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X-WR-CALNAME:magpie
X-ORIGINAL-URL:https://magpie.ae
X-WR-CALDESC:Events for magpie
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BEGIN:VTIMEZONE
TZID:Asia/Dubai
BEGIN:STANDARD
TZOFFSETFROM:+0400
TZOFFSETTO:+0400
TZNAME:+04
DTSTART:20240101T000000
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END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260117
DTEND;VALUE=DATE:20260118
DTSTAMP:20260427T184711
CREATED:20260101T135741Z
LAST-MODIFIED:20260101T135741Z
UID:10013186-1768608000-1768694399@magpie.ae
SUMMARY:Anuar Khalifi: Remember the Future
DESCRIPTION:The third Third Line solo exhibition by Spanish-Moroccan artist Anuar Khalifi comprises a new body of large-scale paintings and works on paper that represent an evolution in Khalifi’s practice\, with increasingly intricate and carefully composed settings expanding the pictorial field. Says the gallery: “The works move between reality and imagination and across different tenses in time\, inviting viewers to partake in meaning-making with curiosity and childlike wonder”. To 1 March. \nAbove: Anuar Khalifi\, Remember the Future\, 2025
URL:https://magpie.ae/event/anuar-khalifi-remember-the-future/
LOCATION:The Third Line\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2026/01/Anuar-Khalifi-Remember-the-Future-2025.webp
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Third Line Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260117
DTEND;VALUE=DATE:20260118
DTSTAMP:20260427T184711
CREATED:20251231T170651Z
LAST-MODIFIED:20251231T170651Z
UID:10013174-1768608000-1768694399@magpie.ae
SUMMARY:Kais Salman: Remnants
DESCRIPTION:New work by Kais Salman\, who “places his audience among ruins … his recent body of work acting as a pile of forgotten images buried beneath decades of historical buildup … Faces emerge through Salman’s energetic brushwork\, only to fade back into the walls and dissolve into material debris. Therefore\, rendering his paintings as spaces of loss …” Recognised for his very characteristic abstract expressionist style\, Salman’s energetic brushwork and gestural application of acrylics in vibrant colours express an urgency and energy\,  “a space where introspection transforms into insight”. \nTo 18 March. \nAbove: Kais Salman\, Red Carpet (2025)
URL:https://magpie.ae/event/kais-salman-remnants/
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/12/Kais-Salman-Red-Carpet-2025-Acrylic-on-canvas-170-x-210-cm.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260117
DTEND;VALUE=DATE:20260118
DTSTAMP:20260427T184711
CREATED:20251114T133745Z
LAST-MODIFIED:20251114T133745Z
UID:10013077-1768608000-1768694399@magpie.ae
SUMMARY:LAST CHANCE Lala Rukh II: The importance of staying quiet
DESCRIPTION:The first part of this series\, Lala Rukh I\, presented a selection of photographs from the artist’s archives during her years at the University of Chicago (1974-76). Its speculative framework helped us to stage the evolution of Lala’s photographic sensibility\, as she refined her sense of composition\, framing\, and perception. This second exhibition of The importance of staying quiet completes the two-part observational inquiry into Lala Rukh’s photographic practice\, showing how it moved toward abstraction. The exhibition builds parallels across different bodies of work\, tracing how Lala both used and broke down photographic technique\, the visual\, and the conceptual into photo-documentation\, unique photo works\, video\, and drawing.
URL:https://magpie.ae/event/last-chance-lala-rukh-ii-the-importance-of-staying-quiet/
LOCATION:Grey Noise\, Unit 24 Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition,Photography
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Grey Noise Unit 24 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Unit 24 Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260116
DTEND;VALUE=DATE:20260117
DTSTAMP:20260427T184711
CREATED:20260112T185025Z
LAST-MODIFIED:20260113T164212Z
UID:10013249-1768521600-1768607999@magpie.ae
SUMMARY:Echoes in Colors
DESCRIPTION:A group show in the Renaissance Business Bay’s lobby for “a diverse roster of Dubai based artists” that is “defined by variety rather than a single style” and linked “through colour\, emotion\, and storytelling”. To 27 January.
URL:https://magpie.ae/event/echoes-in-colors/
LOCATION:Renaissance Business Bay Hotel\, Al Abraj Street\, Marasi Drive\, Business Bay\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2026/01/echoes-in-colours.webp
GEO:25.1880179;55.2889708
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Renaissance Business Bay Hotel Al Abraj Street Marasi Drive Business Bay Dubai;X-APPLE-RADIUS=500;X-TITLE=Al Abraj Street\, Marasi Drive\, Business Bay:geo:55.2889708,25.1880179
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260116
DTEND;VALUE=DATE:20260117
DTSTAMP:20260427T184711
CREATED:20260108T165359Z
LAST-MODIFIED:20260420T155554Z
UID:10013222-1768521600-1768607999@magpie.ae
SUMMARY:Urdu Worlds
DESCRIPTION:A contemporary art exhibition dedicated to the Urdu language: according to Ishara\, “the show explores how language provides the tools with which we create and shape our internal ‘worlds’. Words\, rather than simply describing our surroundings\, give rise to our private lived experiences and shared cultural understandings”. \nCurated by Hammad Nasar\, the exhibition is a visual conversation around language between Ali Kazim and Zarina (it’s also the first comprehensive presentation of Kazim’s works in the GCC). Born in Aligarh\, India\, Zarina weaves Urdu script\, proverbs and poetry into her delicate print works; Ali Kazim\, a multimedia artist based in Lahore\, Pakistan\, grounds his ‘Urdu world’ in a sense of place while exhibiting an eclecticism of influences that reflects the composite and layered history of the language. \nTo 31 May. \nAbove: Ali Kazim\, Untitled (Votive Objects) (2022). Below: Zarina\, Ten woodcuts by Zarina: based on Urdu proverbs (1991)
URL:https://magpie.ae/event/urdu-worlds/
LOCATION:Ishara Art Foundation\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2026/01/3.-Ali-Kazim-Untitled-Votive-Objects-2022-scaled-1.webp
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ishara Art Foundation Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260116
DTEND;VALUE=DATE:20260117
DTSTAMP:20260427T184711
CREATED:20251231T153133Z
LAST-MODIFIED:20251231T153533Z
UID:10013171-1768521600-1768607999@magpie.ae
SUMMARY:Digital Art: Printed Works
DESCRIPTION:A group show – 27 artists\, 35 works – of prints from digital art that represent “a kaleidoscopic range of subjects and sentiments reflecting the complexity and richness of being human today … Rendered through digital tools\, in some instances as a complement to or continuation of manual methods of making\, the pieces selected for the exhibition individually invite viewers to explore and take notice of the depth\, detail\, and emotional breadth that figurative and abstract digital art can convey”. The exhibition is curated by Nora Qudah. \nTo 9 March. \nAbove: Aseel AlJaberi\, Between Then and Now
URL:https://magpie.ae/event/digital-art-printed-works/
LOCATION:Kutubna Cultural Center\, Madina Avenues 17\, Nadd Al Hamar\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/12/Aseel-AlJaberi-Between-Then-and-Now_.webp
GEO:25.1887983;55.3840009
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kutubna Cultural Center Madina Avenues 17 Nadd Al Hamar Dubai;X-APPLE-RADIUS=500;X-TITLE=Madina Avenues 17\, Nadd Al Hamar:geo:55.3840009,25.1887983
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260115
DTEND;VALUE=DATE:20260116
DTSTAMP:20260427T184711
CREATED:20260113T091117Z
LAST-MODIFIED:20260113T091117Z
UID:10013255-1768435200-1768521599@magpie.ae
SUMMARY:Yuyu Zhitong: Serendipity
DESCRIPTION:The debut solo exhibition in the Middle East for the Chinese-born London-based artist\, known for her luscious sweeps of colour and a mordant wit (“Good Girls Go To Heaven\, Cool Girls Go Everywhere”). This show presents a new body of paintings that develops her intuitive yet disciplined approach to abstraction; working without preparatory sketches\, Zhitong allows each composition to emerge through a continuous process of construction and reconfiguration\, guided by trained intuition and attentive perception. Gesture\, rhythm\, and colour operate as structural elements\, shaping works that balance spontaneity with control. \nThe gallery says the exhibition title refers to the ability to recognise meaning within chance encounters: “for Zhitong\, painting becomes a site where intuition meets uncertainty\, and where form and significance emerge through observation rather than intention. Each work captures a moment of alignment between perception\, emotion\, and structure …” \nTo 11 February.
URL:https://magpie.ae/event/yuyu-zhitong-serendipity/
LOCATION:Volery Gallery\, Maze Tower - 5201\, Dubai International Financial Center\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2026/01/serendipity.webp
GEO:25.20884;55.2770323
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Volery Gallery Maze Tower - 5201 Dubai International Financial Center Dubai;X-APPLE-RADIUS=500;X-TITLE=Maze Tower - 5201\, Dubai International Financial Center:geo:55.2770323,25.20884
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260115
DTEND;VALUE=DATE:20260116
DTSTAMP:20260427T184711
CREATED:20260112T175125Z
LAST-MODIFIED:20260112T175125Z
UID:10013227-1768435200-1768521599@magpie.ae
SUMMARY:RUSTING ECHOES
DESCRIPTION:Works by Yoshi (Aisha Al Ali)\, Ammar Al Banna\, Ahmed Al Kuwaiti and Shaikha Al Shamsi. The theme is time as both a material and emotional presence\, expressed through processes of transformation\, memory\, repetition\, and decay – so time not as a measured unit\, but as something felt through texture\, resonance\, and change. “The artists engage in slow\, process-driven methods that register time through touch\, material\, and repetition” and the exhibition “reflects on how time manifests quietly through change\, decay\, and resonance\, revealing both impermanence and continuity in the marks it leaves …” It is curated by art educator and researcher Sarrah Bashir. \nTo 15 February.
URL:https://magpie.ae/event/rusting-echoes/
LOCATION:NYUAD Arts Centre Project Space
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2026/01/rusting-echoes.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260113
DTEND;VALUE=DATE:20260114
DTSTAMP:20260427T184711
CREATED:20260113T092630Z
LAST-MODIFIED:20260113T092820Z
UID:10013261-1768262400-1768348799@magpie.ae
SUMMARY:Jumana Emil Abboud: The Storyteller and the Obedient Tide
DESCRIPTION:Jumana Emil Abboud’s first solo exhibition in the Emirates draws on the lineage of Palestinian folktales and their continued resonance in the present – how stories inhabit landscapes\, shape personal histories and collective memory\, and create an enchanted relationship to the landscape. \nThe works in this show are like traces and fragments left by the tide’s ebb and flow; “they drift across time and geography\, fact and mythology\, and are grounded in the context of the Palestinian struggle for liberation and return” says the gallery. “Mirroring the exhibition’s title\, the tide’s devotion to the moon’s pull and the storyteller’s slow telling prompt the central question of the exhibition: how do we carry light\, across oceans\, across ruins\, across silence\, without letting it be extinguished?” \nCurated by Indranjan Banerjee. To June 28. \nAbove: Jumana Emil Abboud\, Our Other Half (detail\, 2024-2025)
URL:https://magpie.ae/event/jumana-emil-abboud-the-storyteller-and-the-obedient-tide/
LOCATION:Jameel Arts Centre\, Al Jaddaf\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2026/01/3-Our-Other-Half_detail_Jumana-Emil-Abboud_MBP_1201-min-aspect-ratio-1920-812-1100x500-1.webp
GEO:25.216757;55.3309395
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jameel Arts Centre Al Jaddaf Dubai;X-APPLE-RADIUS=500;X-TITLE=Al Jaddaf:geo:55.3309395,25.216757
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260112
DTEND;VALUE=DATE:20260113
DTSTAMP:20260427T184711
CREATED:20251020T155707Z
LAST-MODIFIED:20251020T155945Z
UID:10012946-1768176000-1768262399@magpie.ae
SUMMARY:LAST CHANCE Besher Koushaji: Moments of Hope
DESCRIPTION:Koushaji’s exhibitions continues his exploration of memory\, resilience\, and the human condition with a new body of work that “reflects on a world shaped by displacement\, conflict\, and uncertainty\, yet illuminated by fleeting moments of beauty and strength”. His signature is a richly layered canvas through which Koushaji weaves symbols of cultural memory such as lemons\, pomegranates\, and flowers as metaphors of endurance and renewal; at the heart of his compositions stands the figure of the woman\, embodying continuity\, tenderness\, and quiet power.
URL:https://magpie.ae/event/last-chnace-besher-koushaji-moments-of-hope/
LOCATION:Firetti Contemporary\, Unit 29\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Firetti Contemporary Unit 29 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Unit 29\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260111
DTEND;VALUE=DATE:20260112
DTSTAMP:20260427T184711
CREATED:20251020T155848Z
LAST-MODIFIED:20251110T131326Z
UID:10012948-1768089600-1768175999@magpie.ae
SUMMARY:LAST CHANCE Mohammed Joha: Houselessness
DESCRIPTION:In his latest work\, Palestinian artist Mohammed Joha redefines collage as “an architecture of rupture and reassembly\, both a method and a metaphor”. His works bring together scraps of fabric\, paper\, cardboard\, plastic and other salvaged materials\, textures pulled from shattered environments and fragments of personal history\, to form compressed\, jostling topographies; they convey not only violence and destruction\, but also endurance and resistance: a continuation of life within erasure.
URL:https://magpie.ae/event/last-chance-mohammed-joha-houseless/
LOCATION:Zawyeh Gallery\, Warehouse 27\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Zawyeh Gallery Warehouse 27 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Warehouse 27\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260111
DTEND;VALUE=DATE:20260112
DTSTAMP:20260427T184711
CREATED:20251012T114159Z
LAST-MODIFIED:20251029T072733Z
UID:10012899-1768089600-1768175999@magpie.ae
SUMMARY:LAST CHANCE Daniel Arsham: What Remains
DESCRIPTION:A solo show by the American artist Daniel Arsham\, known for his works of ‘fictional archaeology’ expressed through sculpture\, architecture\, drawing\, and film – what he calls “future relics of the present.” This exhibition marks the 24th collaboration between the artist and Perrotin\, a partnership that has spanned more than two decades.
URL:https://magpie.ae/event/last-chance-daniel-arsham-what-remains/
LOCATION:Perrotin\, Gate Village Building 5\, DIFC\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.2118411;55.2807637
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Perrotin Gate Village Building 5 DIFC Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Gate Village Building 5\, DIFC:geo:55.2807637,25.2118411
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260110
DTEND;VALUE=DATE:20260111
DTSTAMP:20260427T184711
CREATED:20260101T133713Z
LAST-MODIFIED:20260101T133713Z
UID:10013183-1768003200-1768089599@magpie.ae
SUMMARY:Hussein Al Mohasen: The Truth
DESCRIPTION:New work from the Saudi artist\, who has been exhibited all over the Middle East since 1999. His practice is shaped by poetry from the Arab world and “the complex intersections between modern spaces and personal freedoms”; he aims to present the contemporary Arab experience after the fashion of the poetry and music\nthat inspired him. \nThe title is explained by the artist’s curatorial text: “I believe that visual art is an important medium to make people see and perceive the truth … With my new body of work I am trying to reach what is beyond reality\, to go where I want the viewers to experience a visual journey\, which makes them see reality in a hopeful\, peaceful\, manner; even if reality\, sometimes\, is not as desirable as we want …” \nTo 5 February.
URL:https://magpie.ae/event/hussein-al-mohasen-the-truth/
LOCATION:XVA Gallery\, Al Fahidi Historical Neighborhood\, Bur Dubai\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2026/01/Copy-of-51a12ad6-b03e-429d-83bc-6011f2bc474e_no_bg.webp
GEO:25.2637606;55.300449
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=XVA Gallery Al Fahidi Historical Neighborhood Bur Dubai Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Al Fahidi Historical Neighborhood\, Bur Dubai:geo:55.300449,25.2637606
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260110
DTEND;VALUE=DATE:20260111
DTSTAMP:20260427T184711
CREATED:20251125T170111Z
LAST-MODIFIED:20251125T170111Z
UID:10013085-1768003200-1768089599@magpie.ae
SUMMARY:LAST CHANCE Silajit Ghosh: Abstract Reality
DESCRIPTION:A solo show for the noted Indian artist\, whose paintings aim to explore the essence of reality rather than its literal representation. His signature use of strong colours evoke emotions rather than depictions – “his works feel like waves\, each with its own rhythm and spiritual undertone\, capturing vitality\, positivity\, and a profound sense of harmony” says the gallery.
URL:https://magpie.ae/event/last-chance-silajit-ghosh-abstract-reality/
LOCATION:Andakulova Gallery\, Unit 18\, P4 Level Damac Park Towers\,  DIFC \, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.209528;55.278514
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Andakulova Gallery Unit 18 P4 Level Damac Park Towers  DIFC  Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Unit 18\, P4 Level Damac Park Towers\,  DIFC:geo:55.278514,25.209528
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260110
DTEND;VALUE=DATE:20260111
DTSTAMP:20260427T184711
CREATED:20251104T110423Z
LAST-MODIFIED:20251104T121020Z
UID:10012997-1768003200-1768089599@magpie.ae
SUMMARY:LAST CHANCE Kamrooz Aram: Domestic Compositions
DESCRIPTION:A solo exhibition by Kamrooz Aram. The artist’s practice integrates sculpture\, painting\, and architecture\, creating a context for viewing cultural artefacts in a way that brings them back into the present.
URL:https://magpie.ae/event/last-chancekamrooz-aram-domestic-compositions/
LOCATION:Green Art Gallery\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260110
DTEND;VALUE=DATE:20260111
DTSTAMP:20260427T184711
CREATED:20251028T124720Z
LAST-MODIFIED:20251028T124720Z
UID:10012969-1768003200-1768089599@magpie.ae
SUMMARY:LAST CHNACE Ali Kaaf: The Fire’s Edge
DESCRIPTION:The artist’s first solo show at Ayyam Gallery features Kaaf’s seminal body of work from his Rift\, Helmet and Ras Ras series. \nThe Fire’s Edge evokes the fragile threshold where ancestral practices meet modern erasure\, the line between scorched earth and fertile soil but also the vanishing space where knowledge\, ritual\, and ecology once intertwined. Says the gallery: “the title of the exhibition suggests a meditation on disappearance and persistence\, on how destruction\, drought\, and extraction cast a shadow over the possibility of renewal …” \nWith Kaaf’s photographic works in the Ras Ras series\, the medium is manipulated by fire. The Helmet series explores the intersection of past and present via blown-glass helmets thatv evoke the fragility of memory. Much like Kaaf’s use of paper in the Rift series — a material that is both resilient and inherently delicate — glass becomes a poetic vessel for themes of endurance and vulnerability.
URL:https://magpie.ae/event/last-chnace-ali-kaaf-the-fires-edge/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260110
DTEND;VALUE=DATE:20260111
DTSTAMP:20260427T184711
CREATED:20251014T125420Z
LAST-MODIFIED:20251014T125420Z
UID:10012926-1768003200-1768089599@magpie.ae
SUMMARY:LAST CHANCE Ali Kaaf: The Fire’s Edge 
DESCRIPTION:Ali Kaaf’s first solo exhibition at Ayyam Gallery features his seminal body of work\, the Rift series\, alongside selected works from his Helmet and Ras Ras series. \nThe Fire’s Edge evokes the fragile threshold where ancestral practices meet modern erasure – marking not only the line between scorched earth and fertile soil\, but also the vanishing space where knowledge\, ritual\, and ecology once intertwined. The title of the exhibition thus suggests a meditation on disappearance and persistence\, on how destruction\, drought\, and extraction cast a shadow over the possibility of renewal.
URL:https://magpie.ae/event/last-chance-ali-kaaf-the-fires-edge/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260110
DTEND;VALUE=DATE:20260111
DTSTAMP:20260427T184711
CREATED:20251007T135736Z
LAST-MODIFIED:20251007T135736Z
UID:10012863-1768003200-1768089599@magpie.ae
SUMMARY:LAST CHANCE Printed Matter
DESCRIPTION:A group exhibition of photography and mixed media works by El3attar Film Collective – Cynthia Zahar\, Georges Yammine\, and Mohammad Al Hawajri. Through preserving and reconfiguring found materials\, stories\, and images\, each artist tackles themes of memory\, war\, and change.
URL:https://magpie.ae/event/last-chance-printed-matter/
LOCATION:Fann à Porter\, The Workshop\, Villa 45\, St. 23b\, off Al Wasl Road (opposite Box Park)\, Jumeirah 2\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1966736;55.2461631
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fann à Porter The Workshop Villa 45 St. 23b off Al Wasl Road (opposite Box Park) Jumeirah 2 Dubai;X-APPLE-RADIUS=500;X-TITLE=The Workshop\, Villa 45\, St. 23b\, off Al Wasl Road (opposite Box Park)\, Jumeirah 2:geo:55.2461631,25.1966736
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260110
DTEND;VALUE=DATE:20260111
DTSTAMP:20260427T184711
CREATED:20250923T170454Z
LAST-MODIFIED:20250924T064317Z
UID:10012766-1768003200-1768089599@magpie.ae
SUMMARY:LAST CHANCE The Shape of Things to Come
DESCRIPTION:A striking collection of artists feature in this group show\, with works by El Anatsui\, Iman Issa\, Abdoulaye Konaté\, Adam Pendleton\, Yinka Shonibare and Carrie Mae Weems. Curated by Japan-based American curator Dexter Wimberly\, the exhibition responds to “the shifting realities of modern life including political upheaval\, technological change\, cultural exchange and environmental crisis\, reinforcing art’s role as a tool for insight and change”.
URL:https://magpie.ae/event/last-chance-the-shape-of-things-to-come/
LOCATION:Efiɛ Gallery\, 2 Al Khayat Art Avenue\, First Al Khail Street\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1399294;55.2285748
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Efiɛ Gallery 2 Al Khayat Art Avenue First Al Khail Street Dubai;X-APPLE-RADIUS=500;X-TITLE=2 Al Khayat Art Avenue\, First Al Khail Street:geo:55.2285748,25.1399294
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260109
DTSTAMP:20260427T184711
CREATED:20251104T172838Z
LAST-MODIFIED:20251104T172838Z
UID:10013007-1767830400-1767916799@magpie.ae
SUMMARY:LAST CHANCE By the Movement of All Things
DESCRIPTION:A group exhibition curated by Hamzeh Alfarahneh of South African curatorial firm Art(Advisory) and featuring works by Hamra Abbas (Pakistan)\, Diana Al-Hadid (Syria-USA)\, Timo Nasseri (Iran-Germany)\, and four South Africans – Igshaan Adams\, Moshekwa Langa\, James Webb\, and Bronwyn Katz. \nThe exhibition continues Alfarahneh’s ongoing investigation into Global Majority abstract practices\, focusing on the affinities and resonances between South African and Middle Eastern non-figurative approaches. The title\, borrowed from Aimé Césaire’s Notebook of a Return to My Native Land\, sets the tone of active participation\, inviting the viewer to engage with the works not merely by projecting meaning but also by reflecting their own lived experiences.
URL:https://magpie.ae/event/last-chance-by-the-movement-of-all-things/
LOCATION:Lawrie Shabibi\, Unit 21\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Lawrie Shabibi Unit 21 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Unit 21\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260108
DTEND;VALUE=DATE:20260109
DTSTAMP:20260427T184711
CREATED:20250930T123615Z
LAST-MODIFIED:20250930T123615Z
UID:10012782-1767830400-1767916799@magpie.ae
SUMMARY:LAST CHANCE Gil Heitor Cortesão: All That Is Solid
DESCRIPTION:Gil Heitor Cortesão’s fifth solo show at CARBON 12 (it is also the gallery’s 100th exhibition) presents a suite of large and small works extending his investigation into the fragile perceptive systems and architectures of modernity. Working with oil on plexiglass\, Cortesão constructs images that hover between coherence and dissolution\, framing painting as a system at once striving for and resisting cohesion; at the heart of this new body of work lies the artist’s ongoing series of photographs of modernist interiors and glass structures\, reconfigured and filtered by colour\, space\, and mood.
URL:https://magpie.ae/event/last-chance-gil-heitor-cortesao-all-that-is-solid/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CARBON 12 17th Street Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=17th Street:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260107
DTEND;VALUE=DATE:20260108
DTSTAMP:20260427T184711
CREATED:20251106T132123Z
LAST-MODIFIED:20251106T132123Z
UID:10013038-1767744000-1767830399@magpie.ae
SUMMARY:LAST CHANCE Salma Dib: Marks of Return
DESCRIPTION:Drawing from the charged visual language of street walls in Palestine in this\, her first solo exhibition in the UAE\, Salma Dib transforms those surfaces of resistance into layered compositions that speak of loss\, resilience\, and collective memory. Her works – painting\, installation\, and textile – become vessels of remembrance\, where every mark holds the weight of history and the quiet persistence of a people. The exhibition invites viewers to move through fragments of memory and presence\, reflecting on how the act of return continues to shape identity\, community\, and the hope for what endures …
URL:https://magpie.ae/event/last-chance-salma-dib-marks-of-return/
LOCATION:Aisha Alabbar Gallery\, Warehouse C19\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1196663;55.217749
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Aisha Alabbar Gallery Warehouse C19 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Warehouse C19\, Alserkal Avenue:geo:55.217749,25.1196663
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260105
DTEND;VALUE=DATE:20260106
DTSTAMP:20260427T184711
CREATED:20250919T111026Z
LAST-MODIFIED:20251020T155957Z
UID:10012727-1767571200-1767657599@magpie.ae
SUMMARY:LAST CHANCE SILA: All that is Left to You
DESCRIPTION:In times of adversity\, especially amid the ongoing devastation in Gaza\, tatreez – the ancient practice of hand-embroidery\, a foundational element of Palestinian intangible heritage – becomes an act of survival and defiance. This exhibition of works by 25 artists honours the centuries-old practice and reimagined it through a contemporary lens. Several of the featured works are the result of direct collaboration with master embroiderers from the Inaash Association\, ensuring the preservation of the authenticity and the evolving spirit of tatreez. \nThe participating artists: \nAmer Shomali\nAbdel Rahman Katanani\nAreen Hassan\nAya Haidar\nBokja\nCristiana de Marchi\nDahouk Chamsi-Pasha\nFarah Behbehani\nHazem Harb\nKatya Traboulsi\nJoanna Barakat\nLeila Jabre Jureidini\nLiane Al Ghusain\nMaysaloun Faraj\nNada Debs\nNaima Almajdobah\nnaqsh collective\nNour Hage\nOmarvis\nSama Alshaibi\nSamar Hejazi\nSamia Halaby\nTala Hammoud Atrouni\nSteve Sabella\nZaid Farouki
URL:https://magpie.ae/event/last-chnace-sila-all-that-is-left-to-you/
LOCATION:Maraya Art Centre\, Al Qasba\, Sharjah\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.322311;55.3762336
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Maraya Art Centre Al Qasba Sharjah United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Al Qasba:geo:55.3762336,25.322311
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260104
DTEND;VALUE=DATE:20260105
DTSTAMP:20260427T184711
CREATED:20251110T114734Z
LAST-MODIFIED:20251110T114734Z
UID:10013044-1767484800-1767571199@magpie.ae
SUMMARY:LAST CHANCE Aliyah Alawadhi: Girl Parts
DESCRIPTION:“Childhood is a half-remembered taste: sweet\, sticky\, and sometimes spoiled.” In Girl Parts\, her first solo exhibition\, Aliyah Alawadhi expresses this residue in paint – bodies shimmering in pinks and creams\, mouths agape\, devouring and dreaming. Says the gallery: “These are not nostalgic visions of innocence but reimaginings of ‘girl’: an ancient inheritance of edicts around beauty\, shame\, and desire\, rewritten here with magic\, rage\, and much speculation”. \nThis Hunna Art exhibition is curated by Océane Sailly.
URL:https://magpie.ae/event/last-chance-aliyah-alawadhi-girl-parts/
LOCATION:Bayt AlMamzar\, House 2\, 26 Street\, Al Mamzar\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.2959701;55.3419302
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bayt AlMamzar House 2 26 Street Al Mamzar Dubai;X-APPLE-RADIUS=500;X-TITLE=House 2\, 26 Street\, Al Mamzar:geo:55.3419302,25.2959701
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260104
DTEND;VALUE=DATE:20260105
DTSTAMP:20260427T184711
CREATED:20250604T110404Z
LAST-MODIFIED:20250604T110404Z
UID:10012488-1767484800-1767571199@magpie.ae
SUMMARY:LAST CHANCE Mohammad Alfaraj: Seas are sweet\, fish tears are salty
DESCRIPTION:The first institutional solo exhibition of Mohammad Alfaraj brings together installations\, photography\, video works and site-specific commissions that respond to the gardens and outdoor spaces of the Jameel. Central to Alfaraj’s practice is his use of storytelling\, both in written and oral forms; Alfaraj\, who lives and works in the Saudi oasis city of Al-Ahsa\, draws much of his source material from the area’s distinctive agricultural landscapes\, oral traditions and everyday life\, which he expands into universal stories and parables.
URL:https://magpie.ae/event/last-chance-mohammad-alfaraj-seas-are-sweet-fish-tears-are-salty/
LOCATION:Jameel Arts Centre\, Al Jaddaf\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.216757;55.3309395
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jameel Arts Centre Al Jaddaf Dubai;X-APPLE-RADIUS=500;X-TITLE=Al Jaddaf:geo:55.3309395,25.216757
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260102
DTEND;VALUE=DATE:20260103
DTSTAMP:20260427T184711
CREATED:20251002T111540Z
LAST-MODIFIED:20251002T112218Z
UID:10012843-1767312000-1767398399@magpie.ae
SUMMARY:LAST CHANCE Fertile Dreams
DESCRIPTION:The group show brings together artists from the MENA region and its diaspora whose practices engage fertility as a generative force tied to questions of origin\, transformation\, and the cycles that govern land and self. Across drawing\, painting\, ceramics\, textiles\, and installation\, they turn to rhythmic repetition as a shared method of accessing unconscious and symbolic worlds; rooted in Surrealist philosophy yet resonant with the mystic patterns of Middle Eastern spiritual traditions\, their works open passages between body and land\, spirit and matter\, dream and physicality.
URL:https://magpie.ae/event/last-chance-fertile-dreams/
LOCATION:Tabari Artspace\, Gate Village Level 2\, DIFC\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.2135121;55.2823895
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tabari Artspace Gate Village Level 2 DIFC Dubai;X-APPLE-RADIUS=500;X-TITLE=Gate Village Level 2\, DIFC:geo:55.2823895,25.2135121
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251231
DTEND;VALUE=DATE:20260101
DTSTAMP:20260427T184711
CREATED:20251110T123526Z
LAST-MODIFIED:20251110T123526Z
UID:10013046-1767139200-1767225599@magpie.ae
SUMMARY:LAST CHANCE Fereydoun Ave\, Raana Farnoud\, Shaqayeq Arabi: IMPROVISATIONS
DESCRIPTION:The artists in this group show have distinct visual languages that do find commonalities: they “transform the familiar through acts of care\, attention\, and intuitive play … a shared attentiveness to what is provisional\, such as a line that wavers\, a form that repeats with variation\, or a gesture made in passing but left to settle”\, as the gallery has it. \nIn Farnoud’s paintings\, forms hover between presence and disappearance. Ave’s works honour simplicity\, allowing small elements to settle into poetry. Arabi assembles delicate sculptures\, where fragility becomes a kind of resilience. \n“In a time that often demands spectacle\, these works ask us to slow down\, pay attention\, and find presence in the modest\, fragile\, and unresolved …”
URL:https://magpie.ae/event/last-chance-fereydoun-ave-raana-farnoud-shaqayeq-arabi-improvisations/
LOCATION:Gallery Isabelle\, Unit 17\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gallery Isabelle Unit 17 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Unit 17\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251228
DTEND;VALUE=DATE:20251229
DTSTAMP:20260427T184711
CREATED:20251013T100504Z
LAST-MODIFIED:20251013T100504Z
UID:10012909-1766880000-1766966399@magpie.ae
SUMMARY:LAST CHANCE Art Here 2025
DESCRIPTION:The fifth edition of the Louvre Abu Dhabi Art Here exhibition\, featuring six artworks by seven artists shortlisted for the Richard Mille Art Prize\, has been curated by guest curator Sophie Mayuko Arni under the theme Shadows – “exploring the interplay between light and absence\, visibility and concealment\, and the layered dimensions of memory\, identity\, and transformation”. \nThis year’s edition invited proposals from artists based in the GCC and Japan\, along with artists from the MENA region with a GCC connection. There were more than 400 submissions\, from which six were shortlisted for the Richard Mille Art Prize; the winner will be announced in December. \nThe exhibits: \nI remember a light: sculpture by Palestinian architect\, artist\, and researcher Ahmed Alaqra that reimagines shadows as urban traces\, referencing the traditional mashrabiya lattice screen. Made of stacked acrylic cubes containing 3D-printed shapes from shadow photographs of Sharjah\, the sculpture transforms fleeting encounters of light and architecture into enduring sculptural artifacts. \nEcho: an interactive light installation by Emirati artist and musician Jumairy. Visitors encounter a still water pond\, a single flower\, and ambient sound; reimagining the myth of Echo and Narcissus\, the work uses light and shadow to transform absence into intimacy and invite a deeper encounter with memory and the unconscious. \nskadw: an immersive audiovisual installation of light\, fog\, and sound by Japanese artist Ryoichi Kurokawa. Shadows are transformed into sculptural form; a single beam cuts through shifting mist\, creating ever-changing patterns of shadow and resonance. Inspired by the Japanese concept of Ma\, the beauty of negative space\, the work invites viewers into a meditative environment where absence becomes presence. \nTree Studies: the Kuwaiti-Pakistani artist Hamra Abbas has an installation of 31 stone inlay sculptures inspired by trees found in Pakistan and in the UAE\, including olive\, pomegranate\, and cherry. Using her distinctive lapis-on-lapis technique to create shadow-like foliage\, the works balance realism and abstraction. \nA Sundial for the Night Without End: a sculptural sundial conceived for a world after the sun by Japanese artist Rintaro Fuse. Formed from polished stainless steel\, the work reflects its surroundings while aligning three gnomons to past\, present\, and future North Stars. Installed beneath the museum’s dome\, it transforms cosmic time into a meditation on memory\, absence\, and the persistence of eternity. \nDancing shadows: a pavilion of swaying stainless-steel mesh\, inspired by traditional Kawachi weaving. Supported by slender columns\, the structure creates shifting patterns of shadow and light. Using recycled industrial material\, the architect duo YOKOMAE et BOUAYAD (Takuma Yokomae from Japan and Ghali Bouayad from Morocco) have created an installation that blends Tokyo and Marrakesh design traditions\, offering a poetic space where architecture moves like nature.
URL:https://magpie.ae/event/last-chance-art-here-2025/
LOCATION:Louvre Abu Dhabi\, Saadiyat Island\, Abu Dhabi
CATEGORIES:Art,Exhibition
GEO:24.5302924;54.4451578
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Louvre Abu Dhabi Saadiyat Island Abu Dhabi;X-APPLE-RADIUS=500;X-TITLE=Saadiyat Island:geo:54.4451578,24.5302924
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251228
DTEND;VALUE=DATE:20251229
DTSTAMP:20260427T184711
CREATED:20250806T113818Z
LAST-MODIFIED:20251209T112418Z
UID:10012624-1766880000-1766966399@magpie.ae
SUMMARY:LAST CHANCE The Only Way Out Is Through: The Twentieth Line
DESCRIPTION:Shumon Basar curates this project marking the gallery’s 20th anniversary\, a look back on “two decades of The Third Line’s story in relation to global cultural\, political\, and economic shifts”. The exhibition component features both early and more recent works from every artist currently represented by The Third Line; it’s arranged in four chronological sections – 2005-2009\, 2010-2015\, 2016-2020\, 2021-2025 – each contextualised with key political\, economic\, and cultural moments. \nArtists represented include Abbas Akhavan\, Ala Ebtekar\, Amir H. Fallah\, Anuar Khalifi\, Bady Dalloul\, Farah Al Qasimi\, Farhad Moshiri\, Fouad Elkoury\, Hassan Hajjaj\, Hayv Kahraman\, Huda Lutfi\, Joana Hadjithomas & Khalil Joreige\, Jordan Nassar\, Kamran Samimi\, Laleh Khorramian\, Lamya Gargash\, Monir Shahroudy Farmanfarmaian\, Nima Nabavi\, Pouran Jinchi\, Rana Begum\, Sahand Hesamiyan\, Sara Naim\, Sarah Awad\, Shirin Aliabadi\, Slavs and Tatars\, Sophia Al-Maria\, Tarek Al-Ghoussein\, Vian Sora\, yasiin bey\, and Youssef Nabil.
URL:https://magpie.ae/event/last-chancethe-only-way-out-is-through-the-twentieth-line/
LOCATION:The Third Line\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Third Line Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251223
DTEND;VALUE=DATE:20251224
DTSTAMP:20260427T184711
CREATED:20251110T174832Z
LAST-MODIFIED:20251112T111059Z
UID:10013049-1766448000-1766534399@magpie.ae
SUMMARY:LAST CHANCE Nick Brandt: The Day May Break Chapter Four – The Echo of Our Voices
DESCRIPTION:The Day May Break (2021–) is an ongoing global series portraying people and animals whose lives have been profoundly affected by environmental degradation and destruction. This fourth chapter of the series was photographed in Jordan\, one of the most water-scarce countries in the world\, and features portraits of refugee families who fled the war in Syria and now live in Jordan – an ongoing displacement largely driven by the effects of climate change. Many are forced to relocate multiple times each year\, following seasonal agricultural work and scarce rainfall. \nThis chapter in the series is a testament to connection and resilience — an affirmation that even when all else is lost\, we still have one another. Photographic historian Philip Prodger has described the series as “a landmark body of work by one of photography’s great environmental champions … Channelling his outrage into quiet determination\, the result is a portrait of us all\, at a critical moment in the Anthropocene”.
URL:https://magpie.ae/event/last-chance-nick-brandt-the-day-may-break-chapter-four-the-echo-of-our-voices-13-november-23-december-2025-dubai/
LOCATION:Waddington Custot\, Dubai\, United Arab Emirates
CATEGORIES:Exhibition,Photography
GEO:25.2048493;55.2707828
END:VEVENT
END:VCALENDAR