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X-ORIGINAL-URL:https://magpie.ae
X-WR-CALDESC:Events for magpie
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TZID:Asia/Dubai
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TZOFFSETFROM:+0400
TZOFFSETTO:+0400
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DTSTART:20240101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260923
DTEND;VALUE=DATE:20260924
DTSTAMP:20260913T155835Z
CREATED:20260913T155835Z
LAST-MODIFIED:20260913T155835Z
UID:10014119-1790121600-1790207999@magpie.ae
SUMMARY:Private World
DESCRIPTION:A group show for Lulua Alyahya\, Rami Farook\, Sohrab Hura\, and Khaled Jarada that promises to take the viewer into “intimate\, elusive worlds … Modest in scale\, [the works] invite a form of looking that is closer and more inward\, creating encounters that feel private rather than public”. The gallery goes on: “Many of the works evoke states of solitude\, seclusion and inward attention. They seem to exist apart from the demands of the outside world\, creating spaces for reflection\, imagination and feeling. Across the exhibition\, intimacy takes different forms: through personal observation\, fragments and fleeting moments\, relationships and lived experience\, or through atmospheric and psychologically charged spaces …” \nTo 24 October. \nRight: Khaled Jarada\, The Remains Gesture (2026)
URL:https://magpie.ae/event/private-world/
LOCATION:Green Art Gallery\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260601
DTEND;VALUE=DATE:20260602
DTSTAMP:20260415T100546Z
CREATED:20260415T100546Z
LAST-MODIFIED:20260415T100546Z
UID:10013632-1780272000-1780358399@magpie.ae
SUMMARY:CLOSING TODAY All the Lands from Sunrise to Sunset
DESCRIPTION:“All the lands from sunrise to sunset”\, a phrase attributed to the Mesopotamian king Sargon of Akkad\, graphically invoked his claim to total dominion. Taking this assertion as both point of departure and provocation\, this exhibition includes works by Alla Abdunabi\, Fatma Al Ali\, Alessandro Balteo-Yazbeck (whose series of the same name provides the exhibition’s title) and Michael Rakowitz. Together they consider the persistence of imperialism through language\, image\, material\, and myth. \nSays the gallery: “Rather than presenting empire as a concluded historical form\, the exhibition treats it as an ongoing condition – one that mutates\, rebrands\, and embeds itself in contemporary visual culture … Across these practices\, the exhibition resists singular narratives. Instead\, it stages overlapping temporalities in which ancient empires\, colonial enterprises\, and contemporary geopolitical formations mirror and refract one another … Rather than offering resolution\, the exhibition invites sustained attention to the ways power endures\, adapts\, and continues to structure how the world is seen\, remembered\, and lived.”
URL:https://magpie.ae/event/last-chance-all-the-lands-from-sunrise-to-sunset/
LOCATION:Green Art Gallery\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260418
DTEND;VALUE=DATE:20260419
DTSTAMP:20260415T100500Z
CREATED:20260415T100500Z
LAST-MODIFIED:20260415T100500Z
UID:10013631-1776470400-1776556799@magpie.ae
SUMMARY:All the Lands from Sunrise to Sunset
DESCRIPTION:“All the lands from sunrise to sunset”\, a phrase attributed to the Mesopotamian king Sargon of Akkad\, graphically invoked his claim to total dominion. Taking this assertion as both point of departure and provocation\, this exhibition includes works by Alla Abdunabi\, Fatma Al Ali\, Alessandro Balteo-Yazbeck (whose series of the same name provides the exhibition’s title) and Michael Rakowitz. Together they consider the persistence of imperialism through language\, image\, material\, and myth. \nSays the gallery: “Rather than presenting empire as a concluded historical form\, the exhibition treats it as an ongoing condition – one that mutates\, rebrands\, and embeds itself in contemporary visual culture … Across these practices\, the exhibition resists singular narratives. Instead\, it stages overlapping temporalities in which ancient empires\, colonial enterprises\, and contemporary geopolitical formations mirror and refract one another … Rather than offering resolution\, the exhibition invites sustained attention to the ways power endures\, adapts\, and continues to structure how the world is seen\, remembered\, and lived.” \nTo 1 June. \nRight: Alessandro Balteo-Yazbeck\, #FosilFuel (2018\, detail. From the series All the Lands from Sunrise to Sunset)
URL:https://magpie.ae/event/all-the-lands-from-sunrise-to-sunset/
LOCATION:Green Art Gallery\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260110
DTEND;VALUE=DATE:20260111
DTSTAMP:20251104T121020Z
CREATED:20251104T110423Z
LAST-MODIFIED:20251104T121020Z
UID:10012997-1768003200-1768089599@magpie.ae
SUMMARY:CLOSING TODAY Kamrooz Aram: Domestic Compositions
DESCRIPTION:A solo exhibition by Kamrooz Aram. The artist’s practice integrates sculpture\, painting\, and architecture\, creating a context for viewing cultural artefacts in a way that brings them back into the present.
URL:https://magpie.ae/event/last-chancekamrooz-aram-domestic-compositions/
LOCATION:Green Art Gallery\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251116
DTEND;VALUE=DATE:20251117
DTSTAMP:20251104T121033Z
CREATED:20251104T105530Z
LAST-MODIFIED:20251104T121033Z
UID:10012996-1763251200-1763337599@magpie.ae
SUMMARY:Kamrooz Aram: Domestic Compositions
DESCRIPTION:A solo exhibition by Kamrooz Aram. The artist’s practice integrates sculpture\, painting\, and architecture\, creating a context for viewing cultural artefacts in a way that brings them back into the present. \nAt the centre of five collages\, for instance\, is a repeated photo reproduction. The image is the kind of colour plate typical of Western art history books from the mid-to late 20th century\, part of a decidedly Western taxonomy of museological and cultural representation – its own kind of artefact. \nIn making this series\, Aram excised the photo of the bowl from several copies of a publication he deliberately does not name. But in his collage works\, the artist uses images from his collection of books documenting Iranian art\, with the rule that they must have been published before 1978\, the year that Edward Said’s Orientalism was published\, engendering the field of Postcolonial studies and offering a clear before-and-after. \nTo 10 January. \nRight: Kamrooz Aram\, Untitled (Paravent) (2024)
URL:https://magpie.ae/event/kamrooz-aram-domestic-compositions/
LOCATION:Green Art Gallery\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
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