{"id":65001,"date":"2025-11-10T16:32:12","date_gmt":"2025-11-10T12:32:12","guid":{"rendered":"https:\/\/magpie.ae\/staging4\/?post_type=tribe_events&#038;p=65001"},"modified":"2025-11-10T16:34:33","modified_gmt":"2025-11-10T12:34:33","slug":"fereydoun-ave-raana-farnoud-shaqayeq-arabi-improvisations","status":"publish","type":"tribe_events","link":"https:\/\/magpie.ae\/staging4\/event\/fereydoun-ave-raana-farnoud-shaqayeq-arabi-improvisations\/","title":{"rendered":"Fereydoun Ave, Raana Farnoud, Shaqayeq Arabi: IMPROVISATIONS"},"content":{"rendered":"<p>The artists in this group show have distinct visual languages that do find commonalities: they &#8220;transform the familiar through acts of care, attention, and intuitive play &#8230; a shared attentiveness to what is provisional, such as a line that wavers, a form that repeats with variation, or a gesture made in passing but left to settle&#8221;, as the gallery has it.<\/p>\n<p>In Farnoud\u2019s paintings, forms hover between presence and disappearance. Ave\u2019s works honour simplicity, allowing small elements to settle into poetry. Arabi assembles delicate sculptures, where fragility becomes a kind of resilience.<\/p>\n<p>&#8220;In a time that often demands spectacle, these works ask us to slow down, pay attention, and find presence in the modest, fragile, and unresolved &#8230;&#8221;<\/p>\n<p>To 31 December.<\/p>\n<p><em>Above: Fereydoun Ave,\u00a0<span class=\"title_and_year_title\">Trompette de la Mort<\/span> (<span class=\"title_and_year_year\">2024)<\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\">The artists in this group show have distinct visual languages that do find commonalities: they &#8220;transform the familiar through acts of care, attention, and intuitive play &#8230; a shared attentiveness to what is provisional, such as a line that wavers, <a class=\"mh-excerpt-more\" href=\"https:\/\/magpie.ae\/staging4\/event\/fereydoun-ave-raana-farnoud-shaqayeq-arabi-improvisations\/\" title=\"Fereydoun Ave, Raana Farnoud, Shaqayeq Arabi: IMPROVISATIONS\"> [&#8230; more]<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[50,96],"class_list":["post-65001","tribe_events","type-tribe_events","status-publish","tribe_events_cat-art","tribe_events_cat-exhibition","cat_art","cat_exhibition"],"_links":{"self":[{"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/tribe_events\/65001","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":0,"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/tribe_events\/65001\/revisions"}],"wp:attachment":[{"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/media?parent=65001"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/tags?post=65001"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/tribe_events_cat?post=65001"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}