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X-ORIGINAL-URL:https://magpie.ae
X-WR-CALDESC:Events for magpie
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TZID:Asia/Dubai
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TZOFFSETFROM:+0400
TZOFFSETTO:+0400
TZNAME:+04
DTSTART:20250101T000000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260515
DTEND;VALUE=DATE:20260516
DTSTAMP:20260401T102216Z
CREATED:20260401T102216Z
LAST-MODIFIED:20260401T102216Z
UID:10013566-1778803200-1778889599@magpie.ae
SUMMARY:LAST CHANCE All at Once
DESCRIPTION:A group exhibition that reflects on continuity\, resilience\, and quiet optimism at a time when the world can feel uncertain. Says the gallery: “All at Once speaks to the coexistence of multiple realities – personal and shared\, fleeting and enduring\, grounded and aspirational. Through an eclectic mix of perspectives and practices\, the exhibition embraces this simultaneity\, offering a space where contrasts do not compete\, but instead unfold together”. \nThe artists: \nZhang Ji (China)\nGary Lang (USA)\nConrad Jon Godly (Switzerland)\nKojo Marfo (Ghana)\nSantiago Parra (Colombia)\nSophie-Yen Bretez (Vietnam)\nTim Kent (Canada)\nUr Kasin (Romania)\nRichard Wathen (UK)\nYann Leto (France)\nHenrik Uldalen (South Korea)\nLu Xinjian (China)
URL:https://magpie.ae/event/last-chance-all-at-once/
LOCATION:JD Malat Gallery\, ACT 2 Tower\, Sheikh Mohammed Bin Rashid Blvd 13A \,Downtown Dubai\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1926401;55.2716753
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=JD Malat Gallery ACT 2 Tower Sheikh Mohammed Bin Rashid Blvd 13A Downtown Dubai Dubai;X-APPLE-RADIUS=500;X-TITLE=ACT 2 Tower\, Sheikh Mohammed Bin Rashid Blvd 13A \,Downtown Dubai:geo:55.2716753,25.1926401
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260515
DTEND;VALUE=DATE:20260516
DTSTAMP:20260508T100741Z
CREATED:20260508T100741Z
LAST-MODIFIED:20260508T100741Z
UID:10013747-1778803200-1778889599@magpie.ae
SUMMARY:Moza Al Falasi: Unfolding
DESCRIPTION:This first solo exhibition by the Emirati artist explores memory\, loss\, and the passing of time\, inviting reflection on how personal and inherited experiences leave their mark on who we are. She uses photography as her primary means of documentation\, alongside sound\, painting\, plaster\, and fabric. \nSays Al Falasi:“My work is deeply rooted in the complexities of inherited grief – the sorrow passed down through generations\, shaping identity in both visible and unseen ways … This inquiry became more profound following the loss of my parents and\, more recently\, my husband\, compelling me to examine grief not only as a personal experience but as an inherited weight that alters our inner landscapes. My art has become a means to navigate both the emotions of loss and the complexities of life\, revealing the deeply personal and collective experience of grief. Whether my practice serves as a form of healing or a visual documentation of grief remains uncertain.” \nThe exhibition is the culmination of her time with the Tashkeel Critical Practice Programme\, developing her practice across both research and production under the mentorship of Luisa Menano and Hanaa Bou Hamdan (the CCP provides UAE-based artists with 12 months’ funding\, studio access\, and mentorship). \nTo 26 June. \nTashkeel has an ongoing collaboration with the adjacent Gerbou Restaurant\, which has Gerbou’s chefs creating a dessert – the Tashkeel Artist Special – that embodies the essence of the current show. For Unfolding\, Al Falasi imagined a flavour that moves between sweet and salt\, reflecting the emotional landscape of the exhibition … \nAbove: Moza Al Falasi\, When the Grief You’re Carrying Is Not Your Own: Traces on the Surface 5 (2026)
URL:https://magpie.ae/event/moza-al-falasi-unfolding/
LOCATION:Tashkeel Alserkal Avenue\, Warehouse 58\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/thumbpress-image/2026/05/Above-Moza-Al-Falasi-When-the-Grief-Youre-Carrying-Is-Not-Your-Own-Traces-on-the-Surface-5-2026.webp
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tashkeel Alserkal Avenue Warehouse 58 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Warehouse 58\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260516
DTEND;VALUE=DATE:20260517
DTSTAMP:20260203T132005Z
CREATED:20260203T131414Z
LAST-MODIFIED:20260203T132005Z
UID:10013387-1778889600-1778975999@magpie.ae
SUMMARY:LAST CHANCE Maggie Otieno: Sojourner – The Difference Is the Same
DESCRIPTION:Otieno’s first solo presentation with Efie centres on her signature transformation of reclaimed and distressed materials. Working across wood\, metal\, and mixed media\, her semi-abstract forms explore layered narratives of history\, memory\, human interaction\, and environmental survival.
URL:https://magpie.ae/event/last-chance-maggie-otieno-sojourner-the-difference-is-the-same/
LOCATION:Efiɛ Gallery\, 2 Al Khayat Art Avenue\, First Al Khail Street\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1399294;55.2285748
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Efiɛ Gallery 2 Al Khayat Art Avenue First Al Khail Street Dubai;X-APPLE-RADIUS=500;X-TITLE=2 Al Khayat Art Avenue\, First Al Khail Street:geo:55.2285748,25.1399294
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260516
DTEND;VALUE=DATE:20260517
DTSTAMP:20260427T155328Z
CREATED:20260427T155220Z
LAST-MODIFIED:20260427T155328Z
UID:10013672-1778889600-1778975999@magpie.ae
SUMMARY:Safwan Dahoul – The Eye: An Aperture Into the Soul
DESCRIPTION:Safwan Dahoul’s most recent body of work continues his Dream series – an ongoing body of work investigating the dream state that he began back in the late 1980s\, exploring “the physical and psychological effects of alienation\, solitude\, and longing that punctuate the human experience at various stages in life”. This solo show features the beautiful and usually melancholic monochromatic style which has become characteristic of Dahoul; it also includes more experimental works that are being shown in the UAE for the first time. \nTo 4 July. \nAbove: Safwan Dahoul\, Dream 283 (Diptych\, 2025)
URL:https://magpie.ae/event/safwan-dahoul-the-eye-an-aperture-into-the-soul/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/thumbpress-image/2026/04/Safwan-Dahoul-Dream-283-2025-Acrylic-on-canvas-200-x-420-cm-Diptych.webp
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260516
DTEND;VALUE=DATE:20260517
DTSTAMP:20260428T095021Z
CREATED:20260428T094811Z
LAST-MODIFIED:20260428T095021Z
UID:10013677-1778889600-1778975999@magpie.ae
SUMMARY:In Abstracto\, In Concreto: On Memory and Presence
DESCRIPTION:A summer-long group show for Luke Agada\, Tunji Adeniyi-Jones\, Ludovic Nkoth\, and Naila Opiangah\, curated by Brice Arsène Yonkeu – whose curatorial statement defines the show as “an encounter with works on paper and paintings that move between visibility and erasure\, between the surfaces of lived experience and the abstractions of memory”. It goes on: “the exhibition is less concerned with depicting bodies in their recognisable form than with asking how the body … becomes a vessel for history\, inheritance\, and imagination”; and “rather than presenting a singular mode of figuration or abstraction\, the exhibition unfolds as a spectrum of strategies. Within this spectrum\, three interwoven threads emerge: Memory and Inheritance\, where surfaces register the weight of what is passed down and endured; Myth and Imagination\, where hybrid or surreal forms generate new lineages; and Presence and Care\, where the body is both affirmed and protected as a site of tenderness and resilience.” \nTo 21 September. \nAbove: Tunji Adeniyi-Jones. Blue Fragments (2026)
URL:https://magpie.ae/event/in-abstracto-in-concreto-on-memory-and-presence/
LOCATION:Efiɛ Gallery\, 2 Al Khayat Art Avenue\, First Al Khail Street\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/thumbpress-image/2026/04/Tunji-Adeniyi-Jones.-Blue-Fragments-2026.webp
GEO:25.1399294;55.2285748
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Efiɛ Gallery 2 Al Khayat Art Avenue First Al Khail Street Dubai;X-APPLE-RADIUS=500;X-TITLE=2 Al Khayat Art Avenue\, First Al Khail Street:geo:55.2285748,25.1399294
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260516
DTEND;VALUE=DATE:20260517
DTSTAMP:20260504T152014Z
CREATED:20260428T174832Z
LAST-MODIFIED:20260504T152014Z
UID:10013699-1778889600-1778975999@magpie.ae
SUMMARY:Collage Art Exhibition
DESCRIPTION:More than 70 artworks for 43 artists\, included those who responded to an open call – “a bold exploration of contemporary collage art” says Kutubna\, promising “work with paint\, paper\, textiles\, photography\, digital collage\, and found materials to build layered compositions that move between memory\, identity\, migration\, belonging\, and imagination”. \nAbove: Batool Khalifa\, Tales from Rasheed harbor 2
URL:https://magpie.ae/event/collage-art-exhibition/
LOCATION:Kutubna Cultural Center\, Madina Avenues 17\, Nadd Al Hamar\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/thumbpress-image/2026/04/Batool-Khalifa-Tales-from-Rasheed-harbor-2-.jpg.webp
GEO:25.1887983;55.3840009
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kutubna Cultural Center Madina Avenues 17 Nadd Al Hamar Dubai;X-APPLE-RADIUS=500;X-TITLE=Madina Avenues 17\, Nadd Al Hamar:geo:55.3840009,25.1887983
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260520
DTEND;VALUE=DATE:20260521
DTSTAMP:20260401T152118Z
CREATED:20260401T152118Z
LAST-MODIFIED:20260401T152118Z
UID:10013587-1779235200-1779321599@magpie.ae
SUMMARY:LAST CHANCE Collector’s Entry Point
DESCRIPTION:A group show of works by emerging\, mid-career and established artists priced at $3\,000 and below\, conceived as an accessible entry into collecting “whether you’re just starting or looking to expand your collection with thoughtful additions”. The artists: \nAhmad Kasha\nAhmad Moualla\nAntoine Deeb\nArda Aslanian\nJude Maharmeh\nLynn Issa\nKhaled Jarada\nMajd Kurdieh\nMayar Obeido\nOmran Younis\nRabee Kiwan \n 
URL:https://magpie.ae/event/last-chance-collectors-entry-point/
LOCATION:Fann à Porter\, The Workshop\, Villa 45\, St. 23b\, off Al Wasl Road (opposite Box Park)\, Jumeirah 2\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1966736;55.2461631
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fann à Porter The Workshop Villa 45 St. 23b off Al Wasl Road (opposite Box Park) Jumeirah 2 Dubai;X-APPLE-RADIUS=500;X-TITLE=The Workshop\, Villa 45\, St. 23b\, off Al Wasl Road (opposite Box Park)\, Jumeirah 2:geo:55.2461631,25.1966736
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260521
DTEND;VALUE=DATE:20260522
DTSTAMP:20260422T123454Z
CREATED:20260422T123454Z
LAST-MODIFIED:20260422T123454Z
UID:10013667-1779321600-1779407999@magpie.ae
SUMMARY:LAST CHANCE White
DESCRIPTION:The annual Faculty exhibition of the Academy of Visual Arts at the University of the Arts\, Sharjah. The curator is Tor Seidel\, filmmaker and lecturer in photography and video at the Academy\, and his statement includes this summary of the show: “I invited my colleagues at the academy to explore the theme of ‘white’ and to imagine it as a colour\, as light\, as a concept\, and as a memory. A sculptor works with malleable materials\, carves stone\, fires it in a kiln\, and casts it in a foundry. Each process is an immersion in colour and in the questions of line and form\, which light can express in very different ways. A printmaker will consider which colours to use and what role white plays in the tones and in accentuation. The painter faces similar questions; he can draw on chiaroscuro techniques to create a dramatic scene. Painters face similar questions; they can use chiaroscuro techniques to create a dramatic scene. Photographers\, film and video artists\, and animators are particularly dependent on light as a fundamental element of their work: if they don’t want to rely on automated processes\, they face complex issues. But these are merely technical and aesthetic issues that need to be resolved. First\, however\, the artist must fathom the mystery of white …” \nExhibiting: \nGeorgina Abood interior architect\, designer\, researcher\nMohamed Yousif sculptor\, educator\nMuatasim Alkubaisy sculptor\, educator\nAlina Erimia fashion designer\, educator\nMuhammad Asad Iqbal multimedia designer\nThaier Helal painter\nIman Ibrahim designer\, associate professor at the College of Design\nAndreea Lonhardt textile artist\, fashion designer\, lecturer\nTor Seidel artist\, curator\, lecturer\nJoshua Watts visual artist\, printmaker\nMaryam Al Qassimi visual artist
URL:https://magpie.ae/event/last-chance-white/
LOCATION:XVA Gallery\, Al Fahidi Historical Neighborhood\, Bur Dubai\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.2637606;55.300449
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=XVA Gallery Al Fahidi Historical Neighborhood Bur Dubai Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Al Fahidi Historical Neighborhood\, Bur Dubai:geo:55.300449,25.2637606
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260524
DTEND;VALUE=DATE:20260525
DTSTAMP:20260223T175311Z
CREATED:20260223T175311Z
LAST-MODIFIED:20260223T175311Z
UID:10013473-1779580800-1779667199@magpie.ae
SUMMARY:LAST CHANCE Anthony Akinbola: Get Well Soon
DESCRIPTION:Durags are stretchable fabrics worn over the head to shape and protect the hair; in Akinbola’s practice\, they are both culturally loaded objects and a material he can reconfigure. For this solo show\, Akinbola assembles durags into compositions that are drawn from the structure of classical floral still-life paintings. Translating this genre into fabric allows the image to form through construction; petals emerge through stitching\, density\, and layering. The flower is not painted; it is built. \nAlongside the floral arrangements\, Akinbola works through another motif: bricks. Says the gallery: “The brick pattern … introduces a different register: a wall\, a structure\, a longing. It gestures toward the search for something that lasts\, and toward the idea of home as legacy … The title Get Well Soon operates as both a cue and a condition\, an everyday phrase that carries hope and uncertainty at once”.
URL:https://magpie.ae/event/last-chance-anthony-akinbola-get-well-soon/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CARBON 12 17th Street Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=17th Street:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260531
DTEND;VALUE=DATE:20260601
DTSTAMP:20251209T112713Z
CREATED:20251008T153054Z
LAST-MODIFIED:20251209T112713Z
UID:10012885-1780185600-1780271999@magpie.ae
SUMMARY:LAST CHANCE Of Land and Water: Works from the Sharjah Art Foundation Collection
DESCRIPTION:How do borders and ideologies attempt to contain open stretches of land and water\, and segregate those who inhabit them? What ties us to a place\, and what severs us from it? Which ways of living and knowledge can move freely across borders\, unbound by race and political ideas like the winds and tides? \nOf Land and Water brings together works by nine artists and collectives from around the world that grapple with some of these questions\, offering different perspectives on our association with and relationship to land\, water and homeland.
URL:https://magpie.ae/event/last-chance-of-land-and-water-works-from-the-sharjah-art-foundation-collection/
LOCATION:Kalba Ice Factory\, Al Gurm\, Kalba\, Sharjah
CATEGORIES:Art,Exhibition
GEO:25.0518688;56.3538633
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Kalba Ice Factory Al Gurm Kalba Sharjah;X-APPLE-RADIUS=500;X-TITLE=Al Gurm\, Kalba:geo:56.3538633,25.0518688
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260531
DTEND;VALUE=DATE:20260601
DTSTAMP:20251012T135215Z
CREATED:20251012T135021Z
LAST-MODIFIED:20251012T135215Z
UID:10012903-1780185600-1780271999@magpie.ae
SUMMARY:LAST CHANCE Constructing the Orient: Fragments of a Western Dream
DESCRIPTION:Drawn from the private collection of Bassam Said Freiha plus key loans from the Ary Jan Gallery\, this exhibition of Orientalist works  unfolds across five thematic sections\, each focusing on a central motif within Orientalist visual language and examining how artists shaped their subjects into recurring archetypes. From imagined interiors and bustling marketplaces to archetypes of men and women\, the works on view invite audiences to reflect on how the ‘Orient’ was constructed through Western eyes and how these images continue to shape perceptions today.
URL:https://magpie.ae/event/last-chance-constructing-the-orient-fragments-of-a-western-dream/
LOCATION:Bassam Freiha Art Foundation\, Cultural District Saadiyat Island\, Abu Dhabi
CATEGORIES:Art,Exhibition
GEO:24.5335392;54.4095952
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bassam Freiha Art Foundation Cultural District Saadiyat Island Abu Dhabi;X-APPLE-RADIUS=500;X-TITLE=Cultural District Saadiyat Island:geo:54.4095952,24.5335392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260531
DTEND;VALUE=DATE:20260601
DTSTAMP:20260123T120106Z
CREATED:20260112T180943Z
LAST-MODIFIED:20260123T120106Z
UID:10013231-1780185600-1780271999@magpie.ae
SUMMARY:LAST CHANCE Picasso\, the Figure
DESCRIPTION:A landmark monographic exhibition that traces Picasso’s lifelong preoccupation with the human form. Included are more than 130 artworks from the Musée National Picasso-Paris and other institutions\, as well as Louvre Abu Dhabi\, DCT Abu Dhabi\, and other regional collections that suggest the artist’s influence on the Arab world (also featured are works by key Arab modernists who have engaged with Picasso’s legacy). \nThe exhibition offers a chronological itinerary of Picasso’s radical transformations\, intertwining figuration with enduring mythological archetypes across painting\, sculpture\, drawing\, and ceramics. It is curated by Cécile Debray\, Virginie Perdrisot-Cassan (both from Musée national Picasso–Paris) and Aisha AlAhmadi (Associate Curator at Louvre Abu Dhabi).
URL:https://magpie.ae/event/last-chance-picasso-the-figure/
LOCATION:Louvre Abu Dhabi\, Saadiyat Island\, Abu Dhabi
CATEGORIES:Art,Exhibition
GEO:24.5302924;54.4451578
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Louvre Abu Dhabi Saadiyat Island Abu Dhabi;X-APPLE-RADIUS=500;X-TITLE=Saadiyat Island:geo:54.4451578,24.5302924
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260531
DTEND;VALUE=DATE:20260601
DTSTAMP:20260203T120257Z
CREATED:20260203T120257Z
LAST-MODIFIED:20260203T120257Z
UID:10013385-1780185600-1780271999@magpie.ae
SUMMARY:LAST CHANCE Reflections: Modern and Contemporary Art from the Villain Collection
DESCRIPTION:Modern and contemporary works from Syria\, Lebanon\, North Africa\, and the UAE selected from the private collection of Fairouz and Jean-Paul Villain – a pair of collectors for whom the acquisition of works has been a way of engaging with artists and the places they call home. As the Foundation puts it\, “their collection brings together works that speak to personal histories and cultural exchange … while inviting you to experience the region through their eyes”.
URL:https://magpie.ae/event/last-chance-reflections-modern-and-contemporary-art-from-the-villain-collection/
LOCATION:Bassam Freiha Art Foundation\, Cultural District Saadiyat Island\, Abu Dhabi
CATEGORIES:Art,Exhibition
GEO:24.5335392;54.4095952
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bassam Freiha Art Foundation Cultural District Saadiyat Island Abu Dhabi;X-APPLE-RADIUS=500;X-TITLE=Cultural District Saadiyat Island:geo:54.4095952,24.5335392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260531
DTEND;VALUE=DATE:20260601
DTSTAMP:20260414T181128Z
CREATED:20260414T181128Z
LAST-MODIFIED:20260414T181128Z
UID:10013629-1780185600-1780271999@magpie.ae
SUMMARY:LAST CHANCE Sara Naim: From the Perspective of Language
DESCRIPTION:Sara Naim’s fourth solo show at the gallery is also her first public exhibition of paintings\, large-scale works produced between 2023 and 2026 that move between figuration and abstraction. The exhibition is accompanied by a new video performance\, Mother Practices Her Tongue (2026)\, which “abstracts the Arabic language into gestures and sounds that no longer produce coherent meaning … Together\, the paintings and video extend Naim’s ongoing investigation into how meaning is constructed through inherited systems such as language\, symbols\, and ideology”.
URL:https://magpie.ae/event/last-chance-sara-naim-from-the-perspective-of-language/
LOCATION:The Third Line\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Third Line Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260601
DTEND;VALUE=DATE:20260602
DTSTAMP:20260316T180413Z
CREATED:20260316T180413Z
LAST-MODIFIED:20260316T180413Z
UID:10013525-1780272000-1780358399@magpie.ae
SUMMARY:LAST CHANCE Bashar Khalaf: The Field of Dreams
DESCRIPTION:Khalaf explores the relationship between self\, object\, and other through a focus on ‘steel’ in public spaces: The Field of Dreams\, or “dreams as minefields”\, remind us of the modern structures of unbridled capitalism and the transformative domination of life. This is delivered via two series of oil paintings\, The Junk Garden and The Protective Shield. The latter is particularly powerful\, using garbage bins as symbols of resistance during the First Intifada – juxtaposing their role as protective barriers against the colonial settler machinery with the oppressive use of steel barrels to enforce isolation.\nKhalaf asks questions about humanity’s choices in the face of hegemony and the nature of freedom in contemporary society.
URL:https://magpie.ae/event/last-chance-bashar-khalaf-the-field-of-dreams/
LOCATION:Zawyeh Gallery\, Warehouse 27\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Zawyeh Gallery Warehouse 27 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Warehouse 27\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260601
DTEND;VALUE=DATE:20260602
DTSTAMP:20260415T100546Z
CREATED:20260415T100546Z
LAST-MODIFIED:20260415T100546Z
UID:10013632-1780272000-1780358399@magpie.ae
SUMMARY:LAST CHANCE All the Lands from Sunrise to Sunset
DESCRIPTION:“All the lands from sunrise to sunset”\, a phrase attributed to the Mesopotamian king Sargon of Akkad\, graphically invoked his claim to total dominion. Taking this assertion as both point of departure and provocation\, this exhibition includes works by Alla Abdunabi\, Fatma Al Ali\, Alessandro Balteo-Yazbeck (whose series of the same name provides the exhibition’s title) and Michael Rakowitz. Together they consider the persistence of imperialism through language\, image\, material\, and myth. \nSays the gallery: “Rather than presenting empire as a concluded historical form\, the exhibition treats it as an ongoing condition – one that mutates\, rebrands\, and embeds itself in contemporary visual culture … Across these practices\, the exhibition resists singular narratives. Instead\, it stages overlapping temporalities in which ancient empires\, colonial enterprises\, and contemporary geopolitical formations mirror and refract one another … Rather than offering resolution\, the exhibition invites sustained attention to the ways power endures\, adapts\, and continues to structure how the world is seen\, remembered\, and lived.”
URL:https://magpie.ae/event/last-chance-all-the-lands-from-sunrise-to-sunset/
LOCATION:Green Art Gallery\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260604
DTEND;VALUE=DATE:20260605
DTSTAMP:20260529T122034Z
CREATED:20260529T122034Z
LAST-MODIFIED:20260529T122034Z
UID:10013809-1780531200-1780617599@magpie.ae
SUMMARY:The Two Walks: Works on Paper selected by Judy Karkour
DESCRIPTION:A group show of new and archival works on paper selected by Judy Karkour that brings together 14 artists with distinct material and artistic backgrounds – Sarah Almehairi\, Faris Alshafar\, Olaf Breuning\, Bernhard Buhmann\, André Butzer\, Nadine Ghandour\, Monika Grabuschnigg\, Amir Khojasteh\, Nour Malas\, Solimar Miller\, Philip Mueller\, Mayar Obedo\, Edgar Orlaineta\, Amba Sayal-Bennett. \nThe title refers to “the corridor that souls use to travel between worlds\, to the thousand lives that live within one\, and to those who resist conformity” and the exhibition explores paper as a medium that challenges scale as grandiose; there is something uniquely revealing about working with paper\, and each of the artists uses and manipulates it in different ways that expand beyond its traditional associations – to express hidden existential thoroughfare\, complex intentions\, and explore innovative techniques. \nTo 5 September. \nAbove: Solimar Miller\, Quiet Watcher (2026)
URL:https://magpie.ae/event/the-two-walks-works-on-paper-selected-by-judy-karkour/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/thumbpress-image/2026/05/carbon12-solimar-miller-quiet-watcher-2026-copy.webp
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CARBON 12 17th Street Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=17th Street:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260604
DTEND;VALUE=DATE:20260605
DTSTAMP:20260602T140521Z
CREATED:20260602T140521Z
LAST-MODIFIED:20260602T140521Z
UID:10013855-1780531200-1780617599@magpie.ae
SUMMARY:Mohammed Kazem: Scenes from the 90s – Oscillating between Observation and Abstraction
DESCRIPTION:A rare selection of early works on paper by Mohammed Kazem. The 1990s was a period that shaped the foundations of his artistic practice; created during years of experimentation under the mentorship of Hassan Sharif\, these works reveal Kazem’s early interest in observation\, repetition\, and the hidden possibilities of ordinary materials. \nAbove: Mohammed Kazem\, Landscape 1 (1999)
URL:https://magpie.ae/event/mohammed-kazem-scenes-from-the-90s-oscillating-between-observation-and-abstraction/
LOCATION:Gallery Isabelle\, Unit 17\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/thumbpress-image/2026/06/Mohammed-Kazem-Landscape-1-1999.webp
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gallery Isabelle Unit 17 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Unit 17\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260604
DTEND;VALUE=DATE:20260605
DTSTAMP:20260602T140525Z
CREATED:20260602T140525Z
LAST-MODIFIED:20260602T140525Z
UID:10013856-1780531200-1780617599@magpie.ae
SUMMARY:Alia Zaal: In Plain Sight
DESCRIPTION:Alia Zaal’s first exhibition with the gallery features new paintings – on canvas\, paper\, and ceramic tiles – depicting intimate fragments of landscapes loved by the artist. Highlighting details of familiar plants\, trees\, and flora from the scrublands and forest of Al Khawaneej in Dubai and the mangroves and mudflats of Abu Dhabi’s coastline\, the works present a mediation on site-specificity and lived experiences rather than romantic scenes of territory; Zaal’s paintings escape traditional landscape portraiture\, usually marked by elements such as a sweeping horizon line\, a majestic sky or a tree or shrub rendered in its entirety.
URL:https://magpie.ae/event/alia-zaal-in-plain-sight/
LOCATION:Gallery Isabelle\, Unit 17\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gallery Isabelle Unit 17 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Unit 17\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260605
DTEND;VALUE=DATE:20260606
DTSTAMP:20260505T124104Z
CREATED:20260505T124104Z
LAST-MODIFIED:20260505T124104Z
UID:10013736-1780617600-1780703999@magpie.ae
SUMMARY:LAST CHANCE Inherited Lines
DESCRIPTION:Combining language\, heritage\, and expression\, the world of Arabic calligraphy offers centuries of tradition for artists to draw upon. Curated by DiarBid ArtHouse and presented by Dubai Culture and Alliance Française Dubai\, this exhibition features established artists\, calligraphers\, and instructors – including Hussam Abdelwahab\, Abdulrazzak Mahmoud\, and Bahman Zahedi – and works by emerging talents who graduated from Dubai Culture’s Arabic Calligraphy\, Ornamentation and Gilding Programme.
URL:https://magpie.ae/event/last-chance-inherited-lines/
LOCATION:La Galerie\, Alliance Française Dubai\, Alliance Française Dubai\, Dubai\, United Arab Emirates
CATEGORIES:Calligraphy,Exhibition
GEO:25.2334844;55.3155556
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=La Galerie Alliance Française Dubai Alliance Française Dubai Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Alliance Française Dubai:geo:55.3155556,25.2334844
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260606
DTEND;VALUE=DATE:20260607
DTSTAMP:20260603T114917Z
CREATED:20260603T114636Z
LAST-MODIFIED:20260603T114917Z
UID:10013863-1780704000-1780790399@magpie.ae
SUMMARY:Juma Al Haj: Interoception
DESCRIPTION:Centred on the concept of ‘interoception’\, the body’s ability to sense and process its internal state\, this exhibition examines how moments of crisis are internalised and transformed into material expression. Developed in response to the first missile attacks reported in the UAE in February 2026\, Interoception traces Al Haj’s instinctive return to painting as a means of processing fear\, uncertainty\, and collective anxiety; working through layered surfaces\, fragmented script\, and visceral mark-making\, the artist transforms deeply personal reactions into visual expressions of disruption and resilience.  The show is curated by Shamma Al Mheiri. \nTo 6 August. \nAbove: Juma Al Haj\, Disintegration (2026) \n 
URL:https://magpie.ae/event/juma-al-haj-interoception/
LOCATION:Iris Projects\, Studio 20\, Madar 39\, MiZa\, Port Zayed\, Abu Dhabi\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/thumbpress-image/2026/06/DISINTEGRATION.webp
GEO:24.5191728;54.3681885
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Iris Projects Studio 20 Madar 39 MiZa Port Zayed Abu Dhabi United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Studio 20\, Madar 39\, MiZa\, Port Zayed:geo:54.3681885,24.5191728
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260606
DTEND;VALUE=DATE:20260607
DTSTAMP:20260604T104819Z
CREATED:20260604T104819Z
LAST-MODIFIED:20260604T104819Z
UID:10013865-1780704000-1780790399@magpie.ae
SUMMARY:Cross Scripts
DESCRIPTION:Lawrie Shabibi’s summer show is always a good one\, bringing together a good range of artists  – in this case a group whose practices\, as the gallery has it\, “move fluidly between categories\, resisting the distinctions that have traditionally separated art\, design\, architecture\, and craft … Geometry becomes ornament. Utility becomes sculpture. Traditional techniques are reimagined through contemporary forms. Historical references\, material traditions and systems of making are translated and reimagined …” The exhibition features work by Hamra Abbas\, MODU Method by Omar Al Gurg\, Farhad Ahrarnia\, Sarah Almehairi\, Kamrooz Aram\, Bernhard Buhmann\, Nada Debs\, Areen Hassan\, KAMEH\, Bil Arabi by Nadine Kanso\, Mehdi Moutashar\, Timo Nasseri\, Driss Ouadahi\, and Ishmael Randall-Weeks\, alongside pieces by Zein Daouk\, Carlo Massoud\, Mary-Lynn Massoud\, and Rasha Nawam. \nAbove: Ishmael Randall-Weeks\, Wind Variations (Ventifacts)\, (2023)
URL:https://magpie.ae/event/cross-scripts/
LOCATION:Lawrie Shabibi\, Unit 21\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Lawrie Shabibi Unit 21 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Unit 21\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260607
DTEND;VALUE=DATE:20260608
DTSTAMP:20260120T105511Z
CREATED:20260120T105511Z
LAST-MODIFIED:20260120T105511Z
UID:10013327-1780790400-1780876799@magpie.ae
SUMMARY:LAST CHANCE Jorge Tacla: Time the destroyer is time the preserver
DESCRIPTION:While Jorge Tacla was only an adolescent during the 1973 coup against Chile’s democratically-elected socialist president Salvador Allende\, the upheaval left an irrevocable mark on his politics and practice. Titled after a line from a TS Eliot poem\, Tacla’s “most expansive presentation to date” examines how enduring truths can be excavated in the aftermath of a destructive incident. \nStructured as eight ‘chapters’\, the exhibition traces Tacla’s sustained challenge to the supposed hierarchies of human suffering\, false binaries of victim and perpetrator\, and the structural violence connecting seemingly disparate events; the paintings reassert the primacy of human memory and perception in navigating the complexities of representation and interpretation. By depicting buildings and landscapes ‘in negative’\, the artist defines form through absence\, “creating images that reflect on how events are inscribed within individual and collective consciousness”.
URL:https://magpie.ae/event/last-chance-jorge-tacla-time-the-destroyer-is-time-the-preserver/
LOCATION:Al Mureijah Square\, Sharjah
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260607
DTEND;VALUE=DATE:20260608
DTSTAMP:20260128T101401Z
CREATED:20260128T101401Z
LAST-MODIFIED:20260128T101401Z
UID:10013356-1780790400-1780876799@magpie.ae
SUMMARY:LAST CHANCE All Manner of Experiments: Legacies of the Baghdad Modern Art Group
DESCRIPTION:Curated by Nada Shabout of NYUAD’s al Mawrid Arab Center for the Study of Art\, this exhibition investigates and celebrates the work and influence of one of the most important art movement of the mid-Century Middle East. Dr Shabout brings together work by the artists from the Baghdad Modern Art Group\, as well as those who the group influenced both at the time and in later generations.
URL:https://magpie.ae/event/last-chance-all-manner-of-experiments-legacies-of-the-baghdad-modern-art-group/
LOCATION:NYUAD Art Gallery\, Saadiyat\, Abu Dhabi\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:24.5302924;54.4451578
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NYUAD Art Gallery Saadiyat Abu Dhabi United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Saadiyat:geo:54.4451578,24.5302924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20260607T080000
DTEND;TZID=Asia/Dubai:20260607T170000
DTSTAMP:20260420T152424Z
CREATED:20260420T152424Z
LAST-MODIFIED:20260420T152424Z
UID:10013642-1780819200-1780851600@magpie.ae
SUMMARY:The Jazz Room: A Journey to the Heart of New Orleans
DESCRIPTION:New Orleans jazz – ragtime\, blues\, brass – in an intimate\, street-style bar setting. Shows last about an hour\, and there are performances at 6.30pm and 9pm. Note that there’s a AED 150 minimum spend on food and/or beverages in addition to the ticket price. \nSome promotions for this event call it ‘The Jazz Room’\, others have ‘We Call it Jazz’\, but both seem to have ‘A Journey to the Heart of New Orleans’ appended …
URL:https://magpie.ae/event/the-jazz-room-a-journey-to-the-heart-of-new-orleans/
LOCATION:Belcanto Restaurant\, Dubai Opera\, Sheikh Mohammed Bin Rashid Blvd\, Downtown Dubai\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1928528;55.2789648
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Belcanto Restaurant Dubai Opera Sheikh Mohammed Bin Rashid Blvd Downtown Dubai Dubai;X-APPLE-RADIUS=500;X-TITLE=Sheikh Mohammed Bin Rashid Blvd\, Downtown Dubai:geo:55.2789648,25.1928528
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260608
DTEND;VALUE=DATE:20260609
DTSTAMP:20260508T101611Z
CREATED:20260108T165515Z
LAST-MODIFIED:20260508T101611Z
UID:10013223-1780876800-1780963199@magpie.ae
SUMMARY:LAST CHANCE Urdu Worlds
DESCRIPTION:A contemporary art exhibition dedicated to the Urdu language: according to Ishara\, “the show explores how language provides the tools with which we create and shape our internal ‘worlds’. Words\, rather than simply describing our surroundings\, give rise to our private lived experiences and shared cultural understandings”. \nCurated by Hammad Nasar\, the exhibition is a visual conversation around language between Ali Kazim and Zarina (it’s also the first comprehensive presentation of Kazim’s works in the GCC). Born in Aligarh\, India\, Zarina weaves Urdu script\, proverbs and poetry into her delicate print works; Ali Kazim\, a multimedia artist based in Lahore\, Pakistan\, grounds his ‘Urdu world’ in a sense of place while exhibiting an eclecticism of influences that reflects the composite and layered history of the language.
URL:https://magpie.ae/event/last-chance-urdu-worlds/
LOCATION:Ishara Art Foundation\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ishara Art Foundation Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260611
DTEND;VALUE=DATE:20260612
DTSTAMP:20260606T080420Z
CREATED:20260606T080420Z
LAST-MODIFIED:20260606T080420Z
UID:10013871-1781136000-1781222399@magpie.ae
SUMMARY:Made in the UAE
DESCRIPTION:A group exhibition for seven UAE-based artists – Ahmed Emad (UAE/Egypt)\, Anila Ashraf (Pakistan)\, Camelia Mohebi (UAE)\, Elizaveta Pugacheva (Russia)\, Samo Shalaby (Egypt/Palestine)\, Sasan Nasernia (Iran) and Yousif Albadi (Sudan) – chosen from more than 300 submissions received through an open call. The gallery’s founder\, Jean-David Malat\, reported that “the level of submissions we received was incredibly strong and demonstrated the depth of talent currently shaping the UAE’s cultural landscape. What stood out was not only the quality of the work\, but the diversity of perspectives and experiences represented. These artists reflect the international and layered identity that makes Dubai such a compelling creative city today …” Selected by a jury including Zina Khair\, Roxane Zand\, Ali Mohammadioun and Malat himself\, the exhibition explores themes of identity\, memory\, materiality and cultural exchange and promises “a snapshot of the diverse artistic voices currently shaping the UAE’s contemporary art landscape”. To 1 July. \nAbove: Samo Shalaby\, Genesis (2025) \n 
URL:https://magpie.ae/event/made-in-the-uae/
LOCATION:JD Malat Gallery\, ACT 2 Tower\, Sheikh Mohammed Bin Rashid Blvd 13A \,Downtown Dubai\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/thumbpress-image/2026/06/shalaby.webp
GEO:25.1926401;55.2716753
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=JD Malat Gallery ACT 2 Tower Sheikh Mohammed Bin Rashid Blvd 13A Downtown Dubai Dubai;X-APPLE-RADIUS=500;X-TITLE=ACT 2 Tower\, Sheikh Mohammed Bin Rashid Blvd 13A \,Downtown Dubai:geo:55.2716753,25.1926401
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260612
DTEND;VALUE=DATE:20260615
DTSTAMP:20260610T085037Z
CREATED:20260610T084925Z
LAST-MODIFIED:20260610T085037Z
UID:10013878-1781222400-1781481599@magpie.ae
SUMMARY:ARTerials
DESCRIPTION:A popup exhibition celebrating artistic connections between Germany and the UAE via works from six German artists living and working here. Their diverse practices include painting\, sculpture and photography. The artists \nAnja Bamberg\nMirjam Collor\nPetra Kaltenbach\nTor Seidel\nAmir Taba\nSabrina Terence
URL:https://magpie.ae/event/arterials/
LOCATION:Total Arts at the Courtyard\, Al Quoz\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1514047;55.250782
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Total Arts at the Courtyard Al Quoz Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Al Quoz:geo:55.250782,25.1514047
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260613
DTEND;VALUE=DATE:20260614
DTSTAMP:20260512T093938Z
CREATED:20260512T093938Z
LAST-MODIFIED:20260512T093938Z
UID:10013764-1781308800-1781395199@magpie.ae
SUMMARY:LAST CHANCE Noritoshi Mitsuuchi: Bloom
DESCRIPTION:A solo exhibition by Noritoshi Mitsuuchi\, whose paintings “unfold as living worlds where forms gently emerge from within one another\, expanding\, dissolving\, and reappearing in a continuous state of becoming”. Drawing on motifs that evoke plant life\, his imagery suggests growth that is not fixed – “as though each figure were quietly blooming from an unseen interior”.
URL:https://magpie.ae/event/last-chance-noritoshi-mitsuuchi-bloom/
LOCATION:Volery Gallery\, Maze Tower - 5201\, Dubai International Financial Center\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.20884;55.2770323
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Volery Gallery Maze Tower - 5201 Dubai International Financial Center Dubai;X-APPLE-RADIUS=500;X-TITLE=Maze Tower - 5201\, Dubai International Financial Center:geo:55.2770323,25.20884
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260613
DTEND;VALUE=DATE:20260614
DTSTAMP:20260521T161053Z
CREATED:20260521T161053Z
LAST-MODIFIED:20260521T161053Z
UID:10013799-1781308800-1781395199@magpie.ae
SUMMARY:Laila Majid and Inaam Zafar: Body Quotidian
DESCRIPTION:Recent works by Laila Majid and Inaam Zafar that explore the human body and its presence in contemporary life through metaphor and symbolism. In Majid’s practice\, sculptural and photographic works unfold through slow revelation; Zafar’s practice explores themes of death and decay\, while foregrounding the body as a perishable entity. Bringing together these works\, Body Quotidian explores how light\, material\, gesture and atmosphere filters bodily experience; Moving between domestic scenes and abstraction\, the exhibition reflects on the quiet\, everyday moments through which the body continues to shape how we see and inhabit the world. \nBody Quotidian is curated by Raja’a Khalid\, Assistant Curator at Sharjah Art Foundation. To 20 September. \nAbove: Laila Majid\, dressing for pleasure 01 (2024). Below: Inaam Zafar\, Mourners (2026) \n \n 
URL:https://magpie.ae/event/laila-majid-and-inaam-zafar-body-quotidian/
LOCATION:Al Mureijah Square\, Sharjah
CATEGORIES:Art,Exhibition
END:VEVENT
END:VCALENDAR