BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//magpie - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:magpie
X-ORIGINAL-URL:https://magpie.ae
X-WR-CALDESC:Events for magpie
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Asia/Dubai
BEGIN:STANDARD
TZOFFSETFROM:+0400
TZOFFSETTO:+0400
TZNAME:+04
DTSTART:20230101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240901
DTEND;VALUE=DATE:20240902
DTSTAMP:20260503T152733
CREATED:20240221T141342Z
LAST-MODIFIED:20240221T141342Z
UID:10008447-1725148800-1725235199@magpie.ae
SUMMARY:LAST CHANCE Hussein Sharif: Re-framing Reality
DESCRIPTION:The Culture Foundation’s big summer show is a major survey of four decades of work showcasing the multidisciplinary practice across painting\, drawing\, collage and sculpture of an artist acknoweldged as one of the UAE’s key postmodernists (he was one of the Five founders of contemporary art in the Emirates\, including his brother Hassan\, Abdullah Al Saadi\, Mohammed Kazem and Mohamed Ahmed Ibrahim). \nHussein Sharif worked with various mediums to respond to his surrounding environment and current realties and used recycled materials extensively as a way of processing the seismic changes of UAE society. This new show\, curated by Aysha Al Hemeiri and Zuhoor Al Sayegh\, features installations that encourage the audience to interact with the work.
URL:https://magpie.ae/event/last-chance-hussein-sharif-re-framing-reality-2/
LOCATION:Cultural Foundation\, Sheikh Rashid bin Saeed Al Maktoum Street\, Abu Dhabi
CATEGORIES:Art,Exhibition
GEO:24.4856096;54.357172
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cultural Foundation Sheikh Rashid bin Saeed Al Maktoum Street Abu Dhabi;X-APPLE-RADIUS=500;X-TITLE=Sheikh Rashid bin Saeed Al Maktoum Street:geo:54.357172,24.4856096
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240901
DTEND;VALUE=DATE:20240902
DTSTAMP:20260503T152733
CREATED:20240221T142508Z
LAST-MODIFIED:20240221T142508Z
UID:10008449-1725148800-1725235199@magpie.ae
SUMMARY:LAST CHANCE Native: Plants in the UAE
DESCRIPTION:An exhibition that explores the plants indigenous to the UAE\, looking at the surrounding atmosphere that affects its growth and gives it its unique variations of colour\, texture\, size and behaviour. “From the iconic Ghaf tree to the resilient desert grasses\, each specimen holds a story of adaptation and survival told through a curated collection of art installations and informative exhibits that shed light on the ecological significance of these plants and trees.” Curated by Sumayya Al Suwaidi with Aysha Al Aseeri and Huda Marzooq.
URL:https://magpie.ae/event/last-chance-native-plants-in-the-uae-2/
LOCATION:Cultural Foundation\, Sheikh Rashid bin Saeed Al Maktoum Street\, Abu Dhabi
CATEGORIES:Art,Exhibition
GEO:24.4856096;54.357172
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cultural Foundation Sheikh Rashid bin Saeed Al Maktoum Street Abu Dhabi;X-APPLE-RADIUS=500;X-TITLE=Sheikh Rashid bin Saeed Al Maktoum Street:geo:54.357172,24.4856096
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240902
DTEND;VALUE=DATE:20240903
DTSTAMP:20260503T152733
CREATED:20240826T132111Z
LAST-MODIFIED:20240826T132111Z
UID:10010499-1725235200-1725321599@magpie.ae
SUMMARY:Always Growing
DESCRIPTION:Subtitled “look into the history of contemporary digital art in China” and curated by Jing She\, this exhibition features works from 10 artists or collectives from the contemporary digital art scene in China that showcase AI\, generative art\, 3D imaging\, gaming\, mixed reality\, somatosensory interaction\, computer programming composition and live coding. Says the blurb: “The use of technology in art creation goes beyond merely displaying technological prowess; the exhibited artists\, like Pao Ding in Chuang Tzu’s Essentials for Nourishing Life\, use technology to deeply explore and interpret the complexities of human society and culture\, finding new avenues for expression … These works aim to immerse the audience in an embodied experience that has no boundaries between virtuality and reality\, conveying distinctive Eastern aesthetics”. \nThe show also includes a presentation from the Research Center for Digital Humanities at Renmin University of China. \nThe artists: Baoyang Chen\, Dabeiyuzhou\, Fn Media Lab\, Zixuan Nian top)\, Raven Kwok (below)\, Uchan Sun\, Xiaolei Tian\, Changcun Wang\, Yicai Wang\, Mr. D. Mousse \nTo 10 September.
URL:https://magpie.ae/event/always-growing/
LOCATION:Foundry Downtown\, Boulevard Crescent\, Sheikh Mohammed bin Rashid Boulevard\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2024/08/─ε╫╙╨∙Zixuan-Nian.jpg
GEO:25.1914041;55.2704724
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Foundry Downtown Boulevard Crescent Sheikh Mohammed bin Rashid Boulevard Dubai;X-APPLE-RADIUS=500;X-TITLE=Boulevard Crescent\, Sheikh Mohammed bin Rashid Boulevard:geo:55.2704724,25.1914041
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240906
DTEND;VALUE=DATE:20240907
DTSTAMP:20260503T152733
CREATED:20240814T092245Z
LAST-MODIFIED:20240814T094450Z
UID:10010431-1725580800-1725667199@magpie.ae
SUMMARY:Ayesha Sultana: Fragility and Resilience
DESCRIPTION:The first major solo show in the GCC for the Bangladesh-born US-based artist. Her practice spans drawing\, painting and sculpture\, “exploring the material and conceptual possibilities of form and medium … Sultana proposes that fragility can be a form of strength while encompassing profound vulnerability. This thematic exploration is particularly pertinent in the contemporary world as social\, ecological and personal upheavals continually test the limits of sustainability”. \nThe exhibition has new oil paintings\, watercolours on Japanese silk tissue\, works on clay-coated paper\, hand-blown glass sculptures\, and some past photographic explorations. Interestingly\, there’s also a hint of the creative process through the inclusion of sketchbooks\, diaries\, in-progress artworks and an unfinished video. This kind of soul-baring is all too rare in conventional gallery shows; sometimes it can get in the way of the works themselves\, but obviously there will be occasions when the artist (and/or the gallerist) understands that it might provide additional insights. As the blurb puts it\, these additions “reveal the meticulous planning\, experimentation and emotional investment underlying each finished piece\, highlighting the fragility and resilience inherent in all creative acts … The exhibition reflects the fluidity and openness that characterise Sultana’s approach to art\, allowing viewers to witness the raw\, unpolished stages of her creative journey”. \nTo 7 December. \nAbove: Ayesha Sultana\, Inhabiting Our Bodies (2024). Below: Ayesha Sultana\, Nightfall (2022) \n \n  \n 
URL:https://magpie.ae/event/ayesha-sultana/
LOCATION:Ishara Art Foundation\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2024/08/1Ayesha-Sultana-Inhabiting-Our-Bodies-2024_1-3.jpg
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ishara Art Foundation Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240907
DTEND;VALUE=DATE:20240908
DTSTAMP:20260503T152733
CREATED:20240520T122848Z
LAST-MODIFIED:20240520T122848Z
UID:10009496-1725667200-1725753599@magpie.ae
SUMMARY:LAST CHANCE backbone
DESCRIPTION:studio salasil has curated this group show of six artists “who engage in risk and interruption within their practices”\, structuring the exhibition around the effective concept of the backbone – “a central\, internal structure of strength that binds and connects things together\, embodying our internal worlds and expanded senses of function and feeling. The metaphorical meaning is similar to the figurative translation of the word\, سند in Arabic\, which refers to someone who has your back. Through the interrogation of the word\, backbone explores the complexities and fragilities of these structures which at times can be exposed\, excavated or elusive …” \nThe artists: \nNour Malas\nMalik Thomas Jalil Kydd\nKaïs Dhifi\nAlia Hamaoui\nJana Ghalayini\nAudrey Large & Théophil Blande \nThis should be an interesting show\, if studio salasil’s ambitions and past work are any guide. Describing itself as “a future-focusing curatorial studio tending to care\, research and experimentation”\, salasil also did the rather good Crystal Clear show at Bayt Al Mamzar last year.
URL:https://magpie.ae/event/last-chance-backbone/
LOCATION:Carbon 12\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240907
DTEND;VALUE=DATE:20240908
DTSTAMP:20260503T152733
CREATED:20240709T071720Z
LAST-MODIFIED:20240709T071720Z
UID:10010369-1725667200-1725753599@magpie.ae
SUMMARY:Emily Karaka: Ka Awatea\, A New Dawn
DESCRIPTION:A survey of the work and practice of Emily Karaka. A largely self-taught painter\, she is an abstract expressionist\, a colourist and (occasionally) an assemblage artist. Her work is personal\, passionate and anchored in the politics of the culture clash within Aotearoa New Zealand\, as well as the legacy of colonialism and its ongoing impact on Māori people and culture. Ka Awatea\, A New Dawn\, the first major exhibition of the artist’s oeuvre\, brings together a selection sampled from her 47-year career alongside new work commissioned by Sharjah Art Foundation. \nThe exhibition is curated by Hoor Al Qasimi\, Director of Sharjah Art Foundation\, and Megan Tamati-Quennell\, co-curator of Sharjah Biennial 16\, with Amal Alkhaja\, Assistant Curator at the Foundation. \nTo 1 December.
URL:https://magpie.ae/event/emily-karaka-ka-awatea-a-new-dawn/
LOCATION:Al Mureijah Art Spaces\, Al Mureijah Square\, Sharjah\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.3577194;55.3816261
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Al Mureijah Art Spaces Al Mureijah Square Sharjah United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Al Mureijah Square:geo:55.3816261,25.3577194
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240907
DTEND;VALUE=DATE:20240908
DTSTAMP:20260503T152733
CREATED:20240709T072100Z
LAST-MODIFIED:20240709T072215Z
UID:10010371-1725667200-1725753599@magpie.ae
SUMMARY:Bouchra Khalili: Between Circles and Constellations
DESCRIPTION:Amplifying the voices of migrant and disenfranchised communities\, Khalili makes manifest micro-histories erased by the nation-state. Featuring a selection of her most significant projects over the last two decades\, including the regional premiere of The Public Storyteller (2024)\, the exhibition highlights the need to document stories of collective emancipation and advocates for what the artist calls ‘radical citizenship’. \nOrganised by Sharjah Art Foundation and Barcelona’s MACBA (where it was first seen in 2023) this presentation of the exhibition is curated by Hoor Al Qasimi\, Director of Sharjah Art Foundation\, with Amal Al Ali and Meera Madhu\, curatorial assistants at the Foundation. \nTo 1 December.
URL:https://magpie.ae/event/bouchra-khalili-between-circles-and-constellations/
LOCATION:Al Mureijah Art Spaces\, Al Mureijah Square\, Sharjah\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.3577194;55.3816261
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Al Mureijah Art Spaces Al Mureijah Square Sharjah United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Al Mureijah Square:geo:55.3816261,25.3577194
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240907
DTEND;VALUE=DATE:20240908
DTSTAMP:20260503T152733
CREATED:20240827T132959Z
LAST-MODIFIED:20240827T132959Z
UID:10010532-1725667200-1725753599@magpie.ae
SUMMARY:Ghizlane Agzenaï: Kaleidoscope
DESCRIPTION:The Moroccan artist’s debut Middle East exhibition is described by the gallery as “a milestone event that offers a unique opportunity to experience Agzenaï’s vibrant and dynamic art in person”. On show is a collection of Agzenaï’s signature totems and geometric abstractions\, crafted to blur the boundaries of reality blur – “every line\, angle\, and hue in Agzenaï’s work serves as a gateway to a deeper understanding of the self and the world around us”. Hyperbole aside\, her colourful assemblies of geometrical areas and abstract lines owes something to street art\, something to postmodern abstraction\, maybe even something to Bridget Riley; they’re bold\, outspoken\, entertaining works. Recommended. \nTo 4 October. \nAbove: Ghizlane Agzenaï\, Totem Daupherm (2024)
URL:https://magpie.ae/event/ghizlane-agzenai-kaleidoscope/
LOCATION:Volery Gallery\, Maze Tower - 5201\, Dubai International Financial Center\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2024/08/Ghizlane-Agzenai-Totem-Daupherm-2024.jpg
GEO:25.20884;55.2770323
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Volery Gallery Maze Tower - 5201 Dubai International Financial Center Dubai;X-APPLE-RADIUS=500;X-TITLE=Maze Tower - 5201\, Dubai International Financial Center:geo:55.2770323,25.20884
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240910
DTEND;VALUE=DATE:20240911
DTSTAMP:20260503T152733
CREATED:20240409T081325Z
LAST-MODIFIED:20240409T081325Z
UID:10008961-1725926400-1726012799@magpie.ae
SUMMARY:LAST CHANCE Timur D’Vatz: Arcadian Dreams
DESCRIPTION:A summer-long exhibition of work from one of the gallery’s stalwarts\, Timur D’Vatz\, featuring his signature mix of stylised figures and symbolic settings that owe something to mediaeval European tapestry\, something to Byzantine decoration. The title refers to the dawn of an early mythology\, located in a primeval forest\, manifested through magical flora and fantastic beasts; “there are starry skies and gleaming comets guiding both travellers and wild animals to the source of life\, which appears in the form of a Fountain or a Magical Flower. This is the focal point from where life and knowledge originate …”
URL:https://magpie.ae/event/last-chance-timur-dvatz-arcadian-dreams/
LOCATION:Andakulova Gallery\, Unit 18\, P4 Level Damac Park Towers\,  DIFC \, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.209528;55.278514
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Andakulova Gallery Unit 18 P4 Level Damac Park Towers  DIFC  Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Unit 18\, P4 Level Damac Park Towers\,  DIFC:geo:55.278514,25.209528
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240910
DTEND;VALUE=DATE:20240911
DTSTAMP:20260503T152733
CREATED:20240826T132159Z
LAST-MODIFIED:20240826T132159Z
UID:10010500-1725926400-1726012799@magpie.ae
SUMMARY:LAST CHANCE Always Growing
DESCRIPTION:Subtitled “look into the history of contemporary digital art in China” and curated by Jing She\, this exhibition features works from 10 artists or collectives from the contemporary digital art scene in China that showcase AI\, generative art\, 3D imaging\, gaming\, mixed reality\, somatosensory interaction\, computer programming composition and live coding. Says the blurb: “The use of technology in art creation goes beyond merely displaying technological prowess; the exhibited artists\, like Pao Ding in Chuang Tzu’s Essentials for Nourishing Life\, use technology to deeply explore and interpret the complexities of human society and culture\, finding new avenues for expression … These works aim to immerse the audience in an embodied experience that has no boundaries between virtuality and reality\, conveying distinctive Eastern aesthetics”. \nThe show also includes a presentation from the Research Center for Digital Humanities at Renmin University of China. \nThe artists: Baoyang Chen\, Dabeiyuzhou\, Fn Media Lab\, Zixuan Nian top)\, Raven Kwok (below)\, Uchan Sun\, Xiaolei Tian\, Changcun Wang\, Yicai Wang\, Mr. D. Mousse
URL:https://magpie.ae/event/last-chance-always-growing/
LOCATION:Foundry Downtown\, Boulevard Crescent\, Sheikh Mohammed bin Rashid Boulevard\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1914041;55.2704724
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Foundry Downtown Boulevard Crescent Sheikh Mohammed bin Rashid Boulevard Dubai;X-APPLE-RADIUS=500;X-TITLE=Boulevard Crescent\, Sheikh Mohammed bin Rashid Boulevard:geo:55.2704724,25.1914041
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240910
DTEND;VALUE=DATE:20240911
DTSTAMP:20260503T152733
CREATED:20240909T203307Z
LAST-MODIFIED:20240909T203307Z
UID:10010564-1725926400-1726012799@magpie.ae
SUMMARY:I Wish To Be Happy\, I Want To Be Yellow
DESCRIPTION:A group show for an eclectic collection of artists — Mohammad Alfaraj\, Aminah Al huqail\, Dalia Baassiri\, Richi Bhatia\, Jumairy\, Tamara Kalo\, Adrian Pepe\, and Alia Zaal. The common factor is that they “cultivate a visceral and intimate relationship with nature” and “blur temporal boundaries between presence and absence\, fullness and lack\, past and present\, engaging in generative rites that foster creation\, fertility\, and renewal … Bodies morph\, adapt\, and redefine themselves\, existing in states of transition and transformation … They embody the power of attraction and interaction\, functioning as entities that react and interact with their surroundings”. \nFighting though the thickets of verbiage\, this looks like it could be a top show for the new season: the participants are all interesting\, provocative artists with something to say and novel ways of saying it. \nTo 28 October. \nAbove: Richi Bhatia\, Assemblage Bed One (2014-24\, detail) Below: Tamara Kalo\, Olive Leaves Memories (2024)
URL:https://magpie.ae/event/i-wish-to-be-happy-i-want-to-be-yellow/
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2024/09/richi-bhatia-assemblage-bed-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240910
DTEND;VALUE=DATE:20240911
DTSTAMP:20260503T152733
CREATED:20240910T004517Z
LAST-MODIFIED:20240910T011058Z
UID:10010567-1725926400-1726012799@magpie.ae
SUMMARY:Mouza Al Hamrani: Homepage
DESCRIPTION:The first solo show by the Emirati illustrator and multimedia designer reflects the duality of the digital age — “celebrating the opportunities the internet has provided\, while also expressing the exhaustion and apprehension that come with a prolonged digital presence. \n“I aimed to capture this nuanced experience\, inviting viewers to reflect on their own relationship with the digital world. It’s a portrait of my own experience of the internet in this region during my formative years\, all the way to the current day.” \nMouza Al Hamrani is one of only four UAE-based artists to be accepted for Tashkeel’s popular Critical Practice Programme last year and worked with a mentor to produce a series of artworks that blend of traditional illustration and cutting-edge digital artistry. \nThe exhibition will be accompanied by artist-led tours and talks on 29 September and 13 October. \nTo 15 October. \n 
URL:https://magpie.ae/event/57299/
LOCATION:FN Designs\, Unit 26 Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/png:https://magpie.ae/wp-content/uploads/2024/09/combuter-copy.png
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=FN Designs Unit 26 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Unit 26 Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20240911T110000
DTEND;TZID=Asia/Dubai:20240911T123000
DTSTAMP:20260503T152733
CREATED:20240820T152253Z
LAST-MODIFIED:20240820T152253Z
UID:10010473-1726052400-1726057800@magpie.ae
SUMMARY:Putting the Record Straight: The Lost Women of Art History
DESCRIPTION:A seven-part lecture series by art historian Rose Balston on female artists from the 16th through to the 18th century – “women who have not only been side-lined\, but literally (and shockingly) blocked out of history”\, mainly by the (male) custodians of 19th-century art history. The talks run every other Wednesday to 4 December from 11am to 12.30pm; individual sessions are AED 250 per person\, but there’s a deal for all seven at AED 1\,650. \nThe schedule: \n11 Sept Blazing the Trail: Sofonisba Anguissola\nIn the 16th century\, Sofonisba Anguissola painted her way out of domesticity to unprecedented fame\, earning accolades from (among others) Michelangelo and Van Dyck. \n25 Sept The Secret Renaissance: The Women of Bologna\nThe female artists of 16th and 17th century Bologna flourished in this city and became part of its cultural identity. \n9 Oct Artemisia Gentileschi: Art and Power\nThe most famous of all female artists from this period\, Artemisia secured her place among the Baroque masters with astonishing paintings that powerfully reflect her personal struggles and cultural triumphs. \n23 Oct Women who Shaped the Dutch Golden Age: Legacy Reclaimed\nExplore the Dutch Golden Age through the lens of groundbreaking female artists who often outshone their male counterparts. \n6 Nov Rococo Rock Star: Rosalba Carriera\nCarriera was a canny businesswoman who revolutionised pastel painting\, captivated the Grand Tour elite\, and became an international cultural celebrity. \n20 Nov In the Court of Versailles: Élisabeth Vigée-Lebrun & Adélaïde Labille-Guiard\nCreating sensational portraits of their royal patrons\, the two top female painters in pre-Revolutionary France had nothing to be rivals about except that they both existed in a world not intended for them. \n4 Dec Angelica Kauffman: Prodigy\, Pioneer\nAngelica Kauffman\, a founding member of the Royal Academy\, achieved international renown as both a portrait and history painter. Why then has she been sidelined in art history?
URL:https://magpie.ae/event/putting-the-record-straight-the-lost-women-of-art-history/
LOCATION:Society Dubai\, Jumeirah Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Lecture
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2024/08/rose.jpg
GEO:25.241356;55.269841
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Society Dubai Jumeirah Street Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Jumeirah Street:geo:55.269841,25.241356
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240912
DTEND;VALUE=DATE:20240913
DTSTAMP:20260503T152733
CREATED:20240820T155003Z
LAST-MODIFIED:20240820T155003Z
UID:10010483-1726099200-1726185599@magpie.ae
SUMMARY:Randa Maddah: Hanging Gardens
DESCRIPTION:The inaugural solo exhibition of the Syrian visual artist whose practice spans painting\, drawing\, sculpture\, video\, and installation. In this recent work\, Maddah repurposes the vocabulary of traditional miniature paintings to depict “dream-like scenes that negotiate themes of belonging\, resilience\, rootedness\, rebirth\, and renewal through natural elements … The work embodies the notion of a spirit shaped by harsh and absurd realities\, exploring themes of ecstasy\, liberation\, and reincarnation … Reflecting on transcendence and rebirth\, Maddah suggests that the body is merely a garment the soul sheds to wear anew\, offering hope that death is simply a gateway to a new life”. \nTo 1 November.
URL:https://magpie.ae/event/randa-maddah-hanging-gardens/
LOCATION:Tabari Artspace\, Gate Village Level 2\, DIFC\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2024/08/Randa-Maddah.jpeg
GEO:25.2135121;55.2823895
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tabari Artspace Gate Village Level 2 DIFC Dubai;X-APPLE-RADIUS=500;X-TITLE=Gate Village Level 2\, DIFC:geo:55.2823895,25.2135121
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240912
DTEND;VALUE=DATE:20240913
DTSTAMP:20260503T152733
CREATED:20240827T152050Z
LAST-MODIFIED:20240827T152050Z
UID:10010535-1726099200-1726185599@magpie.ae
SUMMARY:Pascal Navarro: From the winter nights of Oslo to the golden lights of Dubai
DESCRIPTION:An exhibition of Navarro’s abstract paintings. The artist says he considers himself primarily a colourist\, and the sun of Dubai has led him towards a palette of golden colours\, with light shades\, infused with the energy and movement that characterise this ever-evolving city. The nature of the materials he uses are equally important; though; “he embraces the element of surprise in the evolution of his work\, whether by cultivating intentional or accidental mistakes\, experimenting with plastic effects\, or using various types of paints …” To 27 September.
URL:https://magpie.ae/event/pascal-navarro-from-the-winter-nights-of-oslo-to-the-golden-lights-of-dubai/
LOCATION:Alliance Française Dubai\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2024/08/navarro.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240917
DTEND;VALUE=DATE:20240918
DTSTAMP:20260503T152733
CREATED:20240826T145153Z
LAST-MODIFIED:20240826T145153Z
UID:10010529-1726531200-1726617599@magpie.ae
SUMMARY:LAST CHANCE Susan Doe: Entwined
DESCRIPTION:The first Project Space exhibition of the new season features a series of paintings\, sculptures\, and installations through which Susan Doe explores ideas of intersectionality\, rooted in her own bicultural upbringing. Says the gallery: “Reflecting on her Chinese American background\, the artist blends together disparate elements to create something unexpected. Through this process\, she plays with illusions of materiality\, making metal threads appear soft and weaving paper to mimic large solid sculptures.”
URL:https://magpie.ae/event/last-chance-susan-doe-entwined/
LOCATION:NYUAD Project Space\, NYUAD Campus\, Saadiyat Island\, Abu Dhabi
CATEGORIES:Art,Exhibition
GEO:24.5302924;54.4451578
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NYUAD Project Space NYUAD Campus Saadiyat Island Abu Dhabi;X-APPLE-RADIUS=500;X-TITLE=NYUAD Campus\, Saadiyat Island:geo:54.4451578,24.5302924
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240917
DTEND;VALUE=DATE:20240918
DTSTAMP:20260503T152733
CREATED:20240916T112302Z
LAST-MODIFIED:20240916T112302Z
UID:10010599-1726531200-1726617599@magpie.ae
SUMMARY:Sébastien Labrunie: Brèche
DESCRIPTION:“An organic dive through matter\, light and memory\,” says the blurb. “This hybrid narrative sculpture blurs the line between macro and micro perspectives while connecting moments and places of the past.” Labrunie’s first large-scale immersive installation (first seen back in 2019)\, Brèche is a very personal audiovisual work that combines techniques from video games and VR with analogue and digital glitch art. The sound design by the Taiwanese sound artist Lu Yi is a vital element\, merging cinematic drones with ‘noise music’ “As the 3D collage sequences of Brèche expand\, the viewer is slowly drawn into the centre of the ‘breach’ where matter and memories dissolve into pulses of primal\, raw energy …” To 17 October.
URL:https://magpie.ae/event/sebastien-labrunie-breche/
LOCATION:kanvas Dubai\, Unit 1\, Al Khayat Art Avenue\, 19th Street Al Quoz 1\, Dubai
CATEGORIES:Art,Experience
ATTACH;FMTTYPE=image/png:https://magpie.ae/wp-content/uploads/2024/09/Breche.png
GEO:25.1399294;55.2285748
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=kanvas Dubai Unit 1 Al Khayat Art Avenue 19th Street Al Quoz 1 Dubai;X-APPLE-RADIUS=500;X-TITLE=Unit 1\, Al Khayat Art Avenue\, 19th Street Al Quoz 1:geo:55.2285748,25.1399294
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240918
DTEND;VALUE=DATE:20240919
DTSTAMP:20260503T152733
CREATED:20240820T110410Z
LAST-MODIFIED:20240820T110436Z
UID:10010471-1726617600-1726703999@magpie.ae
SUMMARY:Alia Ahmad: Aspects [مظاهر]
DESCRIPTION:The first solo exhibition in the UAE for the Saudi Arabian artist presents a new body of paintings and watercolours that seeks to “peel back the layers in order to expose her personal vocabulary”. Her point of departure is the rapidly changing environment of her home city\, Riyadh\, where traditional ways of life exist alongside industrialisation and modernisation and where native plant life and cultural art forms thrive within one of the world’s fastest growing urban settings. Ahmad’s new works deconstruct the elements that make up her world; “with abstracted vegetal\, floral\, geometric shapes and motifs sometimes resembling stones\, flowers\, and others webs or micro-structures\, she creates her own lexicon of forms … on an intimate scale”. \nTo 22 October. \nAbove: Alia Ahmad\, ‘Aspect 1 [مظهر ١] ‘ (2024)
URL:https://magpie.ae/event/alia-ahmad-aspects/
LOCATION:Lawrie Shabibi\, Unit 21\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=:
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Lawrie Shabibi Unit 21 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Unit 21\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240918
DTEND;VALUE=DATE:20240919
DTSTAMP:20260503T152733
CREATED:20240903T130114Z
LAST-MODIFIED:20240903T130114Z
UID:10010560-1726617600-1726703999@magpie.ae
SUMMARY:Armin Najib: -continuum
DESCRIPTION:Najib is a multidisciplinary artist from Iran whose practice includes painting\, drawing\, photography\, sculpture\, and art jewellery but primarily revolves around kinetic mechanisms and magnetic fields. His fascination with magnetism\, ergonomic placement elements\, and environmental sensing has led him to develop his own unique tools and instruments. \nThis exhibition deploys this in a meditation on human existence; it “traces our journey from the fluidity of circles to the rigidity of squares\, symbolising the transformations we undergo throughout life … It reflects the pursuit of perfection and salvation while celebrating the inherent beauty of imperfection …” Should be interesting. \nTo 9 November. \nAbove: Armin Najib\, obj KT 3 (2023)
URL:https://magpie.ae/event/armin-najib-continuum/
LOCATION:Aisha Alabbar Gallery\, Warehouse C19\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1196663;55.217749
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Aisha Alabbar Gallery Warehouse C19 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Warehouse C19\, Alserkal Avenue:geo:55.217749,25.1196663
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240918
DTEND;VALUE=DATE:20240919
DTSTAMP:20260503T152733
CREATED:20240910T164300Z
LAST-MODIFIED:20240910T164655Z
UID:10010570-1726617600-1726703999@magpie.ae
SUMMARY:Sarah Almehairi and Bernhard Buhmann: The Errantries of Sarah Almehairi and Bernhard Buhmann
DESCRIPTION:An exhibition of recent paintings by the two artists that feature “unexpected protrusions and punctures … that are\, as the philosopher Édouard Glissant describes it\, ‘a poetics of errantry’\, both adventurous wanderings and rebellious misdirections. Referencing forms and motifs from within their past works\, the artists lure us in with the familiar\, only to journey to new discoveries and connections …” \nFor Almehairi\, this process entails a build-up of layers that may be linked but remain—as the series title states—‘off centred’. Buhmann’s latest works he describes as a “detox version\,” cast out into the world with certain elements removed. \nTo 9 November. \n 
URL:https://magpie.ae/event/sarah-almehairi-and-bernhard-buhmann-the-errantries-of-sarah-almehairi-and-bernhard-buhmann/
LOCATION:Carbon 12\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2024/09/69EF7E14-1160-4442-8C70-9C4002256A74.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240918
DTEND;VALUE=DATE:20240919
DTSTAMP:20260503T152733
CREATED:20240910T170001Z
LAST-MODIFIED:20240910T170805Z
UID:10010572-1726617600-1726703999@magpie.ae
SUMMARY:Istoria: A Retrospective Reimagining Middle Eastern Feminism with Leila Nseir
DESCRIPTION:This retrospective for the late Syrian artist honours Leila Nseir’s legacy and celebrates her contributions to art and feminism. \nNseir’s art was rooted in humanist concerns and feminist thought\, addressing themes of conflict\, inequality\, and poverty; her career was impacted by gender persecution and patriarchal attitudes\, both within her close-knit and broader communities. “Nseir’s intentional reinterpretation of historical forms demonstrates a distinctive fusion of intimacy\, complexity\, and human suffering” says the gallery. \nShe started with sculpture but deemed it too masculine a medium. She then embarked on a long journey in painting and drawing\, but developed oil paint poisoning. Transitioning from oils to acrylics\, graphite\, pastels\, and eventually developing a unique monotype woodcut print technique\, she continued to explore and push artistic boundaries. \nNseir’s later pieces delve into the complexities of diaspora\, migration\, and the interplay between tradition and modernity. She depicted females as a mirror\, reflecting Syria and its embodiment of strength\, complexity\, and intricacy. \nTo 12 November. \nAbove: Leila Nseir\, Untitled (1986)
URL:https://magpie.ae/event/istoria-a-retrospective-reimagining-middle-eastern-feminism-with-leila-nseir/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2024/09/57A024D9-6BAF-4FF9-9D65-D43507CB0BEB.jpeg
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240918
DTEND;VALUE=DATE:20240919
DTSTAMP:20260503T152733
CREATED:20240910T171636Z
LAST-MODIFIED:20240910T202809Z
UID:10010574-1726617600-1726703999@magpie.ae
SUMMARY:Kaikhan Salakhov: Astral Space Exploration &dash; The Cosmic Renaissance
DESCRIPTION:Salakhov’s work is “a profound exploration of the intersection between science\, art\, and spirituality\, using sacred geometry to illuminate deep cosmic truths”. On show are 36 “meticulously crafted” acrylic paintings that reimagine Renaissance art through a modern lens\, blending classical aesthetics with contemporary scientific concepts; viewers are invited to explore the geometric language of the artworks\, uncovering deeper meanings and contemplating humanity’s future in space. Each painting addresses a specific topic and is accompanied by an explanation that poses questions for viewers to consider. \nTo 18 November.
URL:https://magpie.ae/event/kaikhan-salakhov-astral-space-exploration-the-cosmic-renaissance/
LOCATION:Firetti Contemporary\, Unit 29\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2024/09/F36F26DD-7749-4CF3-B931-1B2E95E48555.webp
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Firetti Contemporary Unit 29 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Unit 29\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240918
DTEND;VALUE=DATE:20240919
DTSTAMP:20260503T152733
CREATED:20240910T182421Z
LAST-MODIFIED:20240910T183754Z
UID:10010576-1726617600-1726703999@magpie.ae
SUMMARY:I Kept The Night Vigil …
DESCRIPTION:Subtitled ‘Exploring Women’s Voices Across and Beyond the Middle East’\, this exhibition – curated by Behrang Samadzadegan – is inspired by the evocative poetry of al-Khansa\, who eloquently conveyed the nuances of grief\, strength\, and transformation. Says the gallery: “the exhibition resonates with the timeless spirit of women’s voices in a region marked by rich cultural heritage and contemporary challenges”. \nThe featured artists offer a variety perspectives on themes such as women’s issues\, war\, memory\, and the natural world. Each piece is a testament to women’s individual and collective experiences in the Middle East\, merging personal narratives with broader socio-political commentary. \nThe artists: \n\nAzza Al Qubaisi\, Zeinab Alhashemi\, Parinaz Eleish\, Ana D’Castro\, Shirin Neshat\, Melis Buyruk\, Naeemeh Kazemi\, Katya Traboulsi\, Maxi Cohen\, Maryam Lamei\, Farideh Lashai\, Nikki Zarrabi\, Areen Hassan\, Soraya Sharghi\, Stephany Sanossian\, Pariyoush Ganji\, Shideh Fatemi\, Shan Castellino\, Azita Panahpour\, Shiva Ahmadi \nTo 4 November. \nAbove: Soraya Sharghi\, The Thinker (2023-24)
URL:https://magpie.ae/event/i-kept-the-night-vigil/
LOCATION:Leila Heller Gallery\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/png:https://magpie.ae/wp-content/uploads/2024/09/35F6559E-67AC-4649-946E-C64692401971.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240918
DTEND;VALUE=DATE:20240919
DTSTAMP:20260503T152733
CREATED:20240910T183403Z
LAST-MODIFIED:20240910T183529Z
UID:10010578-1726617600-1726703999@magpie.ae
SUMMARY:Sumayyah Samaha: Lines and Forms
DESCRIPTION:A range of works from the Lebanese-born NYC-based artist that are rooted in spontaneity and the intuitive interplay between forms and lines. The exhibition continues an exploration of form\, line\, and colour in a series that began in 2014 and continues to evolve with each new creation. \nSays the gallery: “Each piece in the series begins with the artist laying down forms on a blank canvas\, allowing one form to naturally lead to another\, creating a visual conversation. These forms\, each with its own narrative\, are connected by lines that serve as guiding threads\, helping the viewer navigate the complex stories that unfold across the canvas. \nTo 4 November. \nAbove: Sumayyah Samaha\, Untitled Construction (2024)
URL:https://magpie.ae/event/sumayyah-samaha-lines-and-forms/
LOCATION:Leila Heller Gallery\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2024/09/55BACFEB-4F47-4022-9083-06D49F91E629.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240918
DTEND;VALUE=DATE:20240919
DTSTAMP:20260503T152733
CREATED:20240910T184400Z
LAST-MODIFIED:20240910T184542Z
UID:10010580-1726617600-1726703999@magpie.ae
SUMMARY:Maria Jose Benvenuto: Nature’s Pulse
DESCRIPTION:A series of vibrant abstracts inspired by the landscape of North Head National Park in Manly\, Australia\, the area where Benvenuto works. The series is guided by intuition and emerges directly from the subconscious\, drawing on the deep reservoirs of memory; the artist captures the dynamic energy of contrasting colours\, interweaving the fundamental elements of colour\, form\, and composition to evoke the essence of landscapes. \nBenvenuto says: “Through this series\, I aim to convey the unique vibrancy and freedom of the landscapes that inspire me\, both in Australia and beyond. In Dubai\, a city that embodies innovation and creativity\, I hope my work will resonate with viewers and inspire a shared appreciation for the universal beauty of our world’s diverse landscapes.” \nTo 4 November. \nAbove: Maria Jose Benvenuto\, Oceanic vibrations (2024)
URL:https://magpie.ae/event/maria-jose-benvenuto-natures-pulse/
LOCATION:Leila Heller Gallery\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2024/09/12BFC900-F1B3-447E-BC9A-8E011CB9E9E3-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240918
DTEND;VALUE=DATE:20240919
DTSTAMP:20260503T152733
CREATED:20240910T185251Z
LAST-MODIFIED:20240910T185419Z
UID:10010582-1726617600-1726703999@magpie.ae
SUMMARY:Bound: Textiles Between Loss and Repair
DESCRIPTION:The last in a series of exhibitions investigating contemporary approaches to fibre art curated by Murtaza Vali\, this group show builds on notions of nurture and care long associated with cloth – which envelopes our bodies from our first breath to our last. Largely abstract\, these works resemble both shrouds and bandages\, blurring distinctions between our experience of loss or injury and our capacity for recovery. \nThe artists: Dana Awartani\, Jumana Manna\, Hana Miletić\, Dala Nasser Khalil Rabah \nTo 2 November.
URL:https://magpie.ae/event/bound-textiles-between-loss-and-repair/
LOCATION:Green Art Gallery\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240919
DTEND;VALUE=DATE:20240920
DTSTAMP:20260503T152733
CREATED:20240902T092200Z
LAST-MODIFIED:20240902T092200Z
UID:10010554-1726704000-1726790399@magpie.ae
SUMMARY:Sarah Alagroobi: Slanted Dreamscape
DESCRIPTION:Alagroobi’s evocative\, highly textured landscapes provide a glimpse into “a world where reality and imagination intersect”. Her practice celebrates the physical and metaphysical\, using layers of acrylic to sculpt imagined landscapes that blur the boundaries between the tangible and the abstract; the gallery says her paintings “offer a direct and unfiltered representation of her artistic process\, presenting depth and surface in their most authentic forms”. To 27 October.
URL:https://magpie.ae/event/sarah-alagroobi-slanted-dreamscape/
LOCATION:Artbooth Gallery\, Centro Capital Center\, Al Khaleej Al Arabi Street\, Abu Dhabi
CATEGORIES:Art,Exhibition
GEO:24.4176064;54.4408235
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Artbooth Gallery Centro Capital Center Al Khaleej Al Arabi Street Abu Dhabi;X-APPLE-RADIUS=500;X-TITLE=Centro Capital Center\, Al Khaleej Al Arabi Street:geo:54.4408235,24.4176064
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240920
DTEND;VALUE=DATE:20240921
DTSTAMP:20260503T152733
CREATED:20240227T145236Z
LAST-MODIFIED:20240227T150003Z
UID:10008477-1726790400-1726876799@magpie.ae
SUMMARY:LAST CHANCE Carpets of Eden\, Gardens of Fantasy
DESCRIPTION:This exhibition of carpets designed by artists and curated by Behrang Samadzadegan is described by the gallery as “a territory where artists navigate unbridled fantasies … Like architects of dreams\, they go beyond the surface\, delving into the unseen\, weaving layers of imagination that transcend the tangible. Here\, carpets cease to be mere floor coverings; they metamorphose into canvases\, hosting a symphony of dreams where fantasy begets more fantasy”. \nThe artists: Etel Adnan\, Faig Ahmed\, Maryam Al-Homaid\, Ayman Baalbaki\, Melis Buyruk (above)\, Josefina Concha\, Ali Cha’aban\, Mohammad Ehsaei\, Bijan Ghaseminejad\, Shoeib Gorgani\, Marcos Grigorian\, Shahzad Hassan Ghazi\, Areen Hassan\, Mona Hatoum\, Debbie Lawson\, Aref Montazeri\, Soheil Rad\, Farid Rasulov\, Marwan Sahmarani\, Antonio Santin\, Parviz Tanavoli\, Shaheer Zazai. \n  \n 
URL:https://magpie.ae/event/last-chance-carpets-of-eden-gardens-of-fantasy/
LOCATION:Leila Heller Gallery\, Dubai\, United Arab Emirates
CATEGORIES:Art,Design,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240920
DTEND;VALUE=DATE:20240921
DTSTAMP:20260503T152733
CREATED:20240916T110926Z
LAST-MODIFIED:20240916T110926Z
UID:10010597-1726790400-1726876799@magpie.ae
SUMMARY:Art Here 2024
DESCRIPTION:Louvre Abu Dhabi’s Art Here 2024\, now in its fourth edition\, has rapidly become a significant entry in the Middle East’s art exhibition calendar – a regional competition for 3D work that benefits from sponsorship by luxe watchmaker Richard Mille to the extent that at the end of the exhibition one of the five artists shown will get a not insignificant $60\,000 cash award as part of the Richard Mille Art Prize. \nThis year\, Louvre Abu Dhabi and guest curator Simon Njami invited responses to the theme ‘Awakenings’; the selected artists are tasked with translating the concept of openness into visual forms via sculptures or audiovisual installations “that address questions of today and the near future”. The resulting artworks will be shown at the museum from 20 September to 15 December. \nThere were 230 submissions in total\, and five have been selected for the exhibition. The competition this year has been expanded to include North Africa alongside the GCC\, and three of the shortlist came from outside the Gulf. Franco-Tunisian artist Férielle Doulain-Zouari explores the coexistence of natural and artificial worlds via installations\, sculptures\, and weaving. Moataz Nasr from Egypt investigates the geopolitics and social development of Egypt and Africa\, testing the notion of identity and belonging in a world of globalisation. And Nicène Kossentini (Tunisia) uses video to capture the slow transformation of people and things\, revealing intimate places and bodies and uncovering the buried truths of her heritage. \nThe other two on the shortlist will probably be more familiar to local arty audiences – Lamya Gargash (Dubai) and Sarah Almehairi (Abu Dhabi). Gargash usually works in film and photography to document the essence of inhabited and abandoned spaces\, delving into cultural heritage amidst rapid modernisation\, and capturing the beauty of human trace and the value of the mundane – “my desire for seclusion\, and my grieving for our inevitable fate\, has led me to find beauty in ordinary things and bring to life these reticent moments in time …” She’s a Third Line artist and has had several shows there\, including one of our favourites. \nSarah Almehairi has worked in various media – sculpture\, painting\, book art\, fibre art\, photography\, poetry – to explore themes of identity\, language\, materiality and memory. Now signed with Carbon 12\, she was part of the 2019 Youth Takeover at Jameel Arts Centre\, was one of Abu Dhabi Art’s 2022 Beyond: Emerging Artists (a group which also went to Cromwell Place the following year)\, and was commissioned for Alserkal Avenue’s public art projects in 2022 for Alserkal Art Week – she transformed the passages alongside Concrete into a rather good visual poem with her work don’t overlook the weather (as your thoughts collect)\, asking visitors to linger and observe both the earth and the sky as they passed through. \nThe Art Here 2024 exhibition take place under Louvre Abu Dhabi’s iconic dome\, including the courtyard with the Damascene fountain and extending via a passageway towards a meditative shallow pool and the Jenny Holzer wall installation. \n 
URL:https://magpie.ae/event/art-here-2024/
LOCATION:Louvre Abu Dhabi\, Saadiyat Island\, Abu Dhabi
CATEGORIES:3D,Art,Exhibition
GEO:24.5302924;54.4451578
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Louvre Abu Dhabi Saadiyat Island Abu Dhabi;X-APPLE-RADIUS=500;X-TITLE=Saadiyat Island:geo:54.4451578,24.5302924
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20240920T100000
DTEND;TZID=Asia/Dubai:20240920T220000
DTSTAMP:20260503T152733
CREATED:20240916T105957Z
LAST-MODIFIED:20240916T105957Z
UID:10010595-1726826400-1726869600@magpie.ae
SUMMARY:Andy Warhol\, The Glam Factory
DESCRIPTION:A collection of more than 100 of Warhol’s works\, curated by Nada Ghandour\, which aims to trace Warhol’s rise from his modest beginnings in commercial illustration to his status as the Pope of Pop Art via screenprints\, photos\, and magazines from the 1960s to the 1980s. (The good news: seems there are none of his films.) \nThe exhibition is organized into two sections\, one for the man himself and the other to The Factory. Andy Warhol: From Shadows to Light covers the significant milestones of his career and his aesthetic evolution\, from his advertising drawings to the Campbell’s Soup Cans. The Glam Factory: Art Meets Business / The Business Man Artist focuses on his signature painted portraits (Marilyn Monroe\, Elizabeth Taylor\, Mao Zedong) and includes commissions and collaborations (Edward Kennedy\, Paloma Picasso\, Keith Haring). Additionally\, it features stars who shared Warhol’s extravagant social life and sometimes collaborated artistically with him (Calvin Klein\, Giorgio Armani\, Mick Jagger). \nDesigned by NYC-based architect Ibrahim Kombarji\, the exhibition has two recreated spaces for the environment that Warhol frequented – The Silver Factory\, a multidisciplinary creation space designed by Warhol for himself and collaborators: and Studio 54\, the near-legendary nightclub in Midtown Manhattan famous where the glitterati came to be seen. \nTo 31 October
URL:https://magpie.ae/event/andy-warhol-the-glam-factory/
LOCATION:Foundry Downtown\, Boulevard Crescent\, Sheikh Mohammed bin Rashid Boulevard\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2024/09/Warhol-Self-Portrait-1981.jpeg
GEO:25.1914041;55.2704724
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Foundry Downtown Boulevard Crescent Sheikh Mohammed bin Rashid Boulevard Dubai;X-APPLE-RADIUS=500;X-TITLE=Boulevard Crescent\, Sheikh Mohammed bin Rashid Boulevard:geo:55.2704724,25.1914041
END:VEVENT
END:VCALENDAR