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X-WR-CALDESC:Events for magpie
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TZID:Asia/Dubai
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BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20260905T000000
DTEND;TZID=Asia/Dubai:20260905T000000
DTSTAMP:20260529T122244Z
CREATED:20260529T122041Z
LAST-MODIFIED:20260529T122244Z
UID:10013810-1788566400-1788566400@magpie.ae
SUMMARY:CLOSING TODAY The Two Walks: Works on Paper selected by Judy Karkour
DESCRIPTION:A group show of new and archival works on paper selected by Judy Karkour that brings together 14 artists with distinct material and artistic backgrounds – Sarah Almehairi\, Faris Alshafar\, Olaf Breuning\, Bernhard Buhmann\, André Butzer\, Nadine Ghandour\, Monika Grabuschnigg\, Amir Khojasteh\, Nour Malas\, Solimar Miller\, Philip Mueller\, Mayar Obedo\, Edgar Orlaineta\, Amba Sayal-Bennett. \nThe title refers to “the corridor that souls use to travel between worlds\, to the thousand lives that live within one\, and to those who resist conformity” and the exhibition explores paper as a medium that challenges scale as grandiose; there is something uniquely revealing about working with paper\, and each of the artists uses and manipulates it in different ways that expand beyond its traditional associations – to express hidden existential thoroughfare\, complex intentions\, and explore innovative techniques.
URL:https://magpie.ae/event/the-two-walks-works-on-paper-selected-by-judy-karkour-2/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CARBON 12 17th Street Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=17th Street:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260909
DTEND;VALUE=DATE:20260910
DTSTAMP:20260821T084358Z
CREATED:20260821T084309Z
LAST-MODIFIED:20260821T084358Z
UID:10014044-1788912000-1788998399@magpie.ae
SUMMARY:Amna AlMemari\, Lubnah Ansari\, MG\, Andrew Riad: Infrared
DESCRIPTION:This group show is the culmination of the second edition of NIKA Project Space’s Open Studio programme: four artists based in the UAE were invited to develop new bodies of work in dialogue with the space\, one another\, and the public. Curated by Rahel Aima\,  the exhibition brings together projects developed during the residency themed around the observer effect – “in which a wave becomes a particle and the body becomes a tongue through ritual\, accumulation\, and the heat of the eye … Rather than producing works in response to a prescribed theme\, the participating artists continued investigations proposed during the Open Studio application process. Over the course of the residency\, these projects evolved through experimentation\, research\, conversation\, and material exploration\, offering a glimpse into artistic practice as an unfolding process”. \nDubai-based Singaporean artist MG has new paintings from her ongoing series Collecting the Collectors\, which examines the private interiors of art collectors as psychologically charged spaces where identity and power are negotiated through objects and images. Drawing from real interiors while deliberately disrupting their spatial logic\, her paintings transform domestic settings into unstable environments in which artworks\, decorative objects\, and their owners become participants in an intricate theatre of collecting and self-construction. \nAndrew Riad expands his multidisciplinary research into dance\, ancient Egyptian mythology\, and the material history of copper through an installation combining painting\, sculpture\, text\, and ritual gesture. The project interweaves personal memory\, Coptic funerary traditions\, and the persistence of language; copper\, roses\, milk\, water\, and movement recur throughout the installation and individual objects\, connecting ideas of ancestry\, spirituality\, and cultural survival. \nLubnah Ansari continues the material investigations initiated through recent research; her practice considers the migrations and transformations of the word haq across South and Southwest Asia\, approaching language as a material capable of translation and renewal. Working with ash\, stone\, sand\, glass\, photography\, and found objects\, Ansari develops sculptural and photographic works that reflect on memory and the ways meaning persists across histories and geographies. \nAnd Emirati artist Amna AlMemari presents a new chapter in her ongoing exploration of Tarflowers\, a fictional ecosystem that draws on the landscapes and visual culture of the Gulf. Combining photography\, drawing\, and mixed media\, her works construct speculative environments where geological\, political\, and media narratives become layered into new visual ecologies. \nTo 31 October. \nRight: Amna AlMemari\, Tarflowers (fragment) (2026)
URL:https://magpie.ae/event/amna-almemari-lubnah-ansari-mg-andrew-riad-infrared/
LOCATION:NIKA Project Space\, Unit 11 Al Khayat Avenue\, 19th Street Road — Al Quoz 1\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1399294;55.2285748
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NIKA Project Space Unit 11 Al Khayat Avenue 19th Street Road — Al Quoz 1 Dubai;X-APPLE-RADIUS=500;X-TITLE=Unit 11 Al Khayat Avenue\, 19th Street Road — Al Quoz 1:geo:55.2285748,25.1399294
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260913
DTEND;VALUE=DATE:20260914
DTSTAMP:20260504T120608Z
CREATED:20260504T120608Z
LAST-MODIFIED:20260504T120608Z
UID:10013723-1789257600-1789343999@magpie.ae
SUMMARY:CLOSING TODAY Time That Grows Slowly
DESCRIPTION:A group exhibition based around site-specific installations and considering ecological\, feminist\, philosophical\, and postcolonial concerns. The core inspiration however is “philosophical reflections of time as growth rather than movement … Time\, as humans experience it\, is inseparable from the vegetal. The oxygen we breathe\, the food we consume\, the rhythms of agriculture and settlement — all are shaped by plant life. Yet this dependency remains largely invisible”.  The curator\, Alexander Burenkov\, suggests that the exhibition “proposes a toolkit for slowing down\, a reorientation of our sensorium to the rhythms of plants\, the creation of space for vegetal attunement\, reflection and contemplation in dynamic urban conditions\, and the raising of questions about how duration\, memory\, and lived experience are produced within such environments …” \nThe artists: \nMaha Alasaker Kuwait / UAE\nSrijon Chowdhury Bangladesh / USA\nOdonchimeg Davaadorj Mongolia / France\nPatricia Domínguez Chile\nLouis Guillaume France\nMevlana Lipp Germany\nSulafa Mohammed UAE\nTabita Rezaire France / French Guiana\nShaima Shamsi Saudi Arabia / Bahrain / UAE\nFarah Soltani Iran / UAE\nAntoine Renard France\nNadia Waheed Saudi Arabia / Pakistan / USA
URL:https://magpie.ae/event/last-chance-time-that-grows-slowly/
LOCATION:Dom Art Projects\, Al Khayat Avenue\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1399294;55.2285748
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Dom Art Projects Al Khayat Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Al Khayat Avenue:geo:55.2285748,25.1399294
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260913
DTEND;VALUE=DATE:20260914
DTSTAMP:20260504T121510Z
CREATED:20260504T121510Z
LAST-MODIFIED:20260504T121510Z
UID:10013725-1789257600-1789343999@magpie.ae
SUMMARY:CLOSING TODAY Petr Kirusha: Every moment is a fresh beginning
DESCRIPTION:A solo show featuring works that Petr Kirusha developed during his residency at Dom Art Projects. At a time of heightened geopolitical tension between the US and Iran\, Kirusha documented the landscapes of Al Quoz and the rapidly changing cityscape of Dubai – observations that evolved into paintings and works on paper. “Working with a post-digital approach to colour\, he leaves the white of the paper active — like a blank screen — and employs a technique that preserves luminosity in the lower layers of paint”. \n 
URL:https://magpie.ae/event/last-chance-petr-kirusha-every-moment-is-a-fresh-beginning/
LOCATION:Dom Art Projects\, Al Khayat Avenue\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1399294;55.2285748
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Dom Art Projects Al Khayat Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Al Khayat Avenue:geo:55.2285748,25.1399294
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260913
DTEND;VALUE=DATE:20260914
DTSTAMP:20260512T091803Z
CREATED:20260512T091803Z
LAST-MODIFIED:20260512T091803Z
UID:10013762-1789257600-1789343999@magpie.ae
SUMMARY:CLOSING TODAY Rana Begum: Boundless Geometry
DESCRIPTION:Selected works from the Farjam Collection. Through a refined language of Minimalist abstraction\, the London-based artist blurs the boundaries between sculpture\, painting and architecture – “bringing together works that explore light\, colour\, perception\, and spatial experience\, the exhibition reflects Rana Begum’s distinctive visual language\, where geometry becomes fluid\, atmospheric\, and deeply sensory … Through shifting reflections\, layered structures\, and luminous surfaces\, Boundless Geometry invites viewers into a contemplative encounter with form\, movement\, and space”.
URL:https://magpie.ae/event/last-chance-rana-begum-boundless-geometry/
LOCATION:Farjam Foundation\, Gate Avenue 3\, GF-97\, DIFC\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.2135121;55.2823895
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Farjam Foundation Gate Avenue 3 GF-97 DIFC Dubai;X-APPLE-RADIUS=500;X-TITLE=Gate Avenue 3\, GF-97\, DIFC:geo:55.2823895,25.2135121
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260913
DTEND;VALUE=DATE:20260914
DTSTAMP:20260603T095504Z
CREATED:20260603T095453Z
LAST-MODIFIED:20260603T095504Z
UID:10013861-1789257600-1789343999@magpie.ae
SUMMARY:CLOSING TODAY Ahmad AlAttar: Human in the Loop
DESCRIPTION:Human in the Loop is a sound-based interactive installation that takes the form of a game of hide-and-seek between visitors and an unseen algorithm. Hanging ropes are suspended from the ceiling and visitors are invited to pull on them; each pull interrupts the continuous ambient sounds of nature with a brief\, glitch-like sound. At first\, these responses may feel random\, but with repetition\, patterns begin to emerge; and when the correct rope is found\, the system responds with a distinct and heightened auditory moment – a brief reward that signals discovery. Almost immediately\, the algorithm relocates\, hiding once again within the field of ropes\, and the search resets. \nSo what begins as playful interaction gradually becomes an act of careful listening and navigation. Human in the Loop reflects a contemporary paradox: we take pleasure in interaction even as it draws us deeper into technological rhythms that are increasingly difficult to step away from. \nAhmad AlAttar\, currently is a Senior Robotics Engineer at Dubai Future Labs\, was a participant in the 2024 cycle of the 421 Artistic Development Program (ADP)\, facilitated by Jolaine Frizzell. During preparation for the exhibition he was also mentored by Khalid AlAwadhi\, Founder & CEO of Remal\, and Dr Pradeep Sharma\, Director of the Arts\, Culture and Heritage program at the Salama bint Hamdan Al Nahyan Foundation. \nTo 13 September.
URL:https://magpie.ae/event/last-chance-ahmad-alattar-human-in-the-loop/
LOCATION:421 Arts Campus\, Mina Zayed\, Abu Dhabi\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:24.5224833;54.3877183
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=421 Arts Campus Mina Zayed Abu Dhabi United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Mina Zayed:geo:54.3877183,24.5224833
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260915
DTEND;VALUE=DATE:20260916
DTSTAMP:20260817T111753Z
CREATED:20260817T111753Z
LAST-MODIFIED:20260817T111753Z
UID:10014039-1789430400-1789516799@magpie.ae
SUMMARY:CLOSING TODAY The Glitch: Fragmented Becoming
DESCRIPTION:A Diarbid show for 35 artists “who explore identity as fluid\, layered\, and continuously evolving. Through fragmented\, distorted\, duplicated\, and incomplete forms\, the works examine how the self is shaped by memory\, displacement\, shifting environments\, and the uncertainties of contemporary life. The glitch functions as both a visual language and a metaphor for these shifting states …  By interrupting familiar forms and unsettling recognition\, it opens alternative ways of seeing and becoming. Fragmentation is approached not as loss\, but as a generative space where the familiar can be disrupted and the incomplete can remain open to new possibilities …”
URL:https://magpie.ae/event/last-chance-the-glitch-fragmented-becoming/
LOCATION:Al Shindagha Museum – House 353\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.2048493;55.2707828
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260915
DTEND;VALUE=DATE:20260916
DTSTAMP:20260825T102809Z
CREATED:20260825T102809Z
LAST-MODIFIED:20260825T102809Z
UID:10014051-1789430400-1789516799@magpie.ae
SUMMARY:Stephan Kaluza: From Dust to Bloom
DESCRIPTION:Stephan Kaluza’s practice is fundamentally concerned with depictions of nature\, either as hyper-realistic oils or near-abstract renderings. These two modes of painting should be seen as different stages of the same subject in a process of transformation: disruptions creep in\, and appearances prove deceptive. Says the gallery: “At first glance\, the paintings appear to be precise\, almost preservative images of an intact world – until a second layer emerges\, sharply challenging what is being seen”. To 31 October. \nRight: Stephan Kaluza\, Impact (2026)
URL:https://magpie.ae/event/stephan-kaluza-from-dust-to-bloom/
LOCATION:JD Malat Gallery\, ACT 2 Tower\, Sheikh Mohammed Bin Rashid Blvd 13A \,Downtown Dubai\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1926401;55.2716753
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=JD Malat Gallery ACT 2 Tower Sheikh Mohammed Bin Rashid Blvd 13A Downtown Dubai Dubai;X-APPLE-RADIUS=500;X-TITLE=ACT 2 Tower\, Sheikh Mohammed Bin Rashid Blvd 13A \,Downtown Dubai:geo:55.2716753,25.1926401
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260916
DTEND;VALUE=DATE:20260917
DTSTAMP:20260507T101506Z
CREATED:20260507T101506Z
LAST-MODIFIED:20260507T101506Z
UID:10013744-1789516800-1789603199@magpie.ae
SUMMARY:CLOSING TODAY Kevork Mourad: The Echoes of Silent Bells
DESCRIPTION:A descendant of Armenian Genocide survivors and raised in Syria\, Mourad approaches his work with a profound sense of responsibility to preserve culture and history; his practice aims to give voice to places that no longer exist\, offering an interpretation of what has been lost while seeking ways that history and culture might be recovered\, at least within emotional memory.
URL:https://magpie.ae/event/last-chance-kevork-mourad-the-echoes-of-silent-bells/
LOCATION:Leila Heller Gallery\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260916
DTEND;VALUE=DATE:20260917
DTSTAMP:20260507T102825Z
CREATED:20260507T102825Z
LAST-MODIFIED:20260507T102825Z
UID:10013746-1789516800-1789603199@magpie.ae
SUMMARY:CLOSING TODAY Sultan Bin Fahad: Blue Note
DESCRIPTION:This exhibition by the Saudi artist embraces the experimentation of jazz\, commemorating its role as an audiovisual gathering for culture to flourish from and exact its designs on the world as it moved from older models of audiovisual art – “these musicians’ ancestral mixologies harmonising into an open-ended future\, its rhythm never finished …”
URL:https://magpie.ae/event/last-chance-sultan-bin-fahad-blue-note/
LOCATION:Leila Heller Gallery\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260916
DTEND;VALUE=DATE:20260917
DTSTAMP:20260913T150024Z
CREATED:20260913T144206Z
LAST-MODIFIED:20260913T150024Z
UID:10014095-1789516800-1789603199@magpie.ae
SUMMARY:Library Circles: Rend Beiruti
DESCRIPTION:Rend Beiruti’s research display\, sharing insights into her investigation of the baqala neighbourhood grocery store as a vital urban entity in Dubai\, exploring its history\, its influence on urban development\, and its role as a cultural signal. Through photographs\, mapping\, and archival documents\, the display brings together the findings of this urban investigation and considers the ubiquitous baqala as both an everyday space and a cultural signal. To 11 January.
URL:https://magpie.ae/event/library-circles-rend-beiruti/
LOCATION:Jameel Arts Centre\, Al Jaddaf\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.216757;55.3309395
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jameel Arts Centre Al Jaddaf Dubai;X-APPLE-RADIUS=500;X-TITLE=Al Jaddaf:geo:55.3309395,25.216757
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20260918
DTSTAMP:20260913T142329Z
CREATED:20260913T142329Z
LAST-MODIFIED:20260913T142329Z
UID:10014089-1789603200-1789689599@magpie.ae
SUMMARY:Essence of Egypt
DESCRIPTION:A presentation of Palestinian artistic journeys shaped in Egypt and inspired by its art and culture\, featuring works by Nabil Anani\, Samira Badran\, Tayseer Barakat\, Mostafa Al Hallaj\, Kamel Al Moghani and Abdul Rahman Al Muzayyen that range from the 1960s to the early 2000s and present a diversity of media and approaches – from printmaking and etching to mixed media and leather. Considered together\, the works offer insight into the influence of mobility\, exchange and experimentation on the formation of modern Arab art. \nTo 25 November. \nRight: Nabil Anani\, Intifada (1988)
URL:https://magpie.ae/event/essence-of-egypt/
LOCATION:Fann à Porter\, The Workshop\, Villa 45\, St. 23b\, off Al Wasl Road (opposite Box Park)\, Jumeirah 2\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1966736;55.2461631
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Fann à Porter The Workshop Villa 45 St. 23b off Al Wasl Road (opposite Box Park) Jumeirah 2 Dubai;X-APPLE-RADIUS=500;X-TITLE=The Workshop\, Villa 45\, St. 23b\, off Al Wasl Road (opposite Box Park)\, Jumeirah 2:geo:55.2461631,25.1966736
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260917
DTEND;VALUE=DATE:20260918
DTSTAMP:20260913T142626Z
CREATED:20260913T142626Z
LAST-MODIFIED:20260913T142626Z
UID:10014090-1789603200-1789689599@magpie.ae
SUMMARY:Oussama Diab: Reimagined
DESCRIPTION:A solo show for the Palestinian-Syrian-Dutch artist that reinterprets celebrated masterpieces from Western art. Diab revisits iconic works by artists including Picasso\, van Gogh\, Michelangelo and van Dyck\, applying his own distinctive visual language to allow the images to speak to contemporary realities. Highlights of the exhibition are two striking reinterpretations of Picasso’s ‘Guernica’\, alongside ‘La Coiffure’ also after Picasso\, two sunflower paintings inspired by van Gogh\, and reinterpretations of Anthony van Dyck’s ‘Jupiter and Antiope’ and ‘Moses and the Serpent’. \nTo 31 October. \nRight: Oussama Diab\, Middleeastern Guernica (2026)
URL:https://magpie.ae/event/oussama-diab-reimagined/
LOCATION:Artbooth Gallery\, Centro Capital Center\, Al Khaleej Al Arabi Street\, Abu Dhabi
CATEGORIES:Art,Exhibition
GEO:24.4176064;54.4408235
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Artbooth Gallery Centro Capital Center Al Khaleej Al Arabi Street Abu Dhabi;X-APPLE-RADIUS=500;X-TITLE=Centro Capital Center\, Al Khaleej Al Arabi Street:geo:54.4408235,24.4176064
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260918
DTEND;VALUE=DATE:20260919
DTSTAMP:20260616T104411Z
CREATED:20260616T104411Z
LAST-MODIFIED:20260616T104411Z
UID:10013899-1789689600-1789775999@magpie.ae
SUMMARY:CLOSING TODAY Tangerine Dreams
DESCRIPTION:Ayyam Gallery’s summer collective exhibition focuses on the colour orange: “occupying a unique space between intensity and comfort\, orange embodies both vitality and reflection. Associated with sunlight\, fire\, ripened fruit\, and shifting horizons\, the colour carries a rich spectrum of meanings that traverse cultures\, histories\, and emotional states …” For this show\, orange becomes a vehicle through which artists explore memory\, landscape\, identity\, and transformation: “the colour appears in varied forms\, guiding viewers through moments of energy and stillness while revealing its ability to shape perception and mood”. \nThe artists: \nTammam Azzam\nMouteea Murad’\nElias Izoli\nThaier Helal\nKhaled Akil\nAbdalla Al Omari \nSama Alshaibi\nFaisal Samra\nKais Salman\nKhaled Takreti\nAsaad Arabi\nOussama Diab\nLeila Nseir
URL:https://magpie.ae/event/last-chance-tangerine-dreams/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260918
DTEND;VALUE=DATE:20260919
DTSTAMP:20260916T110530Z
CREATED:20260913T162558Z
LAST-MODIFIED:20260916T110530Z
UID:10014126-1789689600-1789775999@magpie.ae
SUMMARY:MONOCHROMA 2
DESCRIPTION:You don’t see enough ceramic art outside the interiors business\, and then it just tends to be bowls; so this show by Double J Collective (“the first project based in Dubai exclusively dedicated to exhibit\, promote and sell fine craft and design creations”) in partnership with DCT Abu Dhabi is well worth encouraging. Few details\, apart from “emerging and established artists [who] come together within a shared black-and-white palette”\, but we are promised “diverse ceramic practices … in a dialogue shaped by material\, perspective and artistic expression”. To 18 October. \n 
URL:https://magpie.ae/event/monochroma-2/
LOCATION:Manarat al Saadiyat\, Abu Dhabi\, United Arab Emirates
CATEGORIES:Art
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2026/09/double-j.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260919
DTEND;VALUE=DATE:20260920
DTSTAMP:20260913T145220Z
CREATED:20260913T145220Z
LAST-MODIFIED:20260913T145220Z
UID:10014099-1789776000-1789862399@magpie.ae
SUMMARY:Bashar Khalaf: The Field of Dreams
DESCRIPTION:Two series of works\, Junk Garden and Protective Shield\, from the Ramallah-born artist. “The Field of Dreams is an exploration of formations of ‘steel’ in the public space from the perspective of the relationship between the self\, the object\, and the other” says the gallery. “It can be viewed as an interactive space with the fragile reality in which humanity lives.” \nKhalaf’s dreaming energy gives steel junk – bulldozers\, vehicles\, surveillance cameras – an chance for self-reinvention; it confronts the machine with its own existence\, giving it a tragic form and allowing it reposition itself over time. The garbage bins in Protective Shield were used during the First Intifada to block street and provide shelter from bullets ; in contrast\, the colonial system used steel barrels filled with cement to seal off the entrances to villages and camps. \nTo 8 November.
URL:https://magpie.ae/event/bashar-khalaf-the-field-of-dreams-2/
LOCATION:Zawyeh Gallery\, Warehouse 27\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Zawyeh Gallery Warehouse 27 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Warehouse 27\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260919
DTEND;VALUE=DATE:20260920
DTSTAMP:20260915T174024Z
CREATED:20260915T174024Z
LAST-MODIFIED:20260915T174024Z
UID:10014151-1789776000-1789862399@magpie.ae
SUMMARY:Artist's Room: Lulua Alyahya
DESCRIPTION:Marking her first solo exhibition in the UAE\, Lulua Alyahya’s Artist’s Room brings together new commissions\, loans and works from the Art Jameel Collection. Through her paintings\, Alyahya explores culturally embedded archetypes with tenderness\, humour and a critical inflection\, often engaging with representations of masculinity set against the natural and built environments of the Gulf; working on an intimate scale\, her layered\, gestural brushstrokes suggest a process of continual revision that contributes to the atmosphere and surreal quality of her paintings. \nTo 31 January. \nRight: Lulua Alyahya\, Skyscrapers (2023)
URL:https://magpie.ae/event/artists-room-lulua-alyahya/
LOCATION:Jameel Arts Centre\, Al Jaddaf\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2026/09/Lulua-Alyahya-Skyscrapers-2023-Art-Jameel-Collection.-Courtesy-of-the-artist-and-ATHR-Gallery.jpg
GEO:25.216757;55.3309395
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jameel Arts Centre Al Jaddaf Dubai;X-APPLE-RADIUS=500;X-TITLE=Al Jaddaf:geo:55.3309395,25.216757
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260920
DTEND;VALUE=DATE:20260921
DTSTAMP:20260407T140543Z
CREATED:20260407T134814Z
LAST-MODIFIED:20260407T140543Z
UID:10013601-1789862400-1789948799@magpie.ae
SUMMARY:CLOSING TODAY Shezad Dawood: Skin of Dreams
DESCRIPTION:Shezad Dawood’s 25-year career spans painting\, textiles\, sculpture\, ceramics\, film\, performance and digital media. Fascinated by ecologies and architecture\, his work connects art\, science\, music\, environmentalism and technology to explore both alternative histories and futures\, through a process of continuous world-building expressed as an explosion of colour and multi-layered narratives; and that should make this first mid-career retrospective of the artist a must-visit. The exhibition\, which is curated by Jessica Cerasi\, features more than 40 works including painting\, sculpture\, monumental film installations\, and interactive virtual reality experiences.
URL:https://magpie.ae/event/last-chnace-shezad-dawood-skin-of-dreams/
LOCATION:Cultural Foundation\, Sheikh Rashid bin Saeed Al Maktoum Street\, Abu Dhabi
CATEGORIES:Art,Exhibition
GEO:24.4856096;54.357172
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Cultural Foundation Sheikh Rashid bin Saeed Al Maktoum Street Abu Dhabi;X-APPLE-RADIUS=500;X-TITLE=Sheikh Rashid bin Saeed Al Maktoum Street:geo:54.357172,24.4856096
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260920
DTEND;VALUE=DATE:20260921
DTSTAMP:20260521T161140Z
CREATED:20260521T161140Z
LAST-MODIFIED:20260521T161140Z
UID:10013800-1789862400-1789948799@magpie.ae
SUMMARY:CLOSING TODAY Laila Majid and Inaam Zafar: Body Quotidian
DESCRIPTION:Recent works by Laila Majid and Inaam Zafar that explore the human body and its presence in contemporary life through metaphor and symbolism. In Majid’s practice\, sculptural and photographic works unfold through slow revelation; Zafar’s practice explores themes of death and decay\, while foregrounding the body as a perishable entity. Bringing together these works\, Body Quotidian explores how light\, material\, gesture and atmosphere filters bodily experience; Moving between domestic scenes and abstraction\, the exhibition reflects on the quiet\, everyday moments through which the body continues to shape how we see and inhabit the world. \n 
URL:https://magpie.ae/event/last-chance-laila-majid-and-inaam-zafar-body-quotidian/
LOCATION:Al Mureijah Square\, Sharjah
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260920
DTEND;VALUE=DATE:20260921
DTSTAMP:20260915T175453Z
CREATED:20260915T175329Z
LAST-MODIFIED:20260915T175453Z
UID:10014155-1789862400-1789948799@magpie.ae
SUMMARY:Artist's Room: Shezad Dawood
DESCRIPTION:Dawood’s New Dream Machine Project centres on a 3m-high rotating and flickering light sculpture\, an homage to artist and writer Brion Gysin’s Dreamachine; driving the mechanism is a perforated cylinder emitting pulses of light at the frequency of the brain’s alpha waves\, said to induce altered states of consciousness. Originally commissioned for the Abraaj Group Art Prize in 2011 and first presented at Art Dubai that same year\, the work is part of the Art Jameel Collection and has rarely been exhibited since. \nHere the sculpture is presented alongside two smaller Recyclages prototypes and archival materials tracing the project’s history. \nTo 31 January.
URL:https://magpie.ae/event/artists-room-shezad-dawood/
LOCATION:Jameel Arts Centre\, Al Jaddaf\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2026/09/New-Dream-Machine-Project-2-Photograph-by-Tom-Brown-2011-low-scaled.jpg
GEO:25.216757;55.3309395
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jameel Arts Centre Al Jaddaf Dubai;X-APPLE-RADIUS=500;X-TITLE=Al Jaddaf:geo:55.3309395,25.216757
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260920
DTEND;VALUE=DATE:20260921
DTSTAMP:20260915T180055Z
CREATED:20260915T175944Z
LAST-MODIFIED:20260915T180055Z
UID:10014156-1789862400-1789948799@magpie.ae
SUMMARY:Artist's Room: Walid Siti
DESCRIPTION:This Artist’s Room traces forty years of Walid Siti’s practice\, including new sculptural commissions and material from the artist’s studio. Across his body of work\, structural forms mirror geological formations\, rising summits\, Mesopotamian ziggurats\, and the Tower of Babel\, all alluding to a persistent\, often reckless\, human drive toward ascension. A newly commissioned large-scale sculpture\, Registry of the Lived\, reflects on the troubled history of Kurdistan\, displayed alongside the War Series\, an early ensemble of drawings and etchings from the 1980s made during Siti’s years of exile. \nTo 31 January. \nRight: Walid Siti\, Mountains(2013)
URL:https://magpie.ae/event/artists-room-walid-siti/
LOCATION:Jameel Arts Centre\, Al Jaddaf\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://magpie.ae/wp-content/uploads/2026/09/Mountains-2013-Charcoal-and-acrylic-paint-on-brown-paper.jpg
GEO:25.216757;55.3309395
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Jameel Arts Centre Al Jaddaf Dubai;X-APPLE-RADIUS=500;X-TITLE=Al Jaddaf:geo:55.3309395,25.216757
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260921
DTEND;VALUE=DATE:20260922
DTSTAMP:20260428T095345Z
CREATED:20260428T095043Z
LAST-MODIFIED:20260428T095345Z
UID:10013678-1789948800-1790035199@magpie.ae
SUMMARY:CLOSING TODAY In Abstracto\, In Concreto: On Memory and Presence
DESCRIPTION:A summer-long group show for Luke Agada\, Tunji Adeniyi-Jones\, Ludovic Nkoth\, and Naila Opiangah\, curated by Brice Arsène Yonkeu – whose curatorial statement defines the show as “an encounter with works on paper and paintings that move between visibility and erasure\, between the surfaces of lived experience and the abstractions of memory”. It goes on: “the exhibition is less concerned with depicting bodies in their recognisable form than with asking how the body … becomes a vessel for history\, inheritance\, and imagination”; and “rather than presenting a singular mode of figuration or abstraction\, the exhibition unfolds as a spectrum of strategies. Within this spectrum\, three interwoven threads emerge: Memory and Inheritance\, where surfaces register the weight of what is passed down and endured; Myth and Imagination\, where hybrid or surreal forms generate new lineages; and Presence and Care\, where the body is both affirmed and protected as a site of tenderness and resilience.”
URL:https://magpie.ae/event/last-chance-in-abstracto-in-concreto-on-memory-and-presence/
LOCATION:Efiɛ Gallery\, 2 Al Khayat Art Avenue\, First Al Khail Street\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1399294;55.2285748
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Efiɛ Gallery 2 Al Khayat Art Avenue First Al Khail Street Dubai;X-APPLE-RADIUS=500;X-TITLE=2 Al Khayat Art Avenue\, First Al Khail Street:geo:55.2285748,25.1399294
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260921
DTEND;VALUE=DATE:20260922
DTSTAMP:20260630T143119Z
CREATED:20260630T141503Z
LAST-MODIFIED:20260630T143119Z
UID:10013938-1789948800-1790035199@magpie.ae
SUMMARY:Ahmad Tallaa: The Living Archive
DESCRIPTION:Built from layers of sand collected in the UAE\, chalk powder\, pigments\, and acrylic\, the surfaces of Ahmad Tallaa’s large-scale portraits at the centre of this show are dense and almost sculptural – as the gallery puts it\, “Faces do not sit on the canvas so much as emerge from within it\, as though the act of painting were one of excavation rather than construction. Cracks\, scars\, and accumulated marks become evidence of time’s passage …” \nTo 11 November. \nRight: Ahmad Tallaa\, Untitled (2026)
URL:https://magpie.ae/event/ahmad-tallaa-the-living-archive/
LOCATION:Firetti Contemporary\, Unit 29\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Firetti Contemporary Unit 29 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Unit 29\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260922
DTEND;VALUE=DATE:20260923
DTSTAMP:20260913T153446Z
CREATED:20260913T153446Z
LAST-MODIFIED:20260913T153446Z
UID:10014110-1790035200-1790121599@magpie.ae
SUMMARY:Mohamed Monaiseer: 85 Seconds To Midnight
DESCRIPTION:Monaiseer’s solo show examines history through cycles\, repetition and flows\, while testing the unstable boundary between imagination and reality. The title references the current status of the Doomsday Clock and its measurement of humanity’s proximity to catastrophe; notions of war\, occupation and imperial power have long animated his practice\, and here he considers how they recur across contexts and generations\, altering borders\, enemies and technologies while preserving familiar structures of domination. \nThe exhibition comprises drawings\, paintings\, sculptures and textile works\, as well as a video installation. Recurring motifs in these works are absorbed from literary fiction\, popular storytelling and contemporary media. And dark humour runs through them; for Monaiseer it is a means of examining the performance of power and the fantasies through which conflict can be romanticised\, rehearsed and projected. \nElsewhere\, pixelated figures and fragmented grids evoke the digital mediation of contemporary warfare and our era of misinformation\, in which information is increasingly manipulated and corrupted online. Monaiseer has previously engaged with the historical construction of conflict; in these works he considers how conflict reaches us through technology\, through compressed images\, screens\, news feeds and endlessly circulating footage\, producing realities that are experienced at a distance and often manipulated. \nTo 1 October.
URL:https://magpie.ae/event/mohamed-monaiseer-85-seconds-to-midnight/
LOCATION:Tabari Artspace\, Gate Village Level 2\, DIFC\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.2135121;55.2823895
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tabari Artspace Gate Village Level 2 DIFC Dubai;X-APPLE-RADIUS=500;X-TITLE=Gate Village Level 2\, DIFC:geo:55.2823895,25.2135121
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260923
DTEND;VALUE=DATE:20260924
DTSTAMP:20260913T172825Z
CREATED:20260804T134049Z
LAST-MODIFIED:20260913T172825Z
UID:10014007-1790121600-1790207999@magpie.ae
SUMMARY:Amir Khojasteh: May the Tree No Longer Burn When I Wake
DESCRIPTION:Amir Khojasteh’s third solo exhibition with the gallery presents the first body of work he has developed after leaving his home country\, Iran. To 5 November. \nRight: Amir Khojasteh\, Garden Landscape #2 (2026) \n 
URL:https://magpie.ae/event/amir-khojasteh-may-the-tree-no-longer-burn-when-i-wake/
LOCATION:CARBON 12\, 17th Street\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=CARBON 12 17th Street Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=17th Street:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260923
DTEND;VALUE=DATE:20260924
DTSTAMP:20260818T142450Z
CREATED:20260818T142104Z
LAST-MODIFIED:20260818T142450Z
UID:10014040-1790121600-1790207999@magpie.ae
SUMMARY:Hisham Sharif: Allusive Veil
DESCRIPTION:Sharif’s first solo exhibition in the UAE presents an autobiographical and very personal series of works about the struggles of private and artist life in a closed society – “a vulnerable\, nuanced presentation of life”. The Bahraini artist uses colour to convey privacy and intimacy\, “expressive hues that meld harsh truths with illusions of what could be … Sharif’s approach ensures that his depiction of these taboos is conveyed through humble depictions that preserve a certain Oriental sensibility\, avoiding the shock value or censorship they might otherwise provoke. The scenes are all about ambiance\, a haze of what was\, what is\, and what could be”. \nTo 30 October. \nRight: Hisham Sharif\, Behind the Mirror (2025)
URL:https://magpie.ae/event/hisham-sharif-allusive-veil/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260923
DTEND;VALUE=DATE:20260924
DTSTAMP:20260828T111903Z
CREATED:20260828T111903Z
LAST-MODIFIED:20260828T111903Z
UID:10014079-1790121600-1790207999@magpie.ae
SUMMARY:Rana Begum: Taking Form
DESCRIPTION:Rana Begum brings her textile works to The Third Line for the first time. Her fifth solo exhibition at the gallery features a new body of large-scale wool tapestries presented alongside works on linen\, paper and MDF\, all reflecting the artist’s longstanding engagement with abstraction and minimalism and continuing her exploration of light through new materials and forms. Her characteristic engagement with geometry runs throughout\, with forms suggesting patterns that extend beyond their physical boundaries. \nSuspended from the ceiling in Gallery 1\, Begum’s nearly 5m-tall tapestries should transform the space into a vast\, immersive field of cascading colour. The tapestries are feature coloured triangles\, woven together using the ridging technique that results in a dual pattern revealed only as the viewer moves around them. \nGallery 2 will have a series of large-scale linen paintings. The natural\, unprocessed tone and texture of the linen influence the colour as it is absorbed into the weave\, creating a sense of rawness and an organic quality across the surface. Alongside the linens\, a set of wooden panel paintings punctuate the space with playful accents through their smaller scale and subtle shifts in colour. \nTo 10 November. \nRight: Rana Begum\, No. 1635 (2026). Below: Rana Begum\, No. 1670 (2026) \n 
URL:https://magpie.ae/event/rana-begum-taking-form/
LOCATION:The Third Line\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Third Line Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260923
DTEND;VALUE=DATE:20260924
DTSTAMP:20260913T154430Z
CREATED:20260913T154430Z
LAST-MODIFIED:20260913T154430Z
UID:10014113-1790121600-1790207999@magpie.ae
SUMMARY:Maggie Otieno: Sojourner – The Difference Is the Same
DESCRIPTION:New works by the Kenyan artist Maggie Otieno\, her first solo show here since the gallery began representing her in 2024 . Otieno’s practice centres on the transformation of reclaimed and distressed materials.; working across wood\, metal\, and mixed media\, her semi -abstract forms explore layered narratives of history\, memory\, human interaction\, and environmental survival. Her works function as vessels of remembrance and renewal\, grounding social and historical reflection in physical form. \nFeatured in the exhibition are new works based around railway sleepers\, symbols of East Africa’s colonial past. More than 150 years old\, these timbers travelled from India to Kenya for railway lines\, carrying with them the stories of travellers\, labourers\, and communities. Also included are works created during a residency at El Anatsui Studio in Ghana last summer. Sculptures made from fragments of wooden canoes bear traces of memory and passage; some are hinged to resemble books\, evoking the turning of a page and the opening of a new chapter. \nTo 13 November.
URL:https://magpie.ae/event/maggie-otieno-sojourner-the-difference-is-the-same-2/
LOCATION:Efiɛ Gallery\, 2 Al Khayat Art Avenue\, First Al Khail Street\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1399294;55.2285748
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Efiɛ Gallery 2 Al Khayat Art Avenue First Al Khail Street Dubai;X-APPLE-RADIUS=500;X-TITLE=2 Al Khayat Art Avenue\, First Al Khail Street:geo:55.2285748,25.1399294
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260923
DTEND;VALUE=DATE:20260924
DTSTAMP:20260913T154951Z
CREATED:20260913T154704Z
LAST-MODIFIED:20260913T154951Z
UID:10014115-1790121600-1790207999@magpie.ae
SUMMARY:Nada Elkalaawy: The Butterfly’s Burden
DESCRIPTION:Borrowed from the poetry of Mahmoud Darwish\, the title of this exhibition by by London-based artist Nada Elkalaawy “speaks to the tension between sensitivity\, beauty\, and emotional weight”\, as the gallery has it. “Across a body of paintings developed through layered processes of accumulation and erasure\, Elkalaawy explores memory\, loss\, regeneration\, and the passage of time; ephemeral forms including flowers\, butterflies\, domestic vessels\, family photographs\, and ghostly figures hold traces of shared human experience\, drifting between past and present\, presence and absence.” \nElkalaawy’s practice is based in the relationship between memory\, representation\, and materiality. Drawing from a personal archive of photographs accumulated over many years\, she constructs compositions “that blur the boundaries between the lived\, the remembered\, and the imagined … Through processes of collage\, reworking\, and painterly methods\, these fragments are displaced from their original contexts and absorbed into new configurations”. \nRight: Nada Elkalaawy\, A Soft Burning (2026)
URL:https://magpie.ae/event/nada-elkalaawy-the-butterflys-burden/
LOCATION:Lawrie Shabibi\, Unit 21\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Lawrie Shabibi Unit 21 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Unit 21\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260923
DTEND;VALUE=DATE:20260924
DTSTAMP:20260913T155407Z
CREATED:20260913T155407Z
LAST-MODIFIED:20260913T155407Z
UID:10014117-1790121600-1790207999@magpie.ae
SUMMARY:Bénédicte Gimonnet: What We Carry Becomes the Terrain
DESCRIPTION:Aisha Alabbar Gallery’s newly renovated space reopens with a solo exhibition by the UAE-based French artist that features paintings\, screen prints\, drawings and textile works. The theme is a pivotal journey to Peru and a renewed engagement with the roots that have long informed her practice; the rainforest\, in particular\, is treated as “a site of reckoning\, where recollection\, imagination and lived experience converge … Windows\, façades and thresholds surface within dense vegetation\, setting the human impulse to define and contain against everything around it that refuses a fixed boundary”. \nThe exhibition also introduces the Gran Eco series\, with tall vertical works isolating personally significant sites from countries where Gimonnet has lived (“an echo implies distance\, delay\, memory and transformation\, a place returning altered …” \nTo 7 November 2026 \nRight: Bénédicte Gimonnet\, Grand Echo Rouge (2026)
URL:https://magpie.ae/event/benedicte-gimonnet-what-we-carry-becomes-the-terrain/
LOCATION:Aisha Alabbar Gallery\, Warehouse C19\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1196663;55.217749
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Aisha Alabbar Gallery Warehouse C19 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Warehouse C19\, Alserkal Avenue:geo:55.217749,25.1196663
END:VEVENT
END:VCALENDAR