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TZID:Asia/Dubai
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DTSTART:20240101T000000
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DTSTART;TZID=Asia/Dubai:20250504T170000
DTEND;TZID=Asia/Dubai:20250504T203000
DTSTAMP:20250715T151058Z
CREATED:20250715T145537Z
LAST-MODIFIED:20250715T151058Z
UID:10012612-1746378000-1746390600@magpie.ae
SUMMARY:Collected Histories: Personal Archives and Documentation
DESCRIPTION:Collected Histories\, a project co-founded by Hind Mezaina and Jasmine Soliman\, aims to foster discussion on personal documentation and archiving “with an ultimate goal of inspiring and supporting individuals to become ‘citizen archivists’ by cataloguing\, and exploring ways to self-publish and preserve personal collections”. The project includes talks\, workshops\, and public film screenings – which this evening includes all three. \nFilms\nFour short films focused on archives\, memories\, and identity followed by a short discussion between Mezaina\, Soliman and the audience. \nBetween Delicate and Violent dir Şirin Bahar Demirel (2023\, 15 min) Experimental documentary that considers hands as memory places that can both accumulate and transfer memories – what some artists call “hand memory\,” triggered when they begin painting\, sculpting\, or drawing and retained in the body rather than the brain … \nMy Father dir Pegah Ahangarani Farahanilran (2023\, 19 min) A personal essay from the director\, examining the life of her father as a revolutionary filmmaker and activist in Iran and the impact of the execution of his friend Davood … \nAt Home But Not At Home dir Suneil Sanzgiri (2019\, 11 min) An experimental essay about anti-colonial solidarity\, based on the story of the director’s father and his Goan heritage to question the construction of artifice\, memory\, and identity through the moving image. \nRankin Street\, 1953 dir Naeem Mohaieman (2013\, 8 min) Mohaiemen’s projects all revolve around modern history\, with a particular focus on South Asia and the 1970s. Merging personal and national histories\, Mohaiemen explores the gaps in historical memory. \nWorkshop\nThe workshop will explore the importance of archival self-representation\, the objects we keep and why.  Attendees should bring at least one item from their personal archive – family photos\, letters\, diaries\, heirlooms. This event is open to all\, and no prior knowledge about archival practice is required.
URL:https://magpie.ae/event/collected-histories-personal-archives-and-documentation-2/
LOCATION:421 Arts Campus\, Mina Zayed\, Abu Dhabi\, United Arab Emirates
CATEGORIES:Film,Workshop
GEO:24.5224833;54.3877183
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BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20250504T173000
DTEND;TZID=Asia/Dubai:20250504T203000
DTSTAMP:20250429T104106Z
CREATED:20250429T104053Z
LAST-MODIFIED:20250429T104106Z
UID:10011997-1746379800-1746390600@magpie.ae
SUMMARY:Collected Histories: Personal Archives and Documentation
DESCRIPTION:Collected Histories\, a project co-founded by Hind Mezaina and Jasmine Soliman\, aims to foster discussion on personal documentation and archiving “with an ultimate goal of inspiring and supporting individuals to become ‘citizen archivists’ by cataloguing\, and exploring ways to self-publish and preserve personal collections”. The project includes talks\, workshops\, and public film screenings – which this evening includes all three. \nFilms\nFour short films focused on archives\, memories\, and identity followed by a short discussion between Mezaina\, Soliman and the audience. \nDon’t Get Too Comfortable dir Shaima Al Tamimi (2021\, 9 min) Questioning the continuous pattern of movement amongst Yemenis in diaspora\, the filmmaker fuses archival photographs and sourced footage\, calling attention to the collective feeling of statelessness and sense of being felt by migrants. \nWhere Am I From? / Ana min wein? dir Nouf Aljowaysir (2022\, 13 min) The filmmaker explores her identity by tracing her childhood and family memories by constructing her genealogical journey using two different voices\, her own and an AI ‘narrator’\, revealing stereotypes and biases derived from its algorithmic composition. \nStill Processing dir Sophy Romvari (2020\, 17 min) A box of stunning family photos unseen for decades awakens lost memories as they are viewed for the first time on camera. \nThe Flowers Stand Silently\, Witnessing dir Theo Panagopoulos (2024\, 17 min) When a filmmaker of Palestinian descent based in Scotland unearths a rarely-seen Scottish film archive of Palestinian wildflowers\, he decides to reclaim the footage. The film questions the role of image-making as a tool of both testimony and violence when connected to entanglements between people and the land. \nWorkshop\nThe workshop will explore the importance of archival self-representation\, the objects we keep and why.  Attendees should bring at least one item from their personal archive – family photos\, letters\, diaries\, heirlooms. This event is open to all\, and no prior knowledge about archival practice is required.
URL:https://magpie.ae/event/collected-histories-personal-archives-and-documentation/
LOCATION:421 Arts Campus\, Mina Zayed\, Abu Dhabi\, United Arab Emirates
CATEGORIES:Film,Workshop
GEO:24.5224833;54.3877183
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BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20250504T190000
DTEND;TZID=Asia/Dubai:20250504T210000
DTSTAMP:20250501T095344Z
CREATED:20250501T095216Z
LAST-MODIFIED:20250501T095344Z
UID:10012005-1746385200-1746392400@magpie.ae
SUMMARY:SFP Montage: day two
DESCRIPTION:SFP Montage is a series of special projects and initiatives linked to Sharjah Arts Foundation’s annual Sharjah Film Platform (SFP) festival that forges new associations among the works and expands their reach beyond Sharjah. This evening’s films: \nUpshot dir Maha Haj (2024\, 34 min: still above)  \nAfter suffering unimaginable loss\, Suleiman and Lubna retreat to an isolated farm; there they tend to their crops and engage in impassioned debates about their five children’s life choices. One day\, a stranger arrives to reveal a harrowing truth from their past … Arabic with English subtitles \nCu Li Không Bao Giờ Khóc (Cu Li Never Cries) dir Phạm Ngọc Lân (2024\, 92 min) \nAfter collecting the ashes of her estranged husband from Germany\, Mrs Nguyen travels back to Hanoi with Cu Li\, his pet pygmy slow loris. On her return\, she finds her pregnant niece rushing into marriage and fears the young woman is making the same mistakes that she did … The film weaves together the present with the complexities of Vietnamese history by interspersing the old woman’s longing for the past with the couple’s uncertain future. Vietnamese with Arabic and English subtitles
URL:https://magpie.ae/event/sfp-montage-day-two/
LOCATION:The Arts Center @ NYUAD\, NYUAD Campus\, Saadiyat Island\, Abu Dhabi\, United Arab Emirates
CATEGORIES:Film
GEO:24.5238948;54.4345558
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