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DTSTART:20220101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260304
DTEND;VALUE=DATE:20260305
DTSTAMP:20260422T035541
CREATED:20260223T145313Z
LAST-MODIFIED:20260415T110009Z
UID:10013465-1772582400-1772668799@magpie.ae
SUMMARY:Nihad Al Turk: Creatures of Hope
DESCRIPTION:Without formal art schooling\, Nihad Al Turk has developed a distinctive visual language that blends colours\, forms\, and patterns\, “preserving his naïve sensibility while conveying his philosophical outlook and artistic vision”. His paintings typically feature anthropomorphic shapes and figures\, a form of self-portraiture that reflects Al Turk’s view on humanity and his connection with the world – “these haunting\, creature-like beings represent the complexity of our human ecosystem”. \nTo 9 May. \nAbove: Nihad Al-Turk\, Heroism (2014)
URL:https://magpie.ae/event/nihad-al-turk-creatures-of-hope/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2026/02/Nihad-Al-Turk-Heroism-2014-Mixed-media-on-Canvas-150-x-150-cm.webp
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260304
DTEND;VALUE=DATE:20260305
DTSTAMP:20260422T035541
CREATED:20260223T144740Z
LAST-MODIFIED:20260303T081209Z
UID:10013464-1772582400-1772668799@magpie.ae
SUMMARY:POSTPONED Mouteea Murad: Exodus Through the Maze – Disorientation as Fate
DESCRIPTION:“Disorientation does not begin with the wandering mind\, but with an excess of questioning\,” says the gallery in introducing this exhibition of the Syria-born Sharjah-based artist’s most recent body of work. “In this context\, art is not considered a linear path or a complete narrative\, but rather a constantly shifting one –moving between memory\, origin\, and transformation.” \nIn Exodus through the Maze\, Murad explores art as a practice influenced by existing visuals – “derived from everyday imagery and experiences\, as well as the ongoing development of past visual languages”. The collages on display reference elements of modern and contemporary art within a new visual framework that opens the image to reinterpretation. \nTo 10 April. \nAbove: Mouteea Murad\, Trial No. 173 – The Fate of the Red Exodus I (2024)
URL:https://magpie.ae/event/mouteea-murad-exodus-through-the-maze-disorientation-as-fate/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2026/02/Mouteea-Murad-Trial-No.-173-The-Fate-of-the-Red-Exodus-I-2024-Collage-and-acrylic-on-board-200-x-200-x-4-cm.webp
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260110
DTEND;VALUE=DATE:20260111
DTSTAMP:20260422T035541
CREATED:20251028T124720Z
LAST-MODIFIED:20251028T124720Z
UID:10012969-1768003200-1768089599@magpie.ae
SUMMARY:LAST CHNACE Ali Kaaf: The Fire’s Edge
DESCRIPTION:The artist’s first solo show at Ayyam Gallery features Kaaf’s seminal body of work from his Rift\, Helmet and Ras Ras series. \nThe Fire’s Edge evokes the fragile threshold where ancestral practices meet modern erasure\, the line between scorched earth and fertile soil but also the vanishing space where knowledge\, ritual\, and ecology once intertwined. Says the gallery: “the title of the exhibition suggests a meditation on disappearance and persistence\, on how destruction\, drought\, and extraction cast a shadow over the possibility of renewal …” \nWith Kaaf’s photographic works in the Ras Ras series\, the medium is manipulated by fire. The Helmet series explores the intersection of past and present via blown-glass helmets thatv evoke the fragility of memory. Much like Kaaf’s use of paper in the Rift series — a material that is both resilient and inherently delicate — glass becomes a poetic vessel for themes of endurance and vulnerability.
URL:https://magpie.ae/event/last-chnace-ali-kaaf-the-fires-edge/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260110
DTEND;VALUE=DATE:20260111
DTSTAMP:20260422T035541
CREATED:20251014T125420Z
LAST-MODIFIED:20251014T125420Z
UID:10012926-1768003200-1768089599@magpie.ae
SUMMARY:LAST CHANCE Ali Kaaf: The Fire’s Edge 
DESCRIPTION:Ali Kaaf’s first solo exhibition at Ayyam Gallery features his seminal body of work\, the Rift series\, alongside selected works from his Helmet and Ras Ras series. \nThe Fire’s Edge evokes the fragile threshold where ancestral practices meet modern erasure – marking not only the line between scorched earth and fertile soil\, but also the vanishing space where knowledge\, ritual\, and ecology once intertwined. The title of the exhibition thus suggests a meditation on disappearance and persistence\, on how destruction\, drought\, and extraction cast a shadow over the possibility of renewal.
URL:https://magpie.ae/event/last-chance-ali-kaaf-the-fires-edge/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251116
DTEND;VALUE=DATE:20251117
DTSTAMP:20260422T035541
CREATED:20251028T124620Z
LAST-MODIFIED:20251028T124620Z
UID:10012968-1763251200-1763337599@magpie.ae
SUMMARY:Ali Kaaf: The Fire’s Edge
DESCRIPTION:The artist’s first solo show at Ayyam Gallery features Kaaf’s seminal body of work from his Rift\, Helmet and Ras Ras series. \nThe Fire’s Edge evokes the fragile threshold where ancestral practices meet modern erasure\, the line between scorched earth and fertile soil but also the vanishing space where knowledge\, ritual\, and ecology once intertwined. Says the gallery: “the title of the exhibition suggests a meditation on disappearance and persistence\, on how destruction\, drought\, and extraction cast a shadow over the possibility of renewal …” \nWith Kaaf’s photographic works in the Ras Ras series\, the medium is manipulated by fire. The Helmet series explores the intersection of past and present via blown-glass helmets thatv evoke the fragility of memory. Much like Kaaf’s use of paper in the Rift series — a material that is both resilient and inherently delicate — glass becomes a poetic vessel for themes of endurance and vulnerability. \nTo 10 January. \nAbove: Ali Kaaf\, Helmet (2024)
URL:https://magpie.ae/event/ali-kaaf-the-fires-edge-2/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/10/ayyamgallery-ali-kaaf-helmet-2024.webp
GEO:25.1431157;55.2246127
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251116
DTEND;VALUE=DATE:20251117
DTSTAMP:20260422T035541
CREATED:20251014T125339Z
LAST-MODIFIED:20251014T125339Z
UID:10012925-1763251200-1763337599@magpie.ae
SUMMARY:Ali Kaaf: The Fire’s Edge 
DESCRIPTION:Ali Kaaf’s first solo exhibition at Ayyam Gallery features his seminal body of work\, the Rift series\, alongside selected works from his Helmet and Ras Ras series. \nThe Fire’s Edge evokes the fragile threshold where ancestral practices meet modern erasure – marking not only the line between scorched earth and fertile soil\, but also the vanishing space where knowledge\, ritual\, and ecology once intertwined. The title of the exhibition thus suggests a meditation on disappearance and persistence\, on how destruction\, drought\, and extraction cast a shadow over the possibility of renewal. \nTo 10 January.
URL:https://magpie.ae/event/ali-kaaf-the-fires-edge/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/10/ali-kaaf-ayyam-gallery__1-1440x740-1.webp
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251107
DTEND;VALUE=DATE:20251108
DTSTAMP:20260422T035541
CREATED:20250807T153702Z
LAST-MODIFIED:20250807T153702Z
UID:10012626-1762473600-1762559999@magpie.ae
SUMMARY:LAST CHANCE Elias Izoli: Inside Out ‘25
DESCRIPTION:After a long break from painting\, Izoli has returned with a new body of work centred around “the circus of life” – Izoli uses the circus as a metaphor for the unpredictability and complexity of life as a Syrian citizen. The circus and its family become a symbol of the broader social body\, with each character representing the individuals who comprise the state’s fabric \nRendered in his signature style of fragmented colours\, each portrait speaks of resilience\, illusion\, and “the spectacle of existence”. Each character is confined within their own space\, each gesture reflects the emotional weight and psychological barriers imposed by our world. The figures seem unable to escape or engage with a reality beyond their own world.
URL:https://magpie.ae/event/last-chance-elias-izoli-inside-out-25/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250918
DTEND;VALUE=DATE:20250919
DTSTAMP:20260422T035541
CREATED:20250807T153319Z
LAST-MODIFIED:20250807T153544Z
UID:10012625-1758153600-1758239999@magpie.ae
SUMMARY:Elias Izoli: Inside Out ‘25
DESCRIPTION:After a long break from painting\, Izoli has returned with a new body of work centred around “the circus of life” – Izoli uses the circus as a metaphor for the unpredictability and complexity of life as a Syrian citizen. The circus and its family become a symbol of the broader social body\, with each character representing the individuals who comprise the state’s fabric \nRendered in his signature style of fragmented colours\, each portrait speaks of resilience\, illusion\, and “the spectacle of existence”. Each character is confined within their own space\, each gesture reflects the emotional weight and psychological barriers imposed by our world. The figures seem unable to escape or engage with a reality beyond their own world. \nTo 7 November. \nAbove: Elias Izoli\, Untitled (2024)
URL:https://magpie.ae/event/elias-izoli-inside-out-25/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/08/Elias-Izoli-Untitled-2024-Acrylic-and-paper-collage-on-canvas-150-x-150-cm.webp
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250905
DTEND;VALUE=DATE:20250906
DTSTAMP:20260422T035541
CREATED:20250526T150919Z
LAST-MODIFIED:20250526T151149Z
UID:10012100-1757030400-1757116799@magpie.ae
SUMMARY:LAST CHANCE Summer Collective: Wavering Hope
DESCRIPTION:Ayyam Gallery’s summer group show celebrates and questions the current siutation in Syria with works by Kais Salman\, Khaled Takreti\, Tammam Azzam\, Abdalla Al Omari\, Othman Moussa\, Safwan Dahoul\, Thaier Helal\, Elias Izoli\, Abdul-Karim Majd Al-Beik\, Mohannad Orabi\, Nihad Al-Turk\, and Yasmine Al Awa. \nAs Ayyam marks two decades of championing Syrian contemporary art\, this exhibition provides a testament to a generation that has not only survived history\, but shaped it – as the gallery says\, “For over two decades of conflict\, displacement\, and resistance\, Syrian artists have relied on their creative practices as a lifeline. Through these practices\, they have fought against erasure\, preserved memory\, and expressed truths too heavy for language alone …” The fall of the Assad regime in December has led to a new chapter: “even in this long-awaited moment\, a deeper question surfaced: was this truly an end\, or merely the next turn in a long cycle of hope and despair?” \nThis year’s Summer Collective echoes that feeling and also reflects on Ayyam’s own journey. Through their individual visions\, the artists in the ummer Collective map the emotional\, political\, and cultural aftermath of conflict\, and the fragile hope that emerges in its wake. Says the gallery: “The show is a reminder that in Syria\, hope is rarely straightforward. It is layered with doubt\, shadowed by memory\, and always vulnerable to being undone. Yet it endures. And in the hands of these artists\, it is made visible – transformed into images\, forms\, and gestures that challenge us to remember\, to reflect\, and to imagine something beyond despair”.
URL:https://magpie.ae/event/last-chance-summer-collective-wavering-hope/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250618
DTEND;VALUE=DATE:20250619
DTSTAMP:20260422T035541
CREATED:20250526T150727Z
LAST-MODIFIED:20250526T151124Z
UID:10012099-1750204800-1750291199@magpie.ae
SUMMARY:Summer Collective: Wavering Hope
DESCRIPTION:Ayyam Gallery’s summer group show celebrates and questions the current siutation in Syria with works by Kais Salman\, Khaled Takreti\, Tammam Azzam\, Abdalla Al Omari\, Othman Moussa\, Safwan Dahoul\, Thaier Helal\, Elias Izoli\, Abdul-Karim Majd Al-Beik\, Mohannad Orabi\, Nihad Al-Turk\, and Yasmine Al Awa. \nAs Ayyam marks two decades of championing Syrian contemporary art\, this exhibition provides a testament to a generation that has not only survived history\, but shaped it – as the gallery says\, “For over two decades of conflict\, displacement\, and resistance\, Syrian artists have relied on their creative practices as a lifeline. Through these practices\, they have fought against erasure\, preserved memory\, and expressed truths too heavy for language alone …” The fall of the Assad regime in December has led to a new chapter: “even in this long-awaited moment\, a deeper question surfaced: was this truly an end\, or merely the next turn in a long cycle of hope and despair?” \nThis year’s Summer Collective echoes that feeling and also reflects on Ayyam’s own journey. Through their individual visions\, the artists in the ummer Collective map the emotional\, political\, and cultural aftermath of conflict\, and the fragile hope that emerges in its wake. Says the gallery: “The show is a reminder that in Syria\, hope is rarely straightforward. It is layered with doubt\, shadowed by memory\, and always vulnerable to being undone. Yet it endures. And in the hands of these artists\, it is made visible – transformed into images\, forms\, and gestures that challenge us to remember\, to reflect\, and to imagine something beyond despair”. \nTo 5 September. \nAbove: Othman Moussa\, The Terror Group (2013)
URL:https://magpie.ae/event/summer-collective-wavering-hope/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/05/Othman-Moussa-The-Terror-Group-2013-Oil-on-Canvas-150-x-120-cm.webp
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250614
DTEND;VALUE=DATE:20250615
DTSTAMP:20260422T035541
CREATED:20250520T160305Z
LAST-MODIFIED:20250520T160305Z
UID:10012084-1749859200-1749945599@magpie.ae
SUMMARY:LAST CHANCE Ahmad Kasha: Offerings – The War Series
DESCRIPTION:Ahmad Kasha’s complete War Series (2018–2025) is presented here for the first time in association with Fann à Porter. Influenced by various traditions of war art\, the series reflects on the psychological toll of violence on people\, animals\, nature\, and in the essence of art across time; Kasha has tendered this meditation on the condition of humanity in the shadow of war through arresting colour palettes and large-scale paintings which convey both fragility and overwhelming violence.
URL:https://magpie.ae/event/last-chance-ahmad-kasha-offerings-the-war-series/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250531
DTEND;VALUE=DATE:20250601
DTSTAMP:20260422T035541
CREATED:20250520T160223Z
LAST-MODIFIED:20250520T160223Z
UID:10012083-1748649600-1748735999@magpie.ae
SUMMARY:Ahmad Kasha: Offerings – The War Series
DESCRIPTION:Ahmad Kasha’s complete War Series (2018–2025) is presented here for the first time in association with Fann à Porter. Influenced by various traditions of war art\, the series reflects on the psychological toll of violence on people\, animals\, nature\, and in the essence of art across time; Kasha has tendered this meditation on the condition of humanity in the shadow of war through arresting colour palettes and large-scale paintings which convey both fragility and overwhelming violence. To 14 June. \nAbove: Ahmad Kasha\, Siege (2018-2020). Courtesy of the Artist and Fann À Porter
URL:https://magpie.ae/event/ahmad-kasha-offerings-the-war-series/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/05/Ahmad-Kasha-Siege-2018-2020-Charcoal-on-carton-100-x-315-cm.-Courtesy-of-the-Artist-and-Fann-A-Porter.webp
GEO:25.1431157;55.2246127
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250530
DTEND;VALUE=DATE:20250531
DTSTAMP:20260422T035541
CREATED:20250318T082733Z
LAST-MODIFIED:20250318T082733Z
UID:10011801-1748563200-1748649599@magpie.ae
SUMMARY:LAST CHANCE Sama Alshaibi: طرس (Tterss)
DESCRIPTION:A solo exhibition of recent body work by one of the gallery’s stars. Alshaibi’s multimedia work explores spaces of conflict and the power struggles that reimagine Baghdad’s transformation – its peaks\, declines\, and latent possibilities. Baghdad becomes a site of physical presence and alternative visions – one that is “always mediated\, annotated\, and glimpsed through shifting thresholds” as Alshaibi puts it.
URL:https://magpie.ae/event/last-chance-sama-alshaibi-%d8%b7%d8%b1%d8%b3-tterss/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250415
DTEND;VALUE=DATE:20250416
DTSTAMP:20260422T035541
CREATED:20250318T081802Z
LAST-MODIFIED:20250318T081802Z
UID:10011800-1744675200-1744761599@magpie.ae
SUMMARY:Sama Alshaibi: طرس (Tterss)
DESCRIPTION:A solo exhibition of recent body work by one of the gallery’s stars. Alshaibi’s multimedia work explores spaces of conflict and the power struggles that reimagine Baghdad’s transformation – its peaks\, declines\, and latent possibilities. Baghdad becomes a site of physical presence and alternative visions – one that is “always mediated\, annotated\, and glimpsed through shifting thresholds” as Alshaibi puts it. \nAfter 40 years\, Alshaibi returned to her homeland several times between 2021 and 2023. To reorient herself with a city she had once known more through imagination than lived experience\, she constructs an abstracted and interrupted history and reality; the Arabic title evokes the idea of a palimpsest\, a concept Alshaibi explores through the superimposed strata of imagery within her collages that immerse the city’s ruins and infrastructures into a deeper narrative of alienation. LiDAR data mapping is interwoven with photographs and archival materials to create a speculative space for understanding historical Arab cities as microcosms of broader global crises\, where past and present collide \nTo 30 May. \nAbove: Sama Alshaibi\, Duplicates (2024)
URL:https://magpie.ae/event/sama-alshaibi-%d8%b7%d8%b1%d8%b3-tterss/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/03/Sama-Alshaibi-Duplicates-2024-Mixed-media-collage-51-x-76-cm.webp
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250401
DTEND;VALUE=DATE:20250402
DTSTAMP:20260422T035541
CREATED:20250303T095833Z
LAST-MODIFIED:20250303T095930Z
UID:10011757-1743465600-1743551999@magpie.ae
SUMMARY:LAST CHANCE Athar Jaber: Vestiges
DESCRIPTION:A solo exhibition for an artist only recently signed by Ayyam Gallery. This large body of work\, an exploration of the fragile relationship between the human form and the forces that shape it\, re-imagines the human form as figures that transcend mere physical disfigurement to serve as symbolic representations of how individuals are torn apart by the weight of the world. Athar’s sculptures embody an ideal of beauty\, but their fractured state suggests that this is in fact an illusion.\nThe artist statement speaks of human forms that emerge and recede – “fragmented\, eroded\, and incomplete\, yet alive … They appear as remnants of something once whole\, as though time has worn away at them … In the absence of features\, the viewer is invited to project their own reflections of memory\, identity\, and impermanence.
URL:https://magpie.ae/event/last-chance-athar-jaber-vestiges-2/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20250315T210000
DTEND;TZID=Asia/Dubai:20250315T220000
DTSTAMP:20260422T035541
CREATED:20250303T095739Z
LAST-MODIFIED:20250303T095921Z
UID:10011756-1742072400-1742076000@magpie.ae
SUMMARY:Artist talk: Athar Jaber
DESCRIPTION:Barjeel Art Foundation founder and noted cultural commentator Sultan Sooud Al Qassemi talks with Athar Jaber about the artist’s practice\, life\, and thoughts. Athar Jaber’s first solo show at Ayyam Gallery\, titled Vestiges\, is midway through its run (to 1 April); building on the classical notion of the mind trapped within the body\, Athar’s interesting exhibition uses the body as a metaphor for socio-political dynamics – the human form becomes a means to address power dynamics\, social structures\, and the human condition.
URL:https://magpie.ae/event/artist-talk-athar-jaber/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Conversation
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250204
DTEND;VALUE=DATE:20250205
DTSTAMP:20260422T035541
CREATED:20250116T110025Z
LAST-MODIFIED:20250116T110044Z
UID:10011224-1738627200-1738713599@magpie.ae
SUMMARY:Athar Jaber: Vestiges
DESCRIPTION:A solo exhibition for an artist only recently signed by Ayyam Gallery. This large body of work\, an exploration of the fragile relationship between the human form and the forces that shape it\, re-imagines the human form as figures that transcend mere physical disfigurement to serve as symbolic representations of how individuals are torn apart by the weight of the world. Athar’s sculptures embody an ideal of beauty\, but their fractured state suggests that this is in fact an illusion.\nThe artist statement speaks of human forms that emerge and recede – “fragmented\, eroded\, and incomplete\, yet alive … They appear as remnants of something once whole\, as though time has worn away at them … In the absence of features\, the viewer is invited to project their own reflections of memory\, identity\, and impermanence. \nTo 1 April. \nAbove: Athar Jaber\, Marble Head – Opus 5 nr.2 (2015)
URL:https://magpie.ae/event/athar-jaber-vestiges/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2025/01/Athar-Jaber-Marble-Head-Opus-5-nr.2-2015420d18c78b50.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250105
DTEND;VALUE=DATE:20250106
DTSTAMP:20260422T035541
CREATED:20241025T103128Z
LAST-MODIFIED:20241025T104207Z
UID:10010780-1736035200-1736121599@magpie.ae
SUMMARY:LAST CHANCE Thaier Helal: Navigating Through Nothing
DESCRIPTION:A solo exhibition featuring Helal’s most recent body of work and a pivotal moment in the artist’s evolution\, a more straightforward yet deeply expressive style without the constraints of his previous methods. The new approach\, characterized by loose\, dynamic strokes\, invites viewers to engage with the artwork instinctually; “by focusing on the expressive potential of each stroke\, he draws on the tradition of abstraction\, where the act of painting becomes a narrative in itself” as the gallery puts it.
URL:https://magpie.ae/event/last-chance-thaier-helal-navigating-through-nothing/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241114
DTEND;VALUE=DATE:20241115
DTSTAMP:20260422T035541
CREATED:20241025T103018Z
LAST-MODIFIED:20241025T103100Z
UID:10010779-1731542400-1731628799@magpie.ae
SUMMARY:Thaier Helal: Navigating Through Nothing
DESCRIPTION:A solo exhibition featuring Helal’s most recent body of work and a pivotal moment in the artist’s evolution\, a more straightforward yet deeply expressive style without the constraints of his previous methods. The new approach\, characterized by loose\, dynamic strokes\, invites viewers to engage with the artwork instinctually; “by focusing on the expressive potential of each stroke\, he draws on the tradition of abstraction\, where the act of painting becomes a narrative in itself” as the gallery puts it. \nTo 5 January. \nAbove: Thaier Helal\, Navigating Through Nothing (2024)
URL:https://magpie.ae/event/thaier-helal-navigating-through-nothing/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2024/10/Thaier-Helal.jpeg
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241112
DTEND;VALUE=DATE:20241113
DTSTAMP:20260422T035541
CREATED:20240910T170105Z
LAST-MODIFIED:20240910T170105Z
UID:10010573-1731369600-1731455999@magpie.ae
SUMMARY:LAST CHANCE Istoria: A Retrospective Reimagining Middle Eastern Feminism with Leila Nseir
DESCRIPTION:This retrospective for the late Syrian artist honours Leila Nseir’s legacy and celebrates her contributions to art and feminism. \nNseir’s art was rooted in humanist concerns and feminist thought\, addressing themes of conflict\, inequality\, and poverty; her career was impacted by gender persecution and patriarchal attitudes\, both within her close-knit and broader communities. “Nseir’s intentional reinterpretation of historical forms demonstrates a distinctive fusion of intimacy\, complexity\, and human suffering” says the gallery. \nShe started with sculpture but deemed it too masculine a medium. She then embarked on a long journey in painting and drawing\, but developed oil paint poisoning. Transitioning from oils to acrylics\, graphite\, pastels\, and eventually developing a unique monotype woodcut print technique\, she continued to explore and push artistic boundaries. \nNseir’s later pieces delve into the complexities of diaspora\, migration\, and the interplay between tradition and modernity. She depicted females as a mirror\, reflecting Syria and its embodiment of strength\, complexity\, and intricacy.
URL:https://magpie.ae/event/last-chance-istoria-a-retrospective-reimagining-middle-eastern-feminism-with-leila-nseir/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240918
DTEND;VALUE=DATE:20240919
DTSTAMP:20260422T035541
CREATED:20240910T170001Z
LAST-MODIFIED:20240910T170805Z
UID:10010572-1726617600-1726703999@magpie.ae
SUMMARY:Istoria: A Retrospective Reimagining Middle Eastern Feminism with Leila Nseir
DESCRIPTION:This retrospective for the late Syrian artist honours Leila Nseir’s legacy and celebrates her contributions to art and feminism. \nNseir’s art was rooted in humanist concerns and feminist thought\, addressing themes of conflict\, inequality\, and poverty; her career was impacted by gender persecution and patriarchal attitudes\, both within her close-knit and broader communities. “Nseir’s intentional reinterpretation of historical forms demonstrates a distinctive fusion of intimacy\, complexity\, and human suffering” says the gallery. \nShe started with sculpture but deemed it too masculine a medium. She then embarked on a long journey in painting and drawing\, but developed oil paint poisoning. Transitioning from oils to acrylics\, graphite\, pastels\, and eventually developing a unique monotype woodcut print technique\, she continued to explore and push artistic boundaries. \nNseir’s later pieces delve into the complexities of diaspora\, migration\, and the interplay between tradition and modernity. She depicted females as a mirror\, reflecting Syria and its embodiment of strength\, complexity\, and intricacy. \nTo 12 November. \nAbove: Leila Nseir\, Untitled (1986)
URL:https://magpie.ae/event/istoria-a-retrospective-reimagining-middle-eastern-feminism-with-leila-nseir/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2024/09/57A024D9-6BAF-4FF9-9D65-D43507CB0BEB.jpeg
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240625
DTEND;VALUE=DATE:20240626
DTSTAMP:20260422T035541
CREATED:20240409T124856Z
LAST-MODIFIED:20240409T124856Z
UID:10008960-1719273600-1719359999@magpie.ae
SUMMARY:LAST CHANCE Khaled Akil: The Infinite & The Finite
DESCRIPTION:A solo show for the artist’s recent work − which aims to depict “the unseen\, the felt\, and the omnipresent”. Akil creates his compositions through dozens of thin layers\, creating depth while avoiding impasto; “the drying process [of oil paint] presents and provokes questions and answers in the artist’s mind\, creating multiple effects to choose from. Akil’s work brings time and space together through medium and concept\, putting all his tools together to tackle the immensity of the universe …”
URL:https://magpie.ae/event/last-chance-khaled-akil-the-infinite-the-finite/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20240426T180000
DTEND;TZID=Asia/Dubai:20240426T200000
DTSTAMP:20260422T035541
CREATED:20240415T072532Z
LAST-MODIFIED:20240415T131324Z
UID:10008970-1714154400-1714161600@magpie.ae
SUMMARY:Artists's Talk: Khaled Akil & Sultan Sooud Al Qassemi
DESCRIPTION:A conversation between Khaled Akil and Sultan Sooud Al Qassemi supporting the Aleppo-born artist’s first solo show at the gallery. Akil began his career with photography “and gradually liberated himself through different media”; his work suggests that this will be an interesting chat about an interesting approach to art; Sultan Sooud Al Qassemi – art collector\, educator\, columnist\, Barjeel Art Foundation’s founder\, and much sought after for this kind of role – should be just the right interlocutor.
URL:https://magpie.ae/event/artistss-talk-khaled-akil-sultan-sooud-al-qassemi/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Conversation
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240425
DTEND;VALUE=DATE:20240426
DTSTAMP:20260422T035541
CREATED:20240409T080853Z
LAST-MODIFIED:20240415T073818Z
UID:10008959-1714003200-1714089599@magpie.ae
SUMMARY:Khaled Akil: The Infinite & The Finite
DESCRIPTION:A solo show for the artist’s recent work – which aims to depict “the unseen\, the felt\, and the omnipresent”. Akil creates his compositions through dozens of thin layers\, creating depth while avoiding impasto; “the drying process [of oil paint] presents and provokes questions and answers in the artist’s mind\, creating multiple effects to choose from. Akil’s work brings time and space together through medium and concept\, putting all his tools together to tackle the immensity of the universe …” To 25 June. \nAbove: Khaled Akil\, In Silence Time Stops (2024)
URL:https://magpie.ae/event/khaled-akil-the-infinite-the-finite/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/png:https://magpie.ae/wp-content/uploads/2024/04/akil-in-siklience-time-stops-2024.png
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20240415T080000
DTEND;TZID=Asia/Dubai:20240415T170000
DTSTAMP:20260422T035541
CREATED:20240123T132905Z
LAST-MODIFIED:20240213T143601Z
UID:10007486-1713168000-1713200400@magpie.ae
SUMMARY:LAST CHANCE Faisal Samra: Immortal Moment II – Coping with the Shock
DESCRIPTION:A solo exhibition with the second body of work from Faisal Samra’s Immortal Moment project\, artworks created through the accumulation of instances that push the viewer to question the opportunities of a single moment. In the first chapter of this project\, Faisal describes the technique as an expression of emotions; for the current show he defines the outcome as a shock; the exhibition will reveal the process of Coping with the Shock. \n“The dialogue between the abstract and figurative\, conceptually or formalistically\, is essential to Faisal’s work. Time\, being one of the most abstract ideas becomes figurative when Faisal visually notes down specific points in time through the use of charcoal and paint. The result is abstract\, but the final creation becomes figurative through several interventions\, which represent a culmination of temporal instances.” \n  \n  \n 
URL:https://magpie.ae/event/last-chance-faisal-samra-immortal-moment-coping-with-the-shock/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20240227T080000
DTEND;TZID=Asia/Dubai:20240227T170000
DTSTAMP:20260422T035541
CREATED:20240123T132832Z
LAST-MODIFIED:20240213T143634Z
UID:10007485-1709020800-1709053200@magpie.ae
SUMMARY:Faisal Samra: Immortal Moment II – Coping with the Shock
DESCRIPTION:A solo exhibition with the second body of work from Faisal Samra’s Immortal Moment project\, artworks created through the accumulation of instances that push the viewer to question the opportunities of a single moment. In the first chapter of this project\, Faisal describes the technique as an expression of emotions; for the current show he defines the outcome as a shock; the exhibition will reveal the process of Coping with the Shock. \n“The dialogue between the abstract and figurative\, conceptually or formalistically\, is essential to Faisal’s work. Time\, being one of the most abstract ideas\, becomes figurative when Faisal visually notes down specific points in time through the use of charcoal and paint. The result is formalistically abstract\, but the final creation becomes figurative through several interventions\, which represent a culmination of temporal instances.” \nTo 15 April. \nAbove: Faisal Samra\, PSF-P2 (2023) \n  \n 
URL:https://magpie.ae/event/faisal-samra-immortal-moment-coping-with-the-shock/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/png:https://magpie.ae/wp-content/uploads/2024/01/ayyamgallery-faisal-samra-psf-p2-2023.png
GEO:25.1431157;55.2246127
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240108
DTEND;VALUE=DATE:20240109
DTSTAMP:20260422T035541
CREATED:20240103T161956Z
LAST-MODIFIED:20240103T161956Z
UID:10007381-1704672000-1704758399@magpie.ae
SUMMARY:Tammam Azzam: Diary
DESCRIPTION:A solo exhibition that showcases works which play with perspective – “horizon lines expand outward and urban vistas are cut into parts\, interrupted like the lines of a window frame”. Architecture becomes a subjective reality\, painted paper collages symbolise the delicate balance between fragility and creation; “each fragment in his work (of colour\, material\, form) is a piece of time\, a rhythm. And the entire picture is more than the sum of its parts …” \nTo 20 February. \nAbove: Tammam Azzam\, Untitled (2023) \n 
URL:https://magpie.ae/event/tammam-azzam-diary/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/png:https://magpie.ae/wp-content/uploads/2024/01/tammam-azzam-untitled-2023.png
GEO:25.1431157;55.2246127
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231114
DTEND;VALUE=DATE:20231115
DTSTAMP:20260422T035541
CREATED:20231106T145354Z
LAST-MODIFIED:20231106T145432Z
UID:10005755-1699920000-1700006399@magpie.ae
SUMMARY:Roshanak Aminelahi: Faces of Resilience
DESCRIPTION:The second solo exhibition for Roshanak Aminelahi at Ayyam Gallery (the first was way back in 2017) illuminates the stories of women who navigated a male-dominated society and persevered through adversity. \nThe selected women come from diverse backgrounds\, spanning different generations\, continents\, and life paths; collectively\, they embody a universal story. Roshanak highlights a multitude of defining acts of courage\, including speaking up against racism\, enforcing political and environmental activism\, and normalising female leadership. \nAnd throughout the history of art\, women have consistently been fetishised and idolised for their physical form. In this show the artist deliberately hides their appearance and focuses solely on the beauty of their achievements and character. The women are still identifiable\, proving they have established themselves by fulfilling their roles as key personas in their respective journeys. \nTo 2 January. \nAbove: Roshanak Aminelahi Georgia O’Keeffe (2023)
URL:https://magpie.ae/event/roshanak-aminelahi-faces-of-resilience/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2023/11/roshanak-aminelahi-Georgia-OKeeffe-2023.jpg
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230918
DTEND;VALUE=DATE:20230919
DTSTAMP:20260422T035541
CREATED:20230912T073335Z
LAST-MODIFIED:20230912T073457Z
UID:10005527-1694995200-1695081599@magpie.ae
SUMMARY:Abdalla Al Omari: Unsuspecting State
DESCRIPTION:A solo exhibition featuring recent work by Abdalla Al Omari – his second solo show at the gallery\, but his first as a represented artist. \nAl Omari is clever with his use of scale and composition in representing the mundane to express themes that are everything but that: “he captures our quotidian and intimate gestures alluding to our deepest secrets and regrets\,” says the press release. “Deep beliefs and the most discrete thoughts come through when immortalising moments of everyday life. The unspoken taboos emanating through the movements\, sexuality\, religion\, and addiction\, are all part of the conversation … All along\, Abdalla plays with anonymity\, keeping things universal: The trivial and banal shared by the ordinary person.” \nTo 8 November. \nAbove: Abdalla Al Omari\, Between Before and After (2023)
URL:https://magpie.ae/event/abdalla-al-omari-unsuspecting-state/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/png:https://magpie.ae/wp-content/uploads/2023/09/Abdalla-Al-Omari-Between-Before-and-After-2023.png
GEO:25.1431157;55.2246127
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230517
DTEND;VALUE=DATE:20230518
DTSTAMP:20260422T035541
CREATED:20230510T141615Z
LAST-MODIFIED:20230510T141615Z
UID:10004546-1684281600-1684367999@magpie.ae
SUMMARY:Nostalgia: Annual CFAD Faculty Exhibition
DESCRIPTION:This year’s University of Sharjah annual CFAD faculty and alums exhibition features works by Ahed Al Kathiri\, Brian Gonzales\, Hala El Abora\, Kawthar Alshurafa\, Lina Elmalik\, Muatasim Alkubaisy\, Mohamed Yousef Alhammadi\, Nada Abdallah\, Nourbanu Hijazi\, Thaier Helal\, Tor Seidel\, and Unaiza Ismail. To 17 June.
URL:https://magpie.ae/event/nostalgia-annual-cfad-faculty-exhibition/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
END:VCALENDAR