Malik Thomas Jalil Kydd’s body of work delves into his Iraqi heritage, while bridging painting, drawing and fibre art \u2013 “reconciling the tactility of textiles with a sensitive examination of form”, as the gallery puts it. “Focusing primarily on the male figure drawn to a scale slightly larger than life-size, Kydd has developed a poetic dialogue between material, identity, and culture.” His use of natural materials adds another dimension to the works; so sage, used for dyeing, is not only part of the creative process but also a spiritual practice grounded in both tradition and personal exploration. Kydd\u2019s use of mixed media \u2013 oil, pastel, charcoal, natural dyes \u2013 enhances this interplay.<\/p>\n
Says the gallery: “Through his use of natural materials, sacred symbolism, and an intimate engagement with the figure, and by rejecting over-contextualization of his works, Kydd invites the viewer to engage with his narratives on a deeply emotional and intellectual level, challenging assumptions and creating space for empathy, understanding, and reflection.”<\/p>\n
To 23 August.<\/p>\n
Above: Malik Thomas Jalil Kydd, They Invaded at Night (2025<\/span>)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"