Jorge-Tacla-La-Distribucion-de-los-Primarios-The-Distribution-of-the-Primes-1995.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260208
DTEND;VALUE=DATE:20260209
DTSTAMP:20250919T163530Z
CREATED:20250919T163530Z
LAST-MODIFIED:20250919T163530Z
UID:10012732-1770508800-1770595199@magpie.ae
SUMMARY:LAST CHANCE Leda Catunda: I like to like what others are liking
DESCRIPTION:The most comprehensive solo exhibition to date of Brazilian artist Leda Catunda outside her home country. Sharjah Art Foundation is presenting four decades of Catunda’s practice\, tracing the transformation of her art from figurative painting to hybrid forms that explore materiality\, abstraction and dimensionality; her works typically explore the limits of textures and materials\, exemplifed by her ‘soft paintings’ over materials like toweling\, bedclothes\, leather\, velvet and silk. But the scope is broad: from large-scale installations to elemental watercolours\, each piece embodies a sensuous negotiation between the handmade and the mass-produced\, offering a whimsical critique of pop culture and consumerism.
URL:https://magpie.ae/event/last-chance-leda-catunda-i-like-to-like-what-others-are-liking/
LOCATION:Al Mureijah Square\, Sharjah
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20251213T150000
DTEND;TZID=Asia/Dubai:20251213T170000
DTSTAMP:20251209T151308Z
CREATED:20251209T151236Z
LAST-MODIFIED:20251209T151308Z
UID:10013142-1765638000-1765645200@magpie.ae
SUMMARY:Restless Circle: Tour and Conversation
DESCRIPTION:What goes into conceptualising and curating a solo exhibition? Artist Afra Al Dhaheri and curator May Al Qaydi lead an enquiry-based tour of Al Dhaheri’s current exhibition Restless Circle (ends tomorrow\, 14 December)\, followed by a conversation between the two that offers insight into the artist’s process and her collaboration with the curator.
URL:https://magpie.ae/event/restless-circle-tour-and-conversation/
LOCATION:Al Mureijah Square\, Sharjah
CATEGORIES:Art,Conversation
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250926
DTEND;VALUE=DATE:20250927
DTSTAMP:20250919T163445Z
CREATED:20250919T163445Z
LAST-MODIFIED:20250919T163445Z
UID:10012731-1758844800-1758931199@magpie.ae
SUMMARY:Leda Catunda: I like to like what others are liking
DESCRIPTION:The most comprehensive solo exhibition to date of Brazilian artist Leda Catunda outside her home country. Sharjah Art Foundation is presenting four decades of Catunda’s practice\, tracing the transformation of her art from figurative painting to hybrid forms that explore materiality\, abstraction and dimensionality; her works typically explore the limits of textures and materials\, exemplifed by her ‘soft paintings’ over materials like toweling\, bedclothes\, leather\, velvet and silk. But the scope is broad: from large-scale installations to elemental watercolours\, each piece embodies a sensuous negotiation between the handmade and the mass-produced\, offering a whimsical critique of pop culture and consumerism. \nThe exhibition is curated by Hoor Al Qasimi\,  director Sharjah Art Foundation\, with Meera Madhu\, Curatorial Assistant at the Foundation. \nTo 8 February.
URL:https://magpie.ae/event/leda-catunda-i-like-to-like-what-others-are-liking/
LOCATION:Al Mureijah Square\, Sharjah
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231118
DTEND;VALUE=DATE:20231119
DTSTAMP:20231114T095539Z
CREATED:20230628T151057Z
LAST-MODIFIED:20231114T095539Z
UID:10004658-1700265600-1700351999@magpie.ae
SUMMARY:Gavin Jantjes: To Be Free! A Retrospective (1970–2023)
DESCRIPTION:Jantjes is recognised as a creative activist\, artist\, curator and critical thinker\, furthering the discourses and representation of African and African diaspora art. The largest solo presentation of the artist to date\, this retrospective for the UK-based South African artist brings together more than 100 prints\, drawings\, and paintings as well as archival material from the 1970s onwards. It includes a new body of work produced during his 2022 residency in Sharjah. Organised in collaboration with The Africa Institute\, the exhibition is curated by the Institute’s director Salah Hassan. \nTo 10 March. \nAbove: Gavin Jantjes\, Untitled. From the Zulu series (1989)
URL:https://magpie.ae/event/gavin-jantjes-to-be-free-a-retrospective-1970-2023/
LOCATION:Al Mureijah Square\, Sharjah
CATEGORIES:Art,Exhibition
END:VEVENT
END:VCALENDAR