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DTSTART;VALUE=DATE:20251106
DTEND;VALUE=DATE:20251107
DTSTAMP:20260421T125108
CREATED:20251012T141105Z
LAST-MODIFIED:20251012T141105Z
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SUMMARY:The Poetry of Birds
DESCRIPTION:Following previous editions of this exhibition in Paris and Tokyo\, L’ÉCOLE\, School of Jewelry Arts aims to offer a dialogue between 19th and 20th-century Western jewellery and Islamic arts\, with poetry as the common thread. Jewels\, precious objects\, and gouaché drawings depicting birds from noted jewellers such as Van Cleef & Arpels\, Cartier\, Buccellati\, Boucheron\, Mellerio\, Falize\, Fabergé\, Boivin\, Mauboussin\, Marchak\, Chaumet\, and JAR will be showcased alongside a selection of Middle Eastern works of art\, including carpets\, ceramics\, metalware\, and miniatures mainly notably on loan from the Sharjah Museum of Islamic Civilization and Dubai Museums. \nEmirati artist Faisal Al Rais’s contemporary photography\, showcasing the beauty and profound symbolism of birds\, will also make its public debut as part of the show. Freely inspired by Farid al-Din Attar’s The Conference of the Birds (circa 1117)\, the exhibition is conceived as a poetic experience beginning with poems from renowned poets from the region\, followed by a display of bejewelled bird species including falcons\, and culminating in an aviary of imaginary birds by French jeweller Pierre Sterlé (1905-1978). \n“Birds have long held a sacred place in the cultures of the Middle East — as symbols of freedom\, renewal\, and the human spirit\,” said Marie-Laure Cassius-Duranton\, L’ÉCOLE Senior Exhibition Contents Project Manager. “We wanted to honour that tradition while showcasing how these symbols echo across time and continents through art\, poetry\, and jewellery. This exhibition is not just about beauty\, but about the stories and meanings behind it — how the smallest motif can carry centuries of memory\, emotion\, and craftsmanship.” \nTo 25 April. \nAbove: Van Cleef & Arpels\, Eagle brooch (1972)
URL:https://magpie.ae/event/the-poetry-of-birds/
LOCATION:L’ÉCOLE Middle East\, School of Jewelry Arts\, Building 10\, Dubai Design District\, Dubai\, United Arab Emirates
CATEGORIES:Exhibition,Jewellery,Photography
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20250514T180000
DTEND;TZID=Asia/Dubai:20250514T193000
DTSTAMP:20260421T125108
CREATED:20250428T130008Z
LAST-MODIFIED:20250428T130008Z
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SUMMARY:Talismans\, Gems and Marvels
DESCRIPTION:A lecture exploring the powers attributed to stones and their symbolism\, the beliefs surrounding protective animals\, and the fascinating stories of legendary jewels and talismans from various cultures. The speakers – both lecturers at L’ÉCOLE Middle East – are art historians May El Hage and Dr David Usieto Cabrera; the talk is preceded by a half-hour reception. \nAbove: Gold armband with Herakles knot\, Greece 3rd/2nd century BCE; Metropolitan Museum of Art New York
URL:https://magpie.ae/event/talismans-gems-and-marvels/
LOCATION:L’ÉCOLE Middle East\, School of Jewelry Arts\, Building 10\, Dubai Design District\, Dubai\, United Arab Emirates
CATEGORIES:Jewellery,Talk
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BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20250426T100000
DTEND;TZID=Asia/Dubai:20250426T190000
DTSTAMP:20260421T125108
CREATED:20241028T154953Z
LAST-MODIFIED:20241028T163832Z
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SUMMARY:LAST CHANCE Men’s Rings: the Yves Gastou Collection
DESCRIPTION:The late dealer / collector Yves Gastou (he passed away in 2020) was known for his educated eye\, eclectic tastes\, and an ability to discover lost gems and new talents in art\, design\, jewellery and exquisite taste generally. From an early age Gastou had been fascinated by 18th-century antiques but he also acquired specialities in Art Nouveau and Art Deco\, Venetian glass\, and most recently 20th century designer furniture – especially Ettore Sottsass and Italian design of the 70s generally. But he never confined himself to a particular period: as one commentator noted\, “he was too curious\, and saw beauty in objects that others dismissed”. \nBeyond his work as a gallerist and the position as a design-world tastemaker\, though\, Gastou’s most defining idiosyncrasy was an insatiable fascination with men’s rings. He amassed a highly eclectic collection of better than a thousand\, ranging from rings worn by ancient Egyptians to those sported by members of the Hells Angels. \nThis exhibition features more than 700 of the best examples from Gastou’s collection. These rings range across myriad functions\, from wedding oaths to mystical amulets via statements of membership and confirmation of identity to a simple (or complex) willingness to delight the eye. \nThe exhibition is organised into five themes to allow an immersive exploration of the collector’s personal taste: History\, Gothic\, Christian Mysticism\, Vanitas and Eclecticism. Each tells a story\, reflecting the collector’s unique personality but also echoing the original wearer’s own emotions\, ambitions and memories – there’s a powerful connection between the object and its owner in these pieces. \nThe exhibition had a very successful debut in Paris in 2018\, then travelled on to Tokyo and Hong Kong in 2022 and Shanghai in 2023.  New rings have been added to the selection for its fifth iteration in Dubai; it runs Tuesday to Saturday\, 10am to 7pm\, to 26 April. \n  \n 
URL:https://magpie.ae/event/last-chance-mens-rings-the-yves-gastou-collection/
LOCATION:L’ÉCOLE Middle East\, School of Jewelry Arts\, Building 10\, Dubai Design District\, Dubai\, United Arab Emirates
CATEGORIES:Exhibition,Jewellery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20250215T120000
DTEND;TZID=Asia/Dubai:20250215T220000
DTSTAMP:20260421T125108
CREATED:20250204T162856Z
LAST-MODIFIED:20250205T145602Z
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SUMMARY:L’ÉCOLE Festival
DESCRIPTION:“An immersive celebration of jewellery arts” with “an exciting lineup of engaging experiences” that showcase the school’s expertise across its three pillars: art history\, ‘savoir-faire’\, and gemology. The jewellery school’s director\, Sophie Claudel\, describes it as “a celebration of everything we stand for at L’ÉCOLE – sharing knowledge\, inspiring creativity\, and building community. By opening our doors to the public in such a dynamic and joyful way\, we hope to engage families\, students\, and jewellery enthusiasts alike\, creating unforgettable moments and sparking new passions for the jewellery arts”. \nThe two-day festival includes exhibitions\, demos\, hands-on workshops for kids (6-16 years)\, in-person conversations led by L’ÉCOLE’s experts and lecturers\, a curated programme of jewellery-inspired films\, and a gallery spotlighting L’ÉCOLE’s collaborations with local initiatives.
URL:https://magpie.ae/event/lecole-festival/2025-02-15/
LOCATION:L’ÉCOLE Middle East\, School of Jewelry Arts\, Building 10\, Dubai Design District\, Dubai\, United Arab Emirates
CATEGORIES:Festival,Jewellery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20250214T120000
DTEND;TZID=Asia/Dubai:20250214T220000
DTSTAMP:20260421T125108
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SUMMARY:L’ÉCOLE Festival
DESCRIPTION:“An immersive celebration of jewellery arts” with “an exciting lineup of engaging experiences” that showcase the school’s expertise across its three pillars: art history\, ‘savoir-faire’\, and gemology. The jewellery school’s director\, Sophie Claudel\, describes it as “a celebration of everything we stand for at L’ÉCOLE – sharing knowledge\, inspiring creativity\, and building community. By opening our doors to the public in such a dynamic and joyful way\, we hope to engage families\, students\, and jewellery enthusiasts alike\, creating unforgettable moments and sparking new passions for the jewellery arts”. \nThe two-day festival includes exhibitions\, demos\, hands-on workshops for kids (6-16 years)\, in-person conversations led by L’ÉCOLE’s experts and lecturers\, a curated programme of jewellery-inspired films\, and a gallery spotlighting L’ÉCOLE’s collaborations with local initiatives.
URL:https://magpie.ae/event/lecole-festival/2025-02-14/
LOCATION:L’ÉCOLE Middle East\, School of Jewelry Arts\, Building 10\, Dubai Design District\, Dubai\, United Arab Emirates
CATEGORIES:Festival,Jewellery
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20241216T180000
DTEND;TZID=Asia/Dubai:20241216T193000
DTSTAMP:20260421T125108
CREATED:20250409T124759Z
LAST-MODIFIED:20250409T124914Z
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SUMMARY:Precious Ornamental Stones
DESCRIPTION:A talk about the use of ornamental stones\, from ancient civilisations to their revival in modern jewellery and decorative arts. The speakers are two lecturers at the L’ÉCOLE Middle East\, School of Jewelry Arts; Chandra Horn\, gemologist\, and David Usieto Cabrera\, art historian. \nAbove: Necklace of Sithathoryunet\, Egyptian Middle Empire\, c.1887-1878 BCE
URL:https://magpie.ae/event/precious-ornamental-stones/
LOCATION:L’ÉCOLE Middle East\, School of Jewelry Arts\, Building 10\, Dubai Design District\, Dubai\, United Arab Emirates
CATEGORIES:Jewellery,Talk
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BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20241109T100000
DTEND;TZID=Asia/Dubai:20241109T190000
DTSTAMP:20260421T125108
CREATED:20241028T154257Z
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SUMMARY:L’ÉCOLE Middle East: Public Open Day
DESCRIPTION:A Public Open Day at L’ÉCOLE Middle East\, School of Jewelry Arts as part of Dubai Design Week. Expect tasters and demonstrations of the jewellery and gemstone courses\, kids workshops\, guided tours and other activities – and the new exhibition of rings from the Yves Gastou collection will be on display. \n  \n 
URL:https://magpie.ae/event/lecole-middle-east-public-open-day/
LOCATION:L’ÉCOLE Middle East\, School of Jewelry Arts\, Building 10\, Dubai Design District\, Dubai\, United Arab Emirates
CATEGORIES:Course,Exhibition,Jewellery,Workshop
GEO:25.1894859;55.2978869
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20241107T100000
DTEND;TZID=Asia/Dubai:20241107T190000
DTSTAMP:20260421T125108
CREATED:20241028T154206Z
LAST-MODIFIED:20241028T163713Z
UID:10010791-1730973600-1731006000@magpie.ae
SUMMARY:Men’s Rings: the Yves Gastou Collection
DESCRIPTION:The late dealer / collector Yves Gastou (he passed away in 2020) was known for his educated eye\, eclectic tastes\, and an ability to discover lost gems and new talents in art\, design\, jewellery and exquisite taste generally. From an early age Gastou had been fascinated by 18th-century antiques but he also acquired specialities in Art Nouveau and Art Deco\, Venetian glass\, and most recently 20th century designer furniture – especially Ettore Sottsass and Italian design of the 70s generally. But he never confined himself to a particular period: as one commentator noted\, “he was too curious\, and saw beauty in objects that others dismissed”. \nBeyond his work as a gallerist and the position as a design-world tastemaker\, though\, Gastou’s most defining idiosyncrasy was an insatiable fascination with men’s rings. He amassed a highly eclectic collection of better than a thousand\, ranging from rings worn by ancient Egyptians to those sported by members of the Hells Angels. \nThis exhibition features more than 700 of the best examples from Gastou’s collection. These rings range across myriad functions\, from wedding oaths to mystical amulets via statements of membership and confirmation of identity to a simple (or complex) willingness to delight the eye. \nThe exhibition is organised into five themes to allow an immersive exploration of the collector’s personal taste: History\, Gothic\, Christian Mysticism\, Vanitas and Eclecticism. Each tells a story\, reflecting the collector’s unique personality but also echoing the original wearer’s own emotions\, ambitions and memories – there’s a powerful connection between the object and its owner in these pieces. \nThe exhibition had a very successful debut in Paris in 2018\, then travelled on to Tokyo and Hong Kong in 2022 and Shanghai in 2023.  New rings have been added to the selection for its fifth iteration in Dubai\, where it opens to coincide with the 10th edition of Dubai Design Week. It runs Tuesday to Saturday\, 10am to 7pm\, to 26 April. \nL’ÉCOLE Middle East is holding a Public Open Day on Saturday 9 November\, with course demonstrations\, kids workshops\, guided tours and other activities. \n  \nBishop’s ring\, c.1890: gold and citrine\nPortrait ring\, c.1880: silver and enamel paint\nMusical ring\, c.1890: gold and silver\n 
URL:https://magpie.ae/event/mens-rings-the-yves-gastou-collection/
LOCATION:L’ÉCOLE Middle East\, School of Jewelry Arts\, Building 10\, Dubai Design District\, Dubai\, United Arab Emirates
CATEGORIES:Exhibition,Jewellery
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240810
DTEND;VALUE=DATE:20240811
DTSTAMP:20260421T125108
CREATED:20240722T145106Z
LAST-MODIFIED:20240722T145354Z
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SUMMARY:LAST CHANCE Gold and Treasures: 3\,000 Years of Chinese Ornaments
DESCRIPTION:L’ÉCOLE Middle East – Van Cleef and Arpels’ school of jewellery arts– is celebrating its opening in Dubai Design District with this spectacular exhibition. The clue is of course in the name: the pieces on show (a hundred or so of them) come from the Mengdiexuan Collection\, a genuinely outstanding private art collection from Hong Kong\, and spans more than three thousand years of goldsmithing work from China. \nThat in itself is interesting\, for China is better known as a culture that valued bronze\, porcelain and jade rather than gold for high-status artefacts. The Mengdiexuan collection has been assembled by Betty Lo and Kenneth Chu\, partners in business and in life; the Mengdiexuan collection began with a wedding gift from Lo’s father\, a decorating mirror\, which fired their interest in Chinese metalworking. According to Chu\, they were attracted by the creativity on show in gold objects\, combined with the fact that gold was used in Chinese culture primarily as smaller objects and personal ornaments which were eminently collectable. \nThe more familiar genres of bronze\, jade and porcelain are considered among China’s noblest fine arts; when they started\, Betty Lo and Kenneth Chu were taking a step into the unknown. In 30 years of building their collection\, however\, they have become both experts and advocates for Chinese gold. \nOne clear result was the appreciation that China was open to influences from outside its geographic centre\, indeed from outside of China altogether. The collection sheds light on the true diversity of Chinese civilisation. \nThe exhibition runs through many of the key techniques and developments of Chinese goldworking. The oldest pieces employ hammering and chasing techniques\, relatively simple in the earliest work but which by the Tang Dynasty (618–907) had developed into complex ornaments of great delicacy. By that time gold had come to represent divine splendour (the Buddhist paradise was seen as golden) and intellectual virtue (because gold was mined\, it was seen as analogous to human qualities – so the Tang emperor Tai Zong could praise his chief minister for being able to discern and refine the ‘gold’ in men). \nA second craft process featured in the exhibition\, casting\, was derived from bronze metallurgy and in particular has produced magnificent ritual vessels from the Shang to Han eras (roughly contemporary with ancient Rome). Another technique seen in the collection is granulation\, a process of making gold granules that are used as decoration together with inlays of other materials – gems\, glass\, shell inlays. Though lost until the 20th century\, the technique was available to Chinese artisans as early as the Western Han period\, and was fashionable from then well into Tang. \nAnd Chinese goldsmithing probably reached its zenith with gold wire and filigree\, techniques that in the hands of the masters could capture life and movement. \nThe exhibition is open Tuesday to Saturday from 10am to 7pm.
URL:https://magpie.ae/event/last-chance-gold-and-treasures-3000-years-of-chinese-ornaments/
LOCATION:L’ÉCOLE Middle East\, Building 10\, Dubai Design District\, Dubai
CATEGORIES:Crafts,Exhibition,Jewellery
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240426
DTEND;VALUE=DATE:20240427
DTSTAMP:20260421T125108
CREATED:20240722T145026Z
LAST-MODIFIED:20240722T145026Z
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SUMMARY:Gold and Treasures: 3\,000 Years of Chinese Ornaments
DESCRIPTION:L’ÉCOLE Middle East – Van Cleef and Arpels’ school of jewellery arts– is celebrating its opening in Dubai Design District with this spectacular exhibition. The clue is of course in the name: the pieces on show (a hundred or so of them) come from the Mengdiexuan Collection\, a genuinely outstanding private art collection from Hong Kong\, and spans more than three thousand years of goldsmithing work from China. \nThat in itself is interesting\, for China is better known as a culture that valued bronze\, porcelain and jade rather than gold for high-status artefacts. The Mengdiexuan collection has been assembled by Betty Lo and Kenneth Chu\, partners in business and in life; the Mengdiexuan collection began with a wedding gift from Lo’s father\, a decorating mirror\, which fired their interest in Chinese metalworking. According to Chu\, they were attracted by the creativity on show in gold objects\, combined with the fact that gold was used in Chinese culture primarily as smaller objects and personal ornaments which were eminently collectable. \nThe more familiar genres of bronze\, jade and porcelain are considered among China’s noblest fine arts; when they started\, Betty Lo and Kenneth Chu were taking a step into the unknown. In 30 years of building their collection\, however\, they have become both experts and advocates for Chinese gold. \nOne clear result was the appreciation that China was open to influences from outside its geographic centre\, indeed from outside of China altogether. The collection sheds light on the true diversity of Chinese civilisation. \nThe exhibition runs through many of the key techniques and developments of Chinese goldworking. The oldest pieces employ hammering and chasing techniques\, relatively simple in the earliest work but which by the Tang Dynasty (618–907) had developed into complex ornaments of great delicacy. By that time gold had come to represent divine splendour (the Buddhist paradise was seen as golden) and intellectual virtue (because gold was mined\, it was seen as analogous to human qualities – so the Tang emperor Tai Zong could praise his chief minister for being able to discern and refine the ‘gold’ in men). \nA second craft process featured in the exhibition\, casting\, was derived from bronze metallurgy and in particular has produced magnificent ritual vessels from the Shang to Han eras (roughly contemporary with ancient Rome). Another technique seen in the collection is granulation\, a process of making gold granules that are used as decoration together with inlays of other materials – gems\, glass\, shell inlays. Though lost until the 20th century\, the technique was available to Chinese artisans as early as the Western Han period\, and was fashionable from then well into Tang. \nAnd Chinese goldsmithing probably reached its zenith with gold wire and filigree\, techniques that in the hands of the masters could capture life and movement. \nThe exhibition runs to 10 August\, open Tuesday to Saturday from 10am to 7pm.
URL:https://magpie.ae/event/gold-and-treasures-3000-years-of-chinese-ornaments/
LOCATION:L’ÉCOLE Middle East\, Building 10\, Dubai Design District\, Dubai
CATEGORIES:Crafts,Exhibition,Jewellery
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