{"id":57482,"date":"2024-09-17T13:50:35","date_gmt":"2024-09-17T09:50:35","guid":{"rendered":"https:\/\/magpie.ae\/staging4\/?post_type=tribe_events&#038;p=57482"},"modified":"2024-09-17T13:50:57","modified_gmt":"2024-09-17T09:50:57","slug":"last-chance-zineb-sedira-a-way-of-surviving-a-way-of-life","status":"publish","type":"tribe_events","link":"https:\/\/magpie.ae\/staging4\/event\/last-chance-zineb-sedira-a-way-of-surviving-a-way-of-life\/","title":{"rendered":"<mark>CLOSING TODAY<\/mark> Zineb Sedira: A way of surviving, a way of life \u2026"},"content":{"rendered":"<p>Sedira&#8217;s films represent a profound archival exploration of identity, and cultural activism. Born in 1963 to Algerian parents, her work is deeply rooted in her self-narration but also sheds light on broader, interconnected global anxieties surrounding cultural emancipation and diaspora.<\/p>\n<p>This exhibition of Sedira&#8217;s pioneering cinematic practice is centred on the award-winning <em>Dreams Have No Titles<\/em> (2022), presented as a constructed full-scale cinema box in the Cultural Foundation&#8217;s atrium. Originally conceived for the French Pavilion at the 2022 Venice Biennale, <i>Dreams Have No Titles<\/i> is an immersive installation comprising film, sculpture, photography and performance, that interweaves the artist\u2019s biography with activist films produced across France, Algeria and Italy in the 1960s and 1970s, a pivotal moment in the history of avant-garde film production.<\/p>\n<p>Also featured are <em>mise-en-sc\u00e8ne<\/em> (2019);<em> Image Keepers<\/em> (2010); and <em>Mother Tongue<\/em> (2002). These films all carry key concepts in the artist&#8217;s practice as they illustrate the complexities of migration, memory, and the intergenerational transmission of knowledge.<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\">Sedira&#8217;s films represent a profound archival exploration of identity, and cultural activism. Born in 1963 to Algerian parents, her work is deeply rooted in her self-narration but also sheds light on broader, interconnected global anxieties surrounding cultural emancipation and diaspora. <a class=\"mh-excerpt-more\" href=\"https:\/\/magpie.ae\/staging4\/event\/last-chance-zineb-sedira-a-way-of-surviving-a-way-of-life\/\" title=\"CLOSING TODAY Zineb Sedira: A way of surviving, a way of life \u2026\"> [&#8230; more]<\/a><\/div>\n","protected":false},"author":1,"featured_media":57480,"template":"","meta":{"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[],"tribe_events_cat":[50,96,52],"class_list":["post-57482","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","tribe_events_cat-art","tribe_events_cat-exhibition","tribe_events_cat-film","cat_art","cat_exhibition","cat_film"],"_links":{"self":[{"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/tribe_events\/57482","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":0,"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/tribe_events\/57482\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/media\/57480"}],"wp:attachment":[{"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/media?parent=57482"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/tags?post=57482"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/tribe_events_cat?post=57482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}