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X-ORIGINAL-URL:https://magpie.ae/staging4
X-WR-CALDESC:Events for magpie
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BEGIN:VTIMEZONE
TZID:Asia/Dubai
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TZOFFSETFROM:+0400
TZOFFSETTO:+0400
TZNAME:+04
DTSTART:20230101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20241028
DTEND;VALUE=DATE:20241224
DTSTAMP:20241105T170115Z
CREATED:20241009T120406Z
LAST-MODIFIED:20241105T170115Z
UID:57910-1730073600-1734998399@magpie.ae
SUMMARY:Art With Disabilities: From Frida Kahlo to Stevie Wonder - 11 Amazing Stories of People Who Changed the World
DESCRIPTION:An exhibition created by the Bulgarian immersive-experience specialists Poliforma\, using surround-sound and surround-visuals to celebrate “stories of people who have overcome\, adapted\, or ignored their limitations” through “captivating video inserts\, stunning 3D projections\, and four interactive installations”. Apparently it’s “a revolutionary digital art exhibition fully adapted for people with disabilities that celebrates resilience\, creativity\, and the ability to shape the world\, no matter the obstacles”. \nIt runs to 23 December. You book a one-hour slot; first available is 10am (1pm on Saturdays)\, last is 8pm (4pm Monday to Wednesday).
URL:https://magpie.ae/staging4/event/art-with-disabilities-from-frida-kahlo-to-stevie-wonder-11-amazing-stories-of-people-who-changed-the-world/
LOCATION:kanvas Dubai\, Unit 1\, Al Khayat Art Avenue\, 19th Street Al Quoz 1\, Dubai
CATEGORIES:Experience
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241115
DTEND;VALUE=DATE:20241125
DTSTAMP:20241108T141815Z
CREATED:20241025T111216Z
LAST-MODIFIED:20241108T141815Z
UID:58311-1731628800-1732492799@magpie.ae
SUMMARY:Sharjah Film Platform 7
DESCRIPTION:Sharjah Arts Foundation’s annual indie/experimental film festival returns for its seventh edition\, featuring around 30 UAE premieres. \nMost are in the Competition section\, documentary and fiction films that have been nominated by an international committee of filmmakers and industry professionals. Highlights include … \n◊ Kamal Al Jafari’s documentary A Fidai Film (2024) which seeks to reclaim the looted memories of Palestinian history by using archival footage\n◊ Places of the Soul (2023) by Hamida Issa\, which follows an environmental expedition to Antarctica while juxtaposing its icy landscape with the deserts of the filmmaker’s home country\n◊ Pham Ngoc Lan’s fiction feature Cu Li Never Cries (2024)\, a black and white film interweaving personal and political histories in current day Vietnam\n◊ The Great Yawn of History (2024) by Iranian filmmaker Aliyar Rasti\, a story about a middle-aged religious man who goes on a quest for hidden treasure. \nAmong the other films showing are two supported by Sharjah Art Foundation – From Ground Zero (2024)\, an anthology of 22 short films created by filmmakers from Gaza; and Upshot (2024)\, a short directed by Maha Haj\, which tells a story of a solitary couple and the aftermaths of a painful past. \nThe Director in Focus segment honours regional directors for their lifetime achievements in global cinema. Honoured this year is Mohamad Malas\, noted for his moving films chronicling the modern history of Syria and its neighbours. Along with the screening of The Dream (1987)\, The Night (1992) and the global premiere of Oh Father\, I Am Youssef (2024)\, Malas will give a masterclass on the role of storytelling. \nPresented in parallel with the film screenings\, a series of public programmes provides opportunities for learning and gathering. This year’s programme focuses on notions of modernity in new African and Asian film\, cinema as resistance and resilience from Palestine and beyond\, as well as innovations in documentary filmmaking\, among other topics. \nAlso part of this year’s SFP is the Sharjah Film Platform Feature Fund that will award AED 500\,000 to one UAE-based scriptwriter\, director or lead/executive producer for the completion of an English- or Arabic-language narrative feature currently under production. Formerly known as the Pitching Forum\, the strengthened fund should now provide more comprehensive and robust support to filmmakers in the country. \nSFP7 runs 15 to 24 November at the open-air Mirage City Cinema in Sharjah’s historical quarter\, and indoors at VOX Cinemas at City Centre Al Zahia. The full programme is here; most feature screenings are a bargain AED 15\, some are free. \n 
URL:https://magpie.ae/staging4/event/sharjah-film-platform-7/
LOCATION:[various Sharjah locations]
CATEGORIES:Festival,Film
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/staging4/wp-content/uploads/2024/10/sfp7.jpg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20241116T183000
DTEND;TZID=Asia/Dubai:20250419T193500
DTSTAMP:20250402T091143Z
CREATED:20250402T091143Z
LAST-MODIFIED:20250402T091143Z
UID:61110-1731781800-1745091300@magpie.ae
SUMMARY:Candlelight: From Mozart to Chopin
DESCRIPTION:Aldo Dotti plays a 65 minute programme of piano favourites\, outdoors at the Jumeriah Al Qasr’s Céleste poolside restuarant. The programme: \nMozart: Rondo alla Turca from Piano Sonata No. 11 in A Major\, K 331\nMozart: Piano Sonata No. 12 in F Major\, K.332 – I. Allegro\nMozart: “Queen of the Night” Aria (Der Hölle Rache) from The Magic Flute\, K.620\nBeethoven: Symphony No. 5 in C Minor\, Op.67 – I. Allegro con brio\nBeethoven: Piano Sonata No. 14 in C-sharp Minor\, Op.27 No.2 (“Moonlight Sonata”) – I. Adagio sostenuto\nBeethoven: Piano Sonata No. 8 in C Minor\, Op.13 (“Pathétique”) – III. Rondo: Allegro\nLiszt: Liebestraum No. 3 in A-flat Major\, S.541\nChopin: Nocturne in E-flat Major\, Op.9 No.2\nChopin: Waltz in C-sharp Minor\, Op.64 No.2\nChopin: Scherzo in B-flat Minor\, Op.31 No.2 \nThe ticket includes a 20% discount on several of the hotel’s bars and restaurants on the same day; and for AED 530 you can include a three-course dinner at Pierchic too\, which itself is a pretty romantic location …
URL:https://magpie.ae/staging4/event/candlelight-from-mozart-to-chopin-2/
LOCATION:Jumeirah Al Qasr\, Madinat Jumeirah\, Umm Suqeim\, Dubai
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241117
DTEND;VALUE=DATE:20241126
DTSTAMP:20241104T174232Z
CREATED:20241104T173143Z
LAST-MODIFIED:20241104T174232Z
UID:58479-1731801600-1732579199@magpie.ae
SUMMARY:Alserkal Art Week
DESCRIPTION:Alserkal Art Week returns 17-25 November. As usual many of the galleries will be opening new shows during the week (we count ten: they’re listed separately in the Agenda)\, but the Alserkal Avenue people have been developing a programme themselves to provide lots more reasons to visit the Avenue – screenings\, performances\, open studios\, symposia\, workshops\, and slow art walks. This year there is a theme\, ‘Acts of Presence’\, to emphasise “the importance of togetherness and connection amidst an increasingly divided world”. \nOur pickouts:\nMade Present: Biographies of Artworks Defying the Ongoing Nakba Curated by Faris Shomali and Zaina Zarour\, this ‘research exhibition’ charts the survival of over ten Palestinian artworks\, foregrounding the extensive history of artists who have gone to great lengths to ensure their works remain visible. “While the history of Palestine’s art is often depicted as one of loss\, fragmentation\, colonial plunder\, and destruction\, this exhibition offers an alternative historiography – one in which these artworks defy attempts at erasure.” Warehouse 50\, details here. \nWalk With Me: Public Art Commissions Now in its second iteration\, this series of site-specific public art commissions (curated by Zoé Whitley and presented by Alserkal Arts Foundation) sited around the Avenue are intended to reflect on fragility\, resilience\, and public memory. There are four artists with work on show: Dima Srouji\, Asma Belhamar\, Abbas Akhavan and Vikram Divecha. Information here\, and there’s a tour of the works at 4pm on 17 November led by Whitley\, Divecha and Belhamar; free\, but register for a place here. \nSlow art walks A thoughtful amble through exhibitions\, public art\, and hidden corners of the Avenue. There are two\, both on 23 November; one at 4pm with writer/curator Yalda Bidshahri\, the other at 5pm with Priyanka Mehra of Ishara Art Foundation. We’re not sure where these start – A4 space is usually a good bet – and they don’t seem to need preregistration. \nMajlis Talks This edition of Majlis Talks is entitled ‘Acts of Presence: Stories of Africa’s Creative Leaders’. Curated by Charlotte Ashamu\, it is a series of four discussions and demonstrations with alternative voices from Ghana\, Ethiopia\, South Africa\, and Côte d’Ivoire. 17 November\, 5.30-7pm; free\, but register here. \nDomestic Departures: (Im)mobility\, loss and resilience in an uncertain world Recipients of Alserkal Arts Foundation Research Grants 2022-2024 present multidisciplinary projects that address permanence and belonging via conversations and research displays with six practitioners – Khalda El Jack\, Zainab Gaafar\, Lubnah Ansari\, Natasha Maru\, Rhea Shah\, and Maitha AlSuwaidi – using experimental cartography\, immersive installations\, and independent zines. On 23 November\, 2-6pm at Jossa by Alserkal; free\, but register here. \nOpen Studios Alserkal Arts Foundation will also be opening the studios of its current residents – sound artist Jad Saliba\, writer and visual artist Sinzo Aanza\, academic researcher and mixed-media artist Thlana Bazik\, and filmmaker Pallavi Paul. Warehouse 50. \nOur Future(s) This “immersive experience” presented by the Dubai Future Foundation and Museum of the Future\, invites visitors to contemplate our collective futures via an installation that engages audiences through key statements and delicate sound whispers\, representing the uncertainties that shape our shared future. “Through this reflective space\, the Foundation aims to better understand public sentiment\, helping to shape informed strategies and innovative solutions for a more resilient and sustainable world.” Warehouse A1\, information here. \nDissuader: Art and Design This exhibition of work by the Italian designer and artist Franco Perrotti is another collaboration with partners\, in this case the Gieffe Group and Italian Cultural Institute of Abu Dhabi. Central to the exhibition is Dissuader\, a monumental allegorical pigeon sculpted from stainless steel and birchwood\, symbolising the complex dynamics between humans and their environment. Warehouse 46.
URL:https://magpie.ae/staging4/event/alserkal-art-week/
LOCATION:Alserkal Avenue\, Al Quoz 1\, Dubai
CATEGORIES:Art,Exhibition,Open studio,Talk
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/staging4/wp-content/uploads/2024/11/MajlisTalks02-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241117
DTEND;VALUE=DATE:20241124
DTSTAMP:20241025T122018Z
CREATED:20241025T084427Z
LAST-MODIFIED:20241025T122018Z
UID:58295-1731801600-1732406399@magpie.ae
SUMMARY:Al Ain Book Festival 2024
DESCRIPTION:AABF has changed its nomenclature from ‘book fair’ to ‘book festival’ for 2024\, but this is till an important date for Arab-language publishers – and the Abu Dhabi Arabic Language Centre (ALC)\, which organises it\, has reported a “significant” increase in publisher registration requests for this 15th edition: the 260 registrations represents better than a twothirds increase on 2023. AABF promotes the Arabic language as “a fundamental pillar of cultural identity\, and a repository of the values\, traditions\, and the rules of conduct (Sanaa’)\, upon which the UAE was founded and from which its unique development journey began – a journey that starts and ends with the human being”. Last year’s fair attracted more than 95\,000 visitors. \nThe ‘festival’ element implies that there will be a lot of sideshows and associated events\, but right now the website is still promoting 2023 and we can’t tell you what they might be. No doubt this will be rectified nearer the time … Note that these dates are a change to the original schedule\, which had AABF opening on 18 November.
URL:https://magpie.ae/staging4/event/al-ain-book-festival-2024/
LOCATION:Hazza bin Zayed Stadium\, Al Ain
CATEGORIES:Festival,Words
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241120
DTEND;VALUE=DATE:20241121
DTSTAMP:20241118T162957Z
CREATED:20241118T162908Z
LAST-MODIFIED:20241118T162957Z
UID:58779-1732060800-1732147199@magpie.ae
SUMMARY:Alyazia Al Nahyan: In the Breath of Decay
DESCRIPTION:A solo show for the Emirati artist to open this new gallery in Abu Dhabi’s Mina al Zayed. Al Nahyan’s practice is based on foraging — materials she collects on her walks through her family farm and elsewhere\, are accentuated in the shapes they leave behind after being subjected to bleach and vinegar. Nadine Khalil\, who curates the exhibition\, describes Al Nahyan as “an artist who lets the natural world take the lead in her process of mark-making … She is interested in how a landscape can hold memories and renders this thought in subtle\, abstract works that represent both zoomed-out and magniﬁed perspectives”. \nTo 20 January. \nFounded in 2020 and rooted within the UAE art scene\, Iris Projects describes itself as a socially-driven visual arts and culture agency that “seeks to be an agent of cultural transformation”. The gallery will be open to the public by appointment only. Future programming is planned to include talks\, panels and guided tours of exhibitions; artists represented by Iris (and from whom we can presumably expect future shows) include Abdullah Al Othman\, Juma Al Haj\, Roudhah Al Mazrouie\, and Shamsa Al Omaira.
URL:https://magpie.ae/staging4/event/alyazia-al-nahyan-in-the-breath-of-decay/
LOCATION:Iris Projects\, Studio 20\, Madar 39\, MiZa\, Port Zayed\, Abu Dhabi\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/staging4/wp-content/uploads/2024/11/2024_July_Iris-Projects_Artwork-8-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20241120T110000
DTEND;TZID=Asia/Dubai:20241120T123000
DTSTAMP:20240820T153002Z
CREATED:20240820T153002Z
LAST-MODIFIED:20240820T153002Z
UID:56849-1732100400-1732105800@magpie.ae
SUMMARY:Putting the Record Straight: The Lost Women of Art History
DESCRIPTION:Continuing this seven-part lecture series by art historian Rose Balston on female artists from the 16th through to the 18th century – “women who have not only been side-lined\, but literally (and shockingly) blocked out of history”\, mainly by the (male) custodians of 19th-century art history. The talks run every other Wednesday to 4 December from 11am to 12.30pm; individual sessions are AED 250 per person\, but there’s a deal for all seven at AED 1\,650. \nThe schedule: \n11 Sept Blazing the Trail: Sofonisba Anguissola\nIn the 16th century\, Sofonisba Anguissola painted her way out of domesticity to unprecedented fame\, earning accolades from (among others) Michelangelo and Van Dyck. \n25 Sept The Secret Renaissance: The Women of Bologna\nThe female artists of 16th and 17th century Bologna flourished in this city and became part of its cultural identity. \n9 Oct Artemisia Gentileschi: Art and Power\nThe most famous of all female artists from this period\, Artemisia secured her place among the Baroque masters with astonishing paintings that powerfully reflect her personal struggles and cultural triumphs. \n23 Oct Women who Shaped the Dutch Golden Age: Legacy Reclaimed\nExplore the Dutch Golden Age through the lens of groundbreaking female artists who often outshone their male counterparts. \n6 Nov Rococo Rock Star: Rosalba Carriera\nCarriera was a canny businesswoman who revolutionised pastel painting\, captivated the Grand Tour elite\, and became an international cultural celebrity. \n20 Nov In the Court of Versailles: Élisabeth Vigée-Lebrun & Adélaïde Labille-Guiard\nCreating sensational portraits of their royal patrons\, the two top female painters in pre-Revolutionary France had nothing to be rivals about except that they both existed in a world not intended for them. \n4 Dec Angelica Kauffman: Prodigy\, Pioneer\nAngelica Kauffman\, a founding member of the Royal Academy\, achieved international renown as both a portrait and history painter. Why then has she been sidelined in art history?
URL:https://magpie.ae/staging4/event/putting-the-record-straight-the-lost-women-of-art-history-6/
LOCATION:Society Dubai\, Jumeirah Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Lecture
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/staging4/wp-content/uploads/2024/08/rose.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20241120T193000
DTEND;TZID=Asia/Dubai:20241120T210000
DTSTAMP:20241113T171731Z
CREATED:20241112T152417Z
LAST-MODIFIED:20241113T171731Z
UID:58678-1732131000-1732136400@magpie.ae
SUMMARY:Korea National Contemporary Dance Company: Jungle
DESCRIPTION:Our everyday lives are sometimes like a jungle\, where everybody has to fight for survival in their own way. This work for 17 dancers of the Korea National Contemporary Dance Company interprets the jungle as a place of collisions between instinct and vitality of the body; it demonstrates how making and being made\, the hidden and the revealed\, relaxation and tension can run parallel to each other. \nFor Kim Sung-yong\, the company’s director and artistic director\, choreography is a process of searching for what he wants to express in the treasury of new things. Jungle\, which has toured widely\, is based on the movement research he terms ‘Process Init’\, which he developed with a focus on “sense and reaction”; through Process Init\, dancers are expected to awaken their individual concrete senses and explore mutual responses\, creating changes and expansions of movement. \nThis performance is part of the Abu Dhabi Festival.
URL:https://magpie.ae/staging4/event/korea-national-contemporary-dance-company-jungle/
LOCATION:The Arts Center @ NYUAD\, NYUAD Campus\, Saadiyat Island\, Abu Dhabi\, United Arab Emirates
CATEGORIES:Dance
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/staging4/wp-content/uploads/2024/11/jungle.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20241120T200000
DTEND;TZID=Asia/Dubai:20241120T220000
DTSTAMP:20241119T164858Z
CREATED:20241119T164858Z
LAST-MODIFIED:20241119T164858Z
UID:58907-1732132800-1732140000@magpie.ae
SUMMARY:Black Box Cinema x Public Matter
DESCRIPTION:Since 2014\, Black Box Cinema (founded and managed by Abu Dhabi-born actor and director Nawaf Al Janahi) has presented Arab-language short films since 2014. Screenings are at the Biennial Hub on Abu Dhabi Beach. In this Public Art Abu Dhabi Biennial programme: \nBig Day: dir Ahmed Samir (2022\, Egypt: 15 mins) A wedding is turned upside down after rumours spread that the groom is planning to run away. \nLong Trip: dir Ali Kadhum (2021\, Belgium\, Iraq: 13 mins) After the death of his father\, Dries must make a fundamental decision to either cremate the body or return it for a traditional burial in his birth country. \nMid-Way: dir Rola Shamas (2022\, Lebanon: 10 mins) The trains have arrived. But\, in the midst of this rush to nowhere\, are we listening to birds To rivers? To ourselves? \nSabeel: dir Khalid Al Mahmood (2010\, UAE: 20 mins) Two small boys live in the mountains of the UAE. Spending their days tending their vegetables and then selling produce on the road\, they have to earn enough money to buy medicine for their sick grandmother. \nUnveiling Selma: dir Mariam Al Serkal and Maaria Sayed (2022\, UAE: 15 min) Between domestic chores\, a neglectful husband\, and an innocent daughter\, 35-year-old Selma decides to free herself and rediscover her womanhood. \nFuture screenings: \n21 November\n16 December\n17 December\n18 December
URL:https://magpie.ae/staging4/event/black-box-cinema-x-public-matter/
END:VEVENT
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