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X-WR-CALDESC:Events for magpie
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DTSTART:20220101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260326
DTEND;VALUE=DATE:20260327
DTSTAMP:20260417T203350
CREATED:20260107T115607Z
LAST-MODIFIED:20260107T115607Z
UID:10013215-1774483200-1774569599@magpie.ae
SUMMARY:LAST CHANCE Anahita Razmi: The Task of the Mythologist
DESCRIPTION:Anahita Razmi’s video\, installation and performance works usually focus on issues of identity and gender and examine processes of cultural appropriation in which the meanings of existing images\, artefacts and thus identities are put into question by situating them in another context. Her sixth solo exhibition at the gallery references Roland Barthes’ Mythologies (1957)\, a seminal work on the subject that examines how culture turns mundane objects and practices into myths that convey ideological meanings; Razmi builds on this premise to find global power structures embedded in our material and virtual; for her\, symbols such as the fingers-crossed emoji\, a Turkish talismanic shirt\, or a 90s Britpop emblem hold unstable meanings\, shifting with context and use. The act of deconstructing these layered meanings is what Barthes describes as “the task of the mythologist.” \nFor Razmi’s ongoing Talismanic Polarities series (2021–present)\, unique Islamic talismanic shirts are pinned with buttons reading YES\, BUT\, NO and AND; “by foregrounding these semantic framing devices\, Razmi incorporates tools of interpretation into a renewed reading of an object that sustains multiple and even conflicting possibilities” says the gallery. \nA new work\, OA SIS (2025) features Oasis band T-shirts with evil eye appliqués covering the OA so that only SIS remains:  a signifier of Western masculinity revised into one of Eastern femininity or a comment on the commercialisation of feminism? Or both? Or more?
URL:https://magpie.ae/event/last-chance-anahita-razmi-the-task-of-the-mythologist/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CARBON 12 17th Street Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=17th Street:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260117
DTEND;VALUE=DATE:20260118
DTSTAMP:20260417T203350
CREATED:20260107T115509Z
LAST-MODIFIED:20260107T115509Z
UID:10013214-1768608000-1768694399@magpie.ae
SUMMARY:Anahita Razmi: The Task of the Mythologist
DESCRIPTION:Anahita Razmi’s video\, installation and performance works usually focus on issues of identity and gender and examine processes of cultural appropriation in which the meanings of existing images\, artefacts and thus identities are put into question by situating them in another context. Her sixth solo exhibition at the gallery references Roland Barthes’ Mythologies (1957)\, a seminal work on the subject that examines how culture turns mundane objects and practices into myths that convey ideological meanings; Razmi builds on this premise to find global power structures embedded in our material and virtual; for her\, symbols such as the fingers-crossed emoji\, a Turkish talismanic shirt\, or a 90s Britpop emblem hold unstable meanings\, shifting with context and use. The act of deconstructing these layered meanings is what Barthes describes as “the task of the mythologist.” \nFor Razmi’s ongoing Talismanic Polarities series (2021–present)\, unique Islamic talismanic shirts are pinned with buttons reading YES\, BUT\, NO and AND; “by foregrounding these semantic framing devices\, Razmi incorporates tools of interpretation into a renewed reading of an object that sustains multiple and even conflicting possibilities” says the gallery. \nA new work\, OA SIS (2025) features Oasis band T-shirts with evil eye appliqués covering the OA so that only SIS remains:  a signifier of Western masculinity revised into one of Eastern femininity or a comment on the commercialisation of feminism? Or both? Or more? \nRecommended. To 26 March.
URL:https://magpie.ae/event/anahita-razmi-the-task-of-the-mythologist/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CARBON 12 17th Street Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=17th Street:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260109
DTSTAMP:20260417T203350
CREATED:20250930T123615Z
LAST-MODIFIED:20250930T123615Z
UID:10012782-1767830400-1767916799@magpie.ae
SUMMARY:LAST CHANCE Gil Heitor Cortesão: All That Is Solid
DESCRIPTION:Gil Heitor Cortesão’s fifth solo show at CARBON 12 (it is also the gallery’s 100th exhibition) presents a suite of large and small works extending his investigation into the fragile perceptive systems and architectures of modernity. Working with oil on plexiglass\, Cortesão constructs images that hover between coherence and dissolution\, framing painting as a system at once striving for and resisting cohesion; at the heart of this new body of work lies the artist’s ongoing series of photographs of modernist interiors and glass structures\, reconfigured and filtered by colour\, space\, and mood.
URL:https://magpie.ae/event/last-chance-gil-heitor-cortesao-all-that-is-solid/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CARBON 12 17th Street Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=17th Street:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251116
DTEND;VALUE=DATE:20251117
DTSTAMP:20260417T203350
CREATED:20250930T121341Z
LAST-MODIFIED:20250930T123638Z
UID:10012781-1763251200-1763337599@magpie.ae
SUMMARY:Gil Heitor Cortesão: All That Is Solid
DESCRIPTION:Gil Heitor Cortesão’s fifth solo show at CARBON 12 (it is also the gallery’s 100th exhibition) presents a suite of large and small works extending his investigation into the fragile perceptive systems and architectures of modernity. Working with oils on plexiglass\, Cortesão constructs images that hover between coherence and dissolution\, framing painting as a system at once striving for and resisting cohesion; at the heart of this new body of work lies the artist’s ongoing series of photographs of modernist interiors and glass structures\, reconfigured and filtered by colour\, space\, and mood. \nTo 8 January. \nAbove: Gil Heitor Cortesão\, Glasshouse (2025)
URL:https://magpie.ae/event/gil-heitor-cortesao-all-that-is-solid/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/09/Gil-Heitor-Cortesao.webp
GEO:25.1431157;55.2246127
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250823
DTEND;VALUE=DATE:20250824
DTSTAMP:20260417T203350
CREATED:20250501T105012Z
LAST-MODIFIED:20250501T105012Z
UID:10012009-1755907200-1755993599@magpie.ae
SUMMARY:LAST CHANCE Malik Thomas Jalil Kydd: Garden of Murmurs
DESCRIPTION:Malik Thomas Jalil Kydd’s body of work delves into his Iraqi heritage\, while bridging painting\, drawing and fibre art – “reconciling the tactility of textiles with a sensitive examination of form”\, as the gallery puts it. “Focusing primarily on the male figure drawn to a scale slightly larger than life-size\, Kydd has developed a poetic dialogue between material\, identity\, and culture.” His use of natural materials adds another dimension to the works; so sage\, used for dyeing\, is not only part of the creative process but also a spiritual practice grounded in both tradition and personal exploration. Kydd’s use of mixed media – oil\, pastel\, charcoal\, natural dyes – enhances this interplay.
URL:https://magpie.ae/event/last-chance-malik-thomas-jalil-kydd-garden-of-murmurs/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CARBON 12 17th Street Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=17th Street:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250531
DTEND;VALUE=DATE:20250601
DTSTAMP:20260417T203350
CREATED:20250501T104919Z
LAST-MODIFIED:20250501T105044Z
UID:10012008-1748649600-1748735999@magpie.ae
SUMMARY:Malik Thomas Jalil Kydd: Garden of Murmurs
DESCRIPTION:Malik Thomas Jalil Kydd’s body of work delves into his Iraqi heritage\, while bridging painting\, drawing and fibre art – “reconciling the tactility of textiles with a sensitive examination of form”\, as the gallery puts it. “Focusing primarily on the male figure drawn to a scale slightly larger than life-size\, Kydd has developed a poetic dialogue between material\, identity\, and culture.” His use of natural materials adds another dimension to the works; so sage\, used for dyeing\, is not only part of the creative process but also a spiritual practice grounded in both tradition and personal exploration. Kydd’s use of mixed media – oil\, pastel\, charcoal\, natural dyes – enhances this interplay. \nSays the gallery: “Through his use of natural materials\, sacred symbolism\, and an intimate engagement with the figure\, and by rejecting over-contextualization of his works\, Kydd invites the viewer to engage with his narratives on a deeply emotional and intellectual level\, challenging assumptions and creating space for empathy\, understanding\, and reflection.” \nTo 23 August. \nAbove: Malik Thomas Jalil Kydd\, They Invaded at Night (2025)
URL:https://magpie.ae/event/malik-thomas-jalil-kydd-garden-of-murmurs/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/05/MALIK-THOMAS-JALIL-KYDD-scaled.webp
GEO:25.1431157;55.2246127
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250125
DTEND;VALUE=DATE:20250126
DTSTAMP:20260417T203350
CREATED:20241108T140256Z
LAST-MODIFIED:20241108T140256Z
UID:10010837-1737763200-1737849599@magpie.ae
SUMMARY:LAST CHANCE Edgar Orlaineta: What We See of Things is the Things
DESCRIPTION:A solo show for the Mexican artist whose practice focuses on hybrid sculptural forms that draw inspiration from modernism\, popular culture\, and specific historic moments. In particular\, Orlaineta explores post-war design and architecture\, generally depicting biomorphic shapes with a strong surrealist influence. \nIn his new body of work\, Orlaineta reflects on the philosophical explorations of perception and essence\, challenging traditional notions of art and the birth point of objects through a profound engagement with materiality and meaning. His exploration of objects as non-functional or decontextualised allows him to strip them down to their purest form: a thing. What is it that differentiates things from objects\, or even from art? How do these things interact with their environment? Is it the environment that gives them meaning\, or vice versa? At what point during the process of making something\, does it actually become something? \nThrough his works\, Edgar Orlaineta seeks to eliminate any pre- conceptualised notions of the depicted objects\, reducing them to what they appear as to the naked eye: things.
URL:https://magpie.ae/event/last-chance-edgar-orlaineta-what-we-see-of-things-is-the-things/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CARBON 12 17th Street Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=17th Street:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241114
DTEND;VALUE=DATE:20241115
DTSTAMP:20260417T203350
CREATED:20241104T114926Z
LAST-MODIFIED:20241108T135840Z
UID:10010814-1731542400-1731628799@magpie.ae
SUMMARY:Edgar Orlaineta: What We See of Things is the Things
DESCRIPTION:A solo show for the Mexican artist whose practice focuses on hybrid sculptural forms that draw inspiration from modernism\, popular culture\, and specific historic moments. In particular\, Orlaineta explores post-war design and architecture\, generally depicting biomorphic shapes with a strong surrealist influence. \nIn his new body of work\, Orlaineta reflects on the philosophical explorations of perception and essence\, challenging traditional notions of art and the birth point of objects through a profound engagement with materiality and meaning. His exploration of objects as non-functional or decontextualised allows him to strip them down to their purest form: a thing. What is it that differentiates things from objects\, or even from art? How do these things interact with their environment? Is it the environment that gives them meaning\, or vice versa? At what point during the process of making something\, does it actually become something? \nThrough his works\, Edgar Orlaineta seeks to eliminate any pre- conceptualised notions of the depicted objects\, reducing them to what they appear as to the naked eye: things. \nTo 25 January. \nAbove: Edgar Orlaineta\, (Da)Dandy (2024)
URL:https://magpie.ae/event/edgar-orlaineta-what-we-see-of-things-is-the-things/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2024/11/carbon12-edgar-orlaineta-da-dandy-2024.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240528
DTEND;VALUE=DATE:20240529
DTSTAMP:20260417T203350
CREATED:20240312T112941Z
LAST-MODIFIED:20240326T173226Z
UID:10008876-1716854400-1716940799@magpie.ae
SUMMARY:LAST CHANCE Amir Khojasteh: Living in a Burning House
DESCRIPTION:“Amidst the unsettled times of an uprising in Iran\, grappling with uncertainties\, sadness\, and paradoxes\, artist Amir Khojasteh sought solace in his studio and tried to make sense of what was happening … In this topsy-turvy world\, the artist persisted in painting and crafting head sculptures of the divs\, as if triumphing over them in a parallel timeline” (a div in Persian mythology is a supernatural creature or demon\, often depicted as a powerful and malevolent entity with magical abilities). Khojasteh’s sculptures symbolise victory over the divs\, capturing the demons in their defeated state. \nAlongside the heads are paintings that echo monotype print accidents and textures on canvas. Every painting can be read as a self-portrait or a commentary on a bizarre situation. “Dazed by the smoke of the ongoing fire\, one will need to find ways to make that situation more apprehensible. Khojasteh laughs at what he witnessed\, and through this laughter\, he exposes its contingency\, its ephemerality\, and irreality [sic]”. \n  \n 
URL:https://magpie.ae/event/last-chnace-amir-khojasteh-living-in-a-burning-house/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CARBON 12 17th Street Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=17th Street:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240404
DTEND;VALUE=DATE:20240405
DTSTAMP:20260417T203350
CREATED:20240312T112910Z
LAST-MODIFIED:20240312T112910Z
UID:10008875-1712188800-1712275199@magpie.ae
SUMMARY:Amir Khojasteh: Living in a Burning House
DESCRIPTION:“Amidst the unsettled times of an uprising in Iran\, grappling with uncertainties\, sadness\, and paradoxes\, artist Amir Khojasteh sought solace in his studio and tried to make sense of what was happening … In this topsy-turvy world\, the artist persisted in painting and crafting head sculptures of the divs\, as if triumphing over them in a parallel timeline” (a div in Persian mythology is a supernatural creature or demon\, often depicted as a powerful and malevolent entity with magical abilities). Khojasteh’s sculptures symbolise victory over the divs\, capturing the demons in their defeated state. \nAlongside the heads are paintings that echo monotype print accidents and textures on canvas. Every painting can be read as a self-portrait or a commentary on a bizarre situation. “Dazed by the smoke of the ongoing fire\, one will need to find ways to make that situation more apprehensible. Khojasteh laughs at what he witnessed\, and through this laughter\, he exposes its contingency\, its ephemerality\, and irreality [sic]”. \nTo 28 May. \nAbove: Amir Khojasteh\, Head of Div No8 (2024) \n 
URL:https://magpie.ae/event/amir-khojasteh-living-in-a-burning-house/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/png:https://magpie.ae/wp-content/uploads/2024/03/Khojasteh.png
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CARBON 12 17th Street Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=17th Street:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231114
DTEND;VALUE=DATE:20231115
DTSTAMP:20260417T203350
CREATED:20231004T163252Z
LAST-MODIFIED:20231004T163252Z
UID:10005680-1699920000-1700006399@magpie.ae
SUMMARY:Philip Mueller: The Black Flags of Medea
DESCRIPTION:Another excursion through the worlds of one of Carbon 12’s stars.  It’s a gathering of old and new people from paintings past\, featuring the Black Flamingo Sad Boys and the Naxos Racing Team; the work marks a fundamental stage in the journey that Mueller’s characters are undergoing. Unanswered questions loom large\, demanding resolution; the exhibition revolves around this search for meaning\, reflecting a period of introspection. \nMueller’s fascination with German Romanticism permeates his new compositions. Within the tableau of these scenic works sits Medea – a woman scorned\, a symbol of violent action turned into freedom. But Medea’s presence\, despite her tragic history\, is symbolic of renewal and the desire to rise again. Within the same frame\, a cowboy boot is escorted to its final resting place; its ‘death is a final farewell to the persona it once stood for .. \nTo 29 January. \n 
URL:https://magpie.ae/event/philip-mueller-the-black-flags-of-medea/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/png:https://magpie.ae/wp-content/uploads/2023/10/The-Black-Flags-of-Medea-Philip-Mueller.png
GEO:25.1431157;55.2246127
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230918
DTEND;VALUE=DATE:20230919
DTSTAMP:20260417T203350
CREATED:20230712T084908Z
LAST-MODIFIED:20230712T085004Z
UID:10005048-1694995200-1695081599@magpie.ae
SUMMARY:Olaf Breuning & Edgar Orlaineta: Yours or Mine?
DESCRIPTION:This is looking like a major show for Carbon 12\, with two of its mid-career stars; the gallery believes the works of Edgar Orlaineta (b.1972\, Mexico) and Olaf Breuning (b.1970\, Switzerland) “weave a captivating narrative of hybridity and environmental consciousness … Breuning’s woodcut paintings serve as poignant reminders of the delicate balance between the beauty of nature and the harsh realities of human-induced climate change\, while Orlaineta’s sculptural forms\, moulded through biomorphic shapes and post-war design\, invite introspection on the meditative process of handmade creations”. \nOrlaineta’s practice focuses on the relationship between art\, craft and the industrial\, with overarching themes of humour and craftsmanship – both of which he regards as very serious in their unseriousness\, and are an important part of his conceptual and spiritual commitment to his work. \nBreuning too can deploy humour\, mostly as irony\, but his work majors on the interconnectedness between human actions and the depletion of natural resources. For Breuning\, humans have created a world that is too fast paced for even us to keep up with. In that\, he simplifies his process to make his visual language more direct. The symbolism employed becomes universal\, and the colours used become vulnerability expressed. \nTo 14 November. \nAbove: Edgar Orlaineta\, The Charged Clouds (2020)
URL:https://magpie.ae/event/olaf-breuning-edgar-orlaineta-yours-or-mine/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2023/07/Edgar-Orlaineta-The-Charged-Clouds-2020-Acrylic-and-wood-on-MDF-board-40-x-30-x-4.5-cm.jpg
GEO:25.1431157;55.2246127
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230517
DTEND;VALUE=DATE:20230518
DTSTAMP:20260417T203350
CREATED:20230502T140323Z
LAST-MODIFIED:20230502T140343Z
UID:10004495-1684281600-1684367999@magpie.ae
SUMMARY:Monika Grabuschnigg & Nour Malas: Four AM
DESCRIPTION:A two-person show for the summer\, cleverly pivoted on that terrible time to be awake – too early to get up\, too late to get back to deep sleep … Says the gallery’s essay: “Grabuschnigg and Malas don’t just share a set of preset personal responses that can be turned on and off at will. Their approaches didn’t come about by pure coincidence or magic. Rather\, it all comes from inside them\, indexed to all sorts of other impulses that we all see and feel even if we don’t respond to them like this or make art ourselves: monsters in the ultra-early morning\, the shuddering moment between tearful gasps\, the time spent waiting unredeemed for dawn\, deafened by the birds as the sun rears its merciless head. \nMonika Grabuschnigg’s sculptures and installations feature ceramic casts of everyday utensils\, functional artefacts suggesting deep melancholy and loneliness. They are complemented by drawings of hanging floral arrangements with lush satin bows\, the atmosphere of the memento mori … \nThe paintings of Nour Malas take as their subject the space between the two completely opposing emotional states – grief and celebration. “These puzzling emotional landscapes are maps of placelessness\, orders of nonlinearity\, full registers of the abundance of loss …” \nTo 31 August. \nAbove: Monika Grabuschnigg\, Single Fridge (Softly Numb) (2023)
URL:https://magpie.ae/event/monika-grabuschnigg-nour-malas-four-am/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/png:https://magpie.ae/wp-content/uploads/2023/05/carbon12-monika-grabuschnigg-single-fridge-softly-numb-2023-copy.png
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END:VEVENT
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