{"id":47577,"date":"2023-09-12T20:11:41","date_gmt":"2023-09-12T16:11:41","guid":{"rendered":"https:\/\/magpie.ae\/staging4\/?p=47577"},"modified":"2023-09-13T11:03:37","modified_gmt":"2023-09-13T07:03:37","slug":"blane-de-st-croix-horizon","status":"publish","type":"post","link":"https:\/\/magpie.ae\/staging4\/blane-de-st-croix-horizon\/","title":{"rendered":"Living in the landscape: NYUAD Art Gallery&#8217;s new show"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>If you only do three exhibitions a year, there\u2019s an unavoidable imperative to make sure that they are good exhibitions \u2013 relevant, accessible and of the very best quality. It looks as though The NYU Abu Dhabi Art Gallery will be hitting all three targets with its fall exhibition,\u00a0<a href=\"https:\/\/www.nyuad-artgallery.org\/en_US\/our-exhibitions\/main-gallery\/Blane De St. Croix: Horizon  If you only do three exhibitions a year, there\u2019s an unavoidable imperative to make sure that they are good exhibitions \u2013 relevant, accessible and of the very best quality. It looks as though The NYU Abu Dhabi Art Gallery will be hitting all three targets with its fall exhibition,\u00a0Blane De St. Croix:\u00a0Horizon, which opens in a couple of weeks.. Most immediately, it\u2019s an exhibition that responds to both the UAE\u2019s landscapes in general and the Year of Sustainability in particular. Blane De St. Croix has developed a practice that involves extended periods of field research to document and question the relationship between humans and the contemporary landscape \u2013 and the ecological and geopolitical conflicts that may be embedded in that relationship.  This is characteristically realised as large collages or immersive sculptural installations. For his first exhibition in the Gulf, The NYU Abu Dhabi Art Gallery will be showing a number of never-before-shown works by the artist; but it has also commissioned four major new works that follow this model. They resulted from an extended residency \u2013 the artist has spent much of the last year in Abu Dhabi \u2013 and involved in-depth collaborations with NYUAD faculty. The major project is Salt Lake Excerpt, developed with theatre director and NYUAD Arts\u00a0Professor\u00a0of Theater Joanna Settle. The two are creating a 150m2 sculptural installation inspired by the salt lakes (sabkhas) and shallow estuaries of the UAE; the sculpture is made of PET flakes, the product of recycling around 50,000 plastic water bottles, which undulates gently with light and sound. The three other commissions are a series of \u2018infinite landscapes\u2019 based on the UAE\u2019s deserts. This work was developed from research conducted with NYUAD\u2019s Research Visualization and Fabrication lab and in collaboration with the lab\u2019s Assistant Director Jumaanah Alhashemi, who is herself a transdisciplinary artist and designer. Executive Director of The NYUAD Art Gallery Maya Allison, who has curated the exhibition, is clearly pleased that the landscapes of the Emirates made such a powerful \u2013 and stimulating \u2013 impression on Blane De St. Croix. \u201cThe desert here offers him new ways of seeing the interconnected challenges that face us with regards to the environment. We are excited that his collaborations with our faculty have resulted in this new body of work.\u201d She also sees a complementary position, particularly in view of the imminent COP28 meeting: \u201cIn a sense this exhibition not only reflects the UAE landscape, but also the intellectual landscape of our university and Abu Dhabi. These perspectives are valuable as COP28 approaches and we at NYU Abu Dhabi contribute to the debate around climate change solutions.  \u201cWe hope audiences will find this a vital new experience, as one of the defining characteristics of The Art Gallery is that each project is a new adventure that is much broader than any single curatorial framework or narrative.\u201d The exhibition is being held in the same period that NYU Abu Dhabi is chairing the Universities Climate Network (UCN). Comprising UAE-based higher education institutions, the UCN collaborates on facilitating dialogues, workshops, public events, policy briefs, and youth participation in the lead up to and beyond COP28. De St. Croix has been widely recognised for his art, including a Guggenheim Fellowship, the Joan Mitchell Fellowship Award in Sculpture, and a Pollock-Krasner Award. He\u2019s also a recent recipient of the Lee Krasner Award for Distinguished Lifetime Achievement, and has just been confirmed for a National Science Foundation grant for research which will see him produce work around the impact of climate change on indigenous communities in the Yukon Arctic. Blane De St. Croix: Horizon opens on 3 October 3 and runs through to 14 January. The Art Gallery is open 12-8pm Tuesday to Sunday, and entry is of course free. https:\/\/www.nyuad-artgallery.org\/en_US\/our-exhibitions\/main-gallery\/\">Blane De St. Croix:\u00a0Horizon<\/a>, which opens in a couple of weeks.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bane De St. Croix himself has been widely lauded for his art, including a Guggenheim Fellowship, the Joan Mitchell Fellowship Award in Sculpture, and a Pollock-Krasner Award. He\u2019s also a recent recipient of the Lee Krasner Award for Distinguished Lifetime Achievement, and has just been confirmed for a National Science Foundation grant for research which will see him produce work around the impact of climate change on indigenous communities in the Yukon Arctic.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Most immediately, this is an exhibition that responds to both the UAE\u2019s landscapes in general and the Year of Sustainability in particular. Blane De St. Croix has developed a practice that involves extended periods of field research to document and question the relationship between humans and the contemporary landscape \u2013 and the ecological and geopolitical conflicts that may be embedded in that relationship.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This is characteristically realised as large collages or immersive sculptural installations. For his first exhibition in the Gulf, The NYU Abu Dhabi Art Gallery will be showing a number of never-before-shown works by the artist; but it has also commissioned four major new works that follow this model. They resulted from an extended residency \u2013 the artist has spent much of the last year in Abu Dhabi \u2013 and involved in-depth collaborations with NYUAD faculty.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The major project is Salt Lake Excerpt, developed with theatre director and NYUAD Arts&nbsp;Professor&nbsp;of Theater Joanna Settle. The two are creating a 150m<sup>2<\/sup> sculptural installation inspired by the sabkhas and shallow estuaries of the UAE; the sculpture is made of PET flakes, the product of recycling around 50,000 plastic water bottles, which undulate gently with light and sound.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The three other commissions are a series of \u2018infinite landscapes\u2019 based on the UAE\u2019s deserts. This work was developed from research conducted with NYUAD\u2019s Research Visualization and Fabrication lab and in collaboration with the lab\u2019s Assistant Director Jumaanah Alhashemi, who is herself a transdisciplinary artist and designer.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Executive Director of The NYUAD Art Gallery Maya Allison, who has curated the exhibition, is clearly pleased that the landscapes of the Emirates made such a powerful \u2013 and stimulating \u2013 impression on Blane De St. Croix. \u201cThe desert here offers him new ways of seeing the interconnected challenges that face us with regards to the environment. We are excited that his collaborations with our faculty have resulted in this new body of work.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">She also sees a complementary position, particularly in view of the imminent COP28 meeting: \u201cIn a sense this exhibition not only reflects the UAE landscape, but also the intellectual landscape of our university and Abu Dhabi. These perspectives are valuable as COP28 approaches and we at NYU Abu Dhabi contribute to the debate around climate change solutions.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cWe hope audiences will find this a vital new experience, as one of the defining characteristics of The Art Gallery is that each project is a new adventure that is much broader than any single curatorial framework or narrative.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The exhibition is being held in the same period that NYU Abu Dhabi is chairing the Universities Climate Network (UCN). Comprising UAE-based higher education institutions, the UCN collaborates on facilitating dialogues, workshops, public events, policy briefs, and youth participation in the lead up to and beyond COP28.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.nyuad-artgallery.org\/en_US\/our-exhibitions\/main-gallery\/Blane De St. Croix: Horizon  If you only do three exhibitions a year, there\u2019s an unavoidable imperative to make sure that they are good exhibitions \u2013 relevant, accessible and of the very best quality. It looks as though The NYU Abu Dhabi Art Gallery will be hitting all three targets with its fall exhibition,&nbsp;Blane De St. Croix:&nbsp;Horizon, which opens in a couple of weeks.. Most immediately, it\u2019s an exhibition that responds to both the UAE\u2019s landscapes in general and the Year of Sustainability in particular. Blane De St. Croix has developed a practice that involves extended periods of field research to document and question the relationship between humans and the contemporary landscape \u2013 and the ecological and geopolitical conflicts that may be embedded in that relationship.  This is characteristically realised as large collages or immersive sculptural installations. For his first exhibition in the Gulf, The NYU Abu Dhabi Art Gallery will be showing a number of never-before-shown works by the artist; but it has also commissioned four major new works that follow this model. They resulted from an extended residency \u2013 the artist has spent much of the last year in Abu Dhabi \u2013 and involved in-depth collaborations with NYUAD faculty. The major project is Salt Lake Excerpt, developed with theatre director and NYUAD Arts&nbsp;Professor&nbsp;of Theater Joanna Settle. The two are creating a 150m2 sculptural installation inspired by the salt lakes (sabkhas) and shallow estuaries of the UAE; the sculpture is made of PET flakes, the product of recycling around 50,000 plastic water bottles, which undulates gently with light and sound. The three other commissions are a series of \u2018infinite landscapes\u2019 based on the UAE\u2019s deserts. This work was developed from research conducted with NYUAD\u2019s Research Visualization and Fabrication lab and in collaboration with the lab\u2019s Assistant Director Jumaanah Alhashemi, who is herself a transdisciplinary artist and designer. Executive Director of The NYUAD Art Gallery Maya Allison, who has curated the exhibition, is clearly pleased that the landscapes of the Emirates made such a powerful \u2013 and stimulating \u2013 impression on Blane De St. Croix. \u201cThe desert here offers him new ways of seeing the interconnected challenges that face us with regards to the environment. We are excited that his collaborations with our faculty have resulted in this new body of work.\u201d She also sees a complementary position, particularly in view of the imminent COP28 meeting: \u201cIn a sense this exhibition not only reflects the UAE landscape, but also the intellectual landscape of our university and Abu Dhabi. These perspectives are valuable as COP28 approaches and we at NYU Abu Dhabi contribute to the debate around climate change solutions.  \u201cWe hope audiences will find this a vital new experience, as one of the defining characteristics of The Art Gallery is that each project is a new adventure that is much broader than any single curatorial framework or narrative.\u201d The exhibition is being held in the same period that NYU Abu Dhabi is chairing the Universities Climate Network (UCN). Comprising UAE-based higher education institutions, the UCN collaborates on facilitating dialogues, workshops, public events, policy briefs, and youth participation in the lead up to and beyond COP28. De St. Croix has been widely recognised for his art, including a Guggenheim Fellowship, the Joan Mitchell Fellowship Award in Sculpture, and a Pollock-Krasner Award. He\u2019s also a recent recipient of the Lee Krasner Award for Distinguished Lifetime Achievement, and has just been confirmed for a National Science Foundation grant for research which will see him produce work around the impact of climate change on indigenous communities in the Yukon Arctic. Blane De St. Croix: Horizon opens on 3 October 3 and runs through to 14 January. The Art Gallery is open 12-8pm Tuesday to Sunday, and entry is of course free. https:\/\/www.nyuad-artgallery.org\/en_US\/our-exhibitions\/main-gallery\/\">Blane De St. Croix: Horizon<\/a> opens on 3 October 3 and runs through to 14 January. The Art Gallery is open 12-8pm Tuesday to Sunday, and entry is of course free.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity is-style-wide\"\/>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\">If you only do three exhibitions a year, there\u2019s an unavoidable imperative to make sure that they are good exhibitions \u2013 relevant, accessible and of the very best quality. It looks as though The NYU Abu Dhabi Art Gallery will <a class=\"mh-excerpt-more\" href=\"https:\/\/magpie.ae\/staging4\/blane-de-st-croix-horizon\/\" title=\"Living in the landscape: NYUAD Art Gallery&#8217;s new show\"> [&#8230; more]<\/a><\/div>\n","protected":false},"author":1,"featured_media":47585,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[],"class_list":["post-47577","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art"],"_links":{"self":[{"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/posts\/47577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/comments?post=47577"}],"version-history":[{"count":0,"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/posts\/47577\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/media\/47585"}],"wp:attachment":[{"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/media?parent=47577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/categories?post=47577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magpie.ae\/staging4\/wp-json\/wp\/v2\/tags?post=47577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}