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DTSTART;VALUE=DATE:20260513
DTEND;VALUE=DATE:20260514
DTSTAMP:20260504T121359Z
CREATED:20260504T121359Z
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SUMMARY:Petr Kirusha: Every moment is a fresh beginning
DESCRIPTION:A solo show featuring works that Petr Kirusha developed during his residency at Dom Art Projects. At a time of heightened geopolitical tension between the US and Iran\, Kirusha documented the landscapes of Al Quoz and the rapidly changing cityscape of Dubai – observations that evolved into paintings and works on paper. “Working with a post-digital approach to colour\, he leaves the white of the paper active — like a blank screen — and employs a technique that preserves luminosity in the lower layers of paint”. To 13 September. \nAbove: Petr Kirusha\, Untitled (2026) \n  \n 
URL:https://magpie.ae/event/petr-kirusha-every-moment-is-a-fresh-beginning/
LOCATION:Dom Art Projects\, Al Khayat Avenue\, Dubai
CATEGORIES:Art,Exhibition
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DTSTART;VALUE=DATE:20260513
DTEND;VALUE=DATE:20260514
DTSTAMP:20260504T120731Z
CREATED:20260504T115548Z
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SUMMARY:Time That Grows Slowly
DESCRIPTION:A group exhibition based around site-specific installations and considering ecological\, feminist\, philosophical\, and postcolonial concerns. The core inspiration however is “philosophical reflections of time as growth rather than movement … Time\, as humans experience it\, is inseparable from the vegetal. The oxygen we breathe\, the food we consume\, the rhythms of agriculture and settlement — all are shaped by plant life. Yet this dependency remains largely invisible”.  The curator\, Alexander Burenkov\, suggests that the exhibition “proposes a toolkit for slowing down\, a reorientation of our sensorium to the rhythms of plants\, the creation of space for vegetal attunement\, reflection and contemplation in dynamic urban conditions\, and the raising of questions about how duration\, memory\, and lived experience are produced within such environments …” \nThe artists: \nMaha Alasaker Kuwait / UAE\nSrijon Chowdhury Bangladesh / USA\nOdonchimeg Davaadorj Mongolia / France\nPatricia Domínguez Chile\nLouis Guillaume France\nMevlana Lipp Germany\nSulafa Mohammed UAE\nTabita Rezaire France / French Guiana\nShaima Shamsi Saudi Arabia / Bahrain / UAE\nFarah Soltani Iran / UAE\nAntoine Renard France\nNadia Waheed Saudi Arabia / Pakistan / USA \nTo 13 September. \nAbove: Odonchimeg Davaadorj\, Baiser Toxique (2021: installation view)
URL:https://magpie.ae/event/68964/
LOCATION:Dom Art Projects\, Al Khayat Avenue\, Dubai
CATEGORIES:Art,Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20251128
DTEND;VALUE=DATE:20251129
DTSTAMP:20251126T140648Z
CREATED:20251105T092206Z
LAST-MODIFIED:20251126T140648Z
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SUMMARY:Michiko Tsuda and ::vtol::
DESCRIPTION:Dom Art Projects opens its new exhibition space and residency studios in Al Khayat Avenue with an inaugural exhibition that takes inspiration from the concept of time (and also plays on the meaning of ‘dom’ in Arabic: it can translate as ‘always). It features Japanese artist Michiko Tsuda and Russian artist ::vtol:: (Dmitry Morozov)\, both exhibiting in Dubai for the first time. \nTsuda is known for immersive installations exploring perception and space; occupying the main exhibition hall is an installation titled ‘You Would Come Back There to See Me Again the Following Day’ (above)\, a work which (in the words of the gallery) “explores our perception of time in relation to the evolution of new media\, their potential\, and the representation of the human being within them … It reflects the idea that our presence in time is multiplied\, refracted\, and never singular”. \nAlso showcased is ‘Takir’\, a “science art object” by ::vtol::. He works with sound\, robotics\, and emergent systems; this piece references the drying up of the Aral Sea\, looping endlessly\, accompanied by documentation\, research materials\, and reflections on the geography of Central Asia. “The disappearance of the sea is both a story of the Earth’s fate and a reminder of the consequences of imperial ambition and human exploitation — as well as an invitation to reflect on time in a geological dimension.” \nVisitors can also experience live performances\, including sound artist Peter Aidu’s interpretation of Steve Reich’s masterpiece “Piano Phase.” In Reich’s composition\, two identical musical patterns gradually shift out of sync\, creating a hypnotic field of rhythm and resonance; Aiduperforms it simultaneously on two pianos\, manually achieving the phasing effect through his own coordination. \nAlso taking place is Caryatid\, a performance by Elena Kovylina that embodies the mythic female figure from classical architecture who bears the weight of the structure upon her shoulders. The artist physically supports a heavy wooden model of a traditional reed house\, evoking the essential yet often invisible role of women as the foundation of home\, society\, and culture. \nOn the opening weekend there will be talks by the artists and a chance to see the studios\, which will be home to artists-in-residence. The schedule: \n28 November \n3pm – 4.30pm Guided tours of the exhibitions\n4.30 – 6pm Artist talk with Peter Aidu discussing how he reimagines music. Free\, but preregister here \n29 November \n3pm – 4pm Artist talk with Dmitry Morozov aka ::VTOL:: on science and robotics in contemporary art. Moderated by Alisa Bagdonaite\, Dom Art Projects Chief Curator. Free\, but preregister here\n4.30 – 6pm Artist talk with Michiko Tsuda\, whose practice explores how visual media mediates our understanding of time and presence\, will present her work and her career journey. Moderated by Alisa Bagdonaite\, Dom Art Projects Chief Curator. Free\, but preregister here
URL:https://magpie.ae/event/michiko-tsuda-and-vtol/
LOCATION:Dom Art Projects\, Al Khayat Avenue\, Dubai
CATEGORIES:Art,Exhibition
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