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METHOD:PUBLISH
X-ORIGINAL-URL:https://magpie.ae
X-WR-CALDESC:Events for magpie
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Asia/Dubai
BEGIN:STANDARD
TZOFFSETFROM:+0400
TZOFFSETTO:+0400
TZNAME:+04
DTSTART:20240101T000000
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END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251104
DTEND;VALUE=DATE:20251215
DTSTAMP:20250808T154027Z
CREATED:20250808T154027Z
LAST-MODIFIED:20250808T154027Z
UID:10012630-1762214400-1765756799@magpie.ae
SUMMARY:CLOSING TODAY Afra Al Dhaheri: Restless Circle
DESCRIPTION:A selection of works by Afra Al Dhaheri that explore the structural effects of tension\, repetition and time provides Sharjah Art Foundation’s first show of Autumn. “Working with materials such as cotton rope\, fabric\, cement and hair\, the artist emphasises slow gestures\, intentional movements and the fatigue that can build from ongoing\, repetitive and even invisible labour …” \nThe exhibition’s title comes from a newly commissioned installation with the same name; that draws inspiration from desert plants that create spiral patterns in the sand as they move with the wind. For Afra Al Dhaheri\, this offers a metaphor for mental exhaustion and collective burnout\, the sense of being endlessly pushed to produce or perform: “in other works\, repetition emerges as a condition of making\, a method shaped by the interplay of tension\, weight and the ongoing rhythm of doing and undoing”.
URL:https://magpie.ae/event/last-chance-afra-al-dhaheri-restless-circle/
LOCATION:Sharjah Art Foundation\, Al Mureijah Square\, Sharjah
CATEGORIES:Art,Exhibition
GEO:25.3561698;55.427211
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251201
DTEND;VALUE=DATE:20251202
DTSTAMP:20251111T124258Z
CREATED:20251111T123457Z
LAST-MODIFIED:20251111T124258Z
UID:10013052-1764547200-1764633599@magpie.ae
SUMMARY:CLOSING TODAY Miramar Al Nayyar: Hujra
DESCRIPTION:Tabari Artspace’s first exhibition at its new Alserkal Avenue location is a solo show for Miramar Al Nayyar\, curated by Abeer Seikaly. In Hujra\, Al Nayyar “traces how flow crystallises onto canvas\, how light becomes matter\, and how painting absorbs the sound of vision\, grounding the process in the rock’s enduring presence as both origin and silent witness …. The exhibition unfolds as a dialogue between artist and curator\, where inner states of consciousness take form through body\, material\, and space”.
URL:https://magpie.ae/event/last-chance-miramar-al-nayyar-hujra/
LOCATION:Tabari Artspace Alserkal Avenue\, Warehouse 81\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.2048493;55.2707828
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Tabari Artspace Alserkal Avenue Warehouse 81 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Warehouse 81\, Alserkal Avenue:geo:55.2707828,25.2048493
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251205
DTEND;VALUE=DATE:20251206
DTSTAMP:20251125T170032Z
CREATED:20251125T170032Z
LAST-MODIFIED:20251125T170032Z
UID:10013084-1764892800-1764979199@magpie.ae
SUMMARY:Silajit Ghosh: Abstract Reality
DESCRIPTION:A solo show for the noted Indian artist\, whose paintings aim to explore the essence of reality rather than its literal representation. His signature use of strong colours evoke emotions rather than depictions – “his works feel like waves\, each with its own rhythm and spiritual undertone\, capturing vitality\, positivity\, and a profound sense of harmony” says the gallery. \nTo 10 January. \nRight: Silajit Ghosh\, Flowing to the infinity (2024)
URL:https://magpie.ae/event/silajit-ghosh-abstract-reality/
LOCATION:Andakulova Gallery\, Unit 18\, P4 Level Damac Park Towers\,  DIFC \, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.209528;55.278514
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Andakulova Gallery Unit 18 P4 Level Damac Park Towers  DIFC  Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Unit 18\, P4 Level Damac Park Towers\,  DIFC:geo:55.278514,25.209528
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251206
DTEND;VALUE=DATE:20251207
DTSTAMP:20251014T105252Z
CREATED:20251014T105252Z
LAST-MODIFIED:20251014T105252Z
UID:10012911-1764979200-1765065599@magpie.ae
SUMMARY:CLOSING TODAY Richard Hearns: Threshold
DESCRIPTION:A solo exhibition by the Lebanese-Irish painter\, born in Beirut and adopted into Ireland to bear a dual heritage that shapes his artistic identity. This\, his first solo exhibition in the UAE\, presents a new body of work that reflects his ongoing exploration of gesture\, memory\, and place. In these canvases\, Hearns engages with the idea of thresholds through imaginary landscapes. Improvisation\, layering\, and revision are integral to his process\, where the presence of pentimento traces of prior marks and decisions becomes visible\, revealing the evolution of thought and movement.
URL:https://magpie.ae/event/last-chance-richard-hearns-threshold/
LOCATION:Artbooth Gallery\, Centro Capital Center\, Al Khaleej Al Arabi Street\, Abu Dhabi
CATEGORIES:Art,Exhibition
GEO:24.4176064;54.4408235
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Artbooth Gallery Centro Capital Center Al Khaleej Al Arabi Street Abu Dhabi;X-APPLE-RADIUS=500;X-TITLE=Centro Capital Center\, Al Khaleej Al Arabi Street:geo:54.4408235,24.4176064
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251207
DTEND;VALUE=DATE:20251208
DTSTAMP:20251028T171657Z
CREATED:20251028T170942Z
LAST-MODIFIED:20251028T171657Z
UID:10012975-1765065600-1765151999@magpie.ae
SUMMARY:CLOSING TODAY Lydia Nakashima Degarrod and Susan Ossman: Projects of Art Ethnography
DESCRIPTION:This exhibition brings together works by two artist-anthropologists with practices on the boundaries between scholarship and art. Their projects invite viewers to reflect on migration\, memory\, identity\, and the ways knowledge takes shape across bodies\, materials\, and stories. \nThe exhibition unfolds in six sections\, each anchored by a distinct project. Together\, these works and the projects they represent open a space where imagination\, intellect\, and emotion intersect. Visitors encounter not only completed artworks but also traces of their making – interviews\, documentation\, and collaborative processes – illuminating possibilities for associating ethnographic and artistic practices.
URL:https://magpie.ae/event/lydia-nakashima-degarrod-and-susan-ossman-projects-of-art-ethnography-2/
LOCATION:NYUAD Project Space\, NYUAD Campus\, Saadiyat Island\, Abu Dhabi
CATEGORIES:Art,Exhibition
GEO:24.5302924;54.4451578
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=NYUAD Project Space NYUAD Campus Saadiyat Island Abu Dhabi;X-APPLE-RADIUS=500;X-TITLE=NYUAD Campus\, Saadiyat Island:geo:54.4451578,24.5302924
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251210
DTEND;VALUE=DATE:20251211
DTSTAMP:20251203T102756Z
CREATED:20251203T102756Z
LAST-MODIFIED:20251203T102756Z
UID:10013098-1765324800-1765411199@magpie.ae
SUMMARY:Elements of Light
DESCRIPTION:A group exhibition reflecting on illumination in all its forms – atmosphere\, memory\, rhythm and emotion – that promise “a radiant constellation of contemporary voices to close the year”. The 13 artists featured include Casper Brindle\, Masayoshi Nojo\, RETNA\, Conrad Jon Godly\, Ed Moses\, Katrin Fridriks\, and Zhang Ji.
URL:https://magpie.ae/event/elements-of-light/
LOCATION:JD Malat Gallery\, ACT 2 Tower\, Sheikh Mohammed Bin Rashid Blvd 13A \,Downtown Dubai\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.1926401;55.2716753
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=JD Malat Gallery ACT 2 Tower Sheikh Mohammed Bin Rashid Blvd 13A Downtown Dubai Dubai;X-APPLE-RADIUS=500;X-TITLE=ACT 2 Tower\, Sheikh Mohammed Bin Rashid Blvd 13A \,Downtown Dubai:geo:55.2716753,25.1926401
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251211
DTEND;VALUE=DATE:20251212
DTSTAMP:20251105T093636Z
CREATED:20251105T093321Z
LAST-MODIFIED:20251105T093636Z
UID:10013014-1765411200-1765497599@magpie.ae
SUMMARY:CLOSING TODAY Tor Seidel: Riposte
DESCRIPTION:Tor Siedel explores how ‘vandalism’ by environmental activists in triptychs that consider whether these attacks can also be considered performative acts of art. He focuses on the protagonists’ actionism\, the shock or entertainment value for visitors\, and the professional dissemination of videos of the attack groups on the internet; says the gallery\, “this leads him to conclude that these are not only ambivalent forms of protest\, but also independent artistic acts. With paint bombs and soup\, the actors succeed in transforming significant works of art in unexpected ways and creating new experiences within the museum environment”. \nSeidel reconstructs some of these attacks in three phases: a reenactment of the scene following the attack\, collecting statements from those involved\, and transforming the defacement into a new piece. The change\, whether lasting a few days or months during a complex or straightforward restoration\, means that the work has been forever altered by the presence of the videos filmed during the attack – “its transformation implies a new context of meaning that cannot be obscured”.
URL:https://magpie.ae/event/last-chance-tor-seidel-riposte/
LOCATION:XVA Gallery\, Al Fahidi Historical Neighborhood\, Bur Dubai\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.2637606;55.300449
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=XVA Gallery Al Fahidi Historical Neighborhood Bur Dubai Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Al Fahidi Historical Neighborhood\, Bur Dubai:geo:55.300449,25.2637606
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20251211T110000
DTEND;TZID=Asia/Dubai:20251211T123000
DTSTAMP:20251204T104840Z
CREATED:20251204T104840Z
LAST-MODIFIED:20251204T104840Z
UID:10013127-1765450800-1765456200@magpie.ae
SUMMARY:The Story of Art Lecture: It’s All in the Details – the Dutch Golden Age
DESCRIPTION:Bassam Freiha Art Foundation continues its monthly lecture series led by Dr Michaela Watrelot\, BFAF Curator and Director of Exhibitions. This it’s the artistic flourishing of 17th-century Netherlands\, where prosperity and everyday life found new visual meaning – think Rembrandt’s introspective self-portraits and Vermeer’s serene domestic interiors. Still lifes\, genre scenes\, and cityscapes reveal a society reshaping the purpose of art\, offering a deeper understanding of how beauty emerged from observation\, detail\, and the rhythms of daily life.
URL:https://magpie.ae/event/the-story-of-art-lecture-its-all-in-the-details-the-dutch-golden-age/
LOCATION:Bassam Freiha Art Foundation\, Cultural District Saadiyat Island\, Abu Dhabi
CATEGORIES:Art,Lecture
GEO:24.5335392;54.4095952
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bassam Freiha Art Foundation Cultural District Saadiyat Island Abu Dhabi;X-APPLE-RADIUS=500;X-TITLE=Cultural District Saadiyat Island:geo:54.4095952,24.5335392
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251213
DTEND;VALUE=DATE:20251214
DTSTAMP:20251113T115415Z
CREATED:20251113T115415Z
LAST-MODIFIED:20251113T115415Z
UID:10013071-1765584000-1765670399@magpie.ae
SUMMARY:Naqsh Raj: Half Light
DESCRIPTION:With this exhibition Naqsh Raj “invents a personal tool for grounding and connection\, balancing order with anarchy\, discipline with instinct and darkness with sparks of illumination … The repetitive expression in her work hints at a longing for predictability\, while the grid becomes a framework of order that offers comfort. Within this structure\, vertical dashes appear as symbols of strength\, an elemental part of her visual language”. \nIn her paintings\, brushwork collides with the mechanical application of paint: the thickness of the paint invites a tactile response. The characteristic grid over her work contrasts with these impulses of freedom ­ and Raj has a good relationship with geometry: she frequently activates a composition by dividing it into two\, opening space for a dual approach within the same frame. As the gallery puts it: “essentially\, her exploration in a self-imposed structure reveals a deep commitment to her evolving language”. \nTo 8 January. \n 
URL:https://magpie.ae/event/naqsh-raj-half-light/
LOCATION:XVA Gallery\, Al Fahidi Historical Neighborhood\, Bur Dubai\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.2637606;55.300449
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=XVA Gallery Al Fahidi Historical Neighborhood Bur Dubai Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Al Fahidi Historical Neighborhood\, Bur Dubai:geo:55.300449,25.2637606
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20251213T143000
DTEND;TZID=Asia/Dubai:20251213T160000
DTSTAMP:20251209T112456Z
CREATED:20251209T112307Z
LAST-MODIFIED:20251209T112456Z
UID:10013134-1765636200-1765641600@magpie.ae
SUMMARY:The Twentieth Line
DESCRIPTION:The Third Line gallery is currently running The Only Way Out Is Through: The Twentieth Line\, a significant retrospective exhibition curated by Shumon Basar to mark its 20th anniversary by looking back on two decades of The Third Line’s story in relation to global cultural\, political\, and economic shifts. In this related conversation\, hosted by Basar\, prominent figures from The Third Line’s adjacent history and the Gulf’s cultural present discuss their take on the evolution in arts across multiple\, accelerated transformations. Participants: Sarra Alayyan (deputy editor\, Dazed MENA)\, Rami Farook (artist\, curator\, producer)\, Butheina Kazim (founder\, Cinema Akil)\, Sara Bin Safwan (curator\, Guggenheim Abu Dhabi).
URL:https://magpie.ae/event/the-twentieth-line/
LOCATION:The Third Line\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Conversation
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Third Line Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20251213T150000
DTEND;TZID=Asia/Dubai:20251213T170000
DTSTAMP:20251209T151308Z
CREATED:20251209T151236Z
LAST-MODIFIED:20251209T151308Z
UID:10013142-1765638000-1765645200@magpie.ae
SUMMARY:Restless Circle: Tour and Conversation
DESCRIPTION:What goes into conceptualising and curating a solo exhibition? Artist Afra Al Dhaheri and curator May Al Qaydi lead an enquiry-based tour of Al Dhaheri’s current exhibition Restless Circle (ends tomorrow\, 14 December)\, followed by a conversation between the two that offers insight into the artist’s process and her collaboration with the curator.
URL:https://magpie.ae/event/restless-circle-tour-and-conversation/
LOCATION:Al Mureijah Square\, Sharjah
CATEGORIES:Art,Conversation
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251216
DTEND;VALUE=DATE:20251217
DTSTAMP:20251114T120101Z
CREATED:20251114T120101Z
LAST-MODIFIED:20251114T120101Z
UID:10013075-1765843200-1765929599@magpie.ae
SUMMARY:CLOSING TODAY Whispers of Play
DESCRIPTION:A group show for three young Japanese artists that celebrates the playful sensibility at the heart of contemporary Japanese expression – “a sensibility that transforms familiarity into wonder\, nostalgia into dream” as the gallery has it. \nThese artists have used Japanese pop culture and anime icons as emotional textures rather than cultural symbols. Each work becomes a quiet act of translation\, between inner and outer worlds\, between collective memory and personal reverie. Yukari Nishi constructs scenes of estrangement and longing in a dreamlike vision of mid-century America with faceless\, non-human figures and cinematic settings. Koichi Yairi creates collages with irregularly shaped canvases and translucent layers to translate fragments of daily life into abstract narratives. NANA SAIAKU’s works recall the fragility of emotion and the resilience of youth.
URL:https://magpie.ae/event/last-chance-whispers-of-play/
LOCATION:Volery Gallery\, Maze Tower - 5201\, Dubai International Financial Center\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.20884;55.2770323
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Volery Gallery Maze Tower - 5201 Dubai International Financial Center Dubai;X-APPLE-RADIUS=500;X-TITLE=Maze Tower - 5201\, Dubai International Financial Center:geo:55.2770323,25.20884
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251220
DTEND;VALUE=DATE:20251221
DTSTAMP:20251112T105058Z
CREATED:20251112T105058Z
LAST-MODIFIED:20251112T105058Z
UID:10013060-1766188800-1766275199@magpie.ae
SUMMARY:CLOSING TODAY Hussain Jamil: Refracted Life
DESCRIPTION:In this exhibition\, Jamil presents a new body of work that explores how we see ourselves — and how we are seen — in an ever-changing world. Working with hand-formed polished steel wall sculptures\, woven metal mesh\, and mirrored sculptural surfaces\, he creates artworks that bend\, fracture\, and recompose the viewer’s reflection. Each piece is activated by presence and movement — so the spectator becomes a participant within the work. \n 
URL:https://magpie.ae/event/last-chance-hussain-jamil-refracted-life/
LOCATION:Oblong Contemporary Art Gallery\, Al Khayat Art Avenue\, Al Quoz\, Dubai
CATEGORIES:Art,Exhibition
GEO:25.0796205;55.1224096
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Oblong Contemporary Art Gallery Al Khayat Art Avenue Al Quoz Dubai;X-APPLE-RADIUS=500;X-TITLE=Al Khayat Art Avenue\, Al Quoz:geo:55.1224096,25.0796205
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251228
DTEND;VALUE=DATE:20251229
DTSTAMP:20251209T112418Z
CREATED:20250806T113818Z
LAST-MODIFIED:20251209T112418Z
UID:10012624-1766880000-1766966399@magpie.ae
SUMMARY:CLOSING TODAY The Only Way Out Is Through: The Twentieth Line
DESCRIPTION:Shumon Basar curates this project marking the gallery’s 20th anniversary\, a look back on “two decades of The Third Line’s story in relation to global cultural\, political\, and economic shifts”. The exhibition component features both early and more recent works from every artist currently represented by The Third Line; it’s arranged in four chronological sections – 2005-2009\, 2010-2015\, 2016-2020\, 2021-2025 – each contextualised with key political\, economic\, and cultural moments. \nArtists represented include Abbas Akhavan\, Ala Ebtekar\, Amir H. Fallah\, Anuar Khalifi\, Bady Dalloul\, Farah Al Qasimi\, Farhad Moshiri\, Fouad Elkoury\, Hassan Hajjaj\, Hayv Kahraman\, Huda Lutfi\, Joana Hadjithomas & Khalil Joreige\, Jordan Nassar\, Kamran Samimi\, Laleh Khorramian\, Lamya Gargash\, Monir Shahroudy Farmanfarmaian\, Nima Nabavi\, Pouran Jinchi\, Rana Begum\, Sahand Hesamiyan\, Sara Naim\, Sarah Awad\, Shirin Aliabadi\, Slavs and Tatars\, Sophia Al-Maria\, Tarek Al-Ghoussein\, Vian Sora\, yasiin bey\, and Youssef Nabil.
URL:https://magpie.ae/event/last-chancethe-only-way-out-is-through-the-twentieth-line/
LOCATION:The Third Line\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Third Line Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251228
DTEND;VALUE=DATE:20251229
DTSTAMP:20251013T100504Z
CREATED:20251013T100504Z
LAST-MODIFIED:20251013T100504Z
UID:10012909-1766880000-1766966399@magpie.ae
SUMMARY:CLOSING TODAY Art Here 2025
DESCRIPTION:The fifth edition of the Louvre Abu Dhabi Art Here exhibition\, featuring six artworks by seven artists shortlisted for the Richard Mille Art Prize\, has been curated by guest curator Sophie Mayuko Arni under the theme Shadows – “exploring the interplay between light and absence\, visibility and concealment\, and the layered dimensions of memory\, identity\, and transformation”. \nThis year’s edition invited proposals from artists based in the GCC and Japan\, along with artists from the MENA region with a GCC connection. There were more than 400 submissions\, from which six were shortlisted for the Richard Mille Art Prize; the winner will be announced in December. \nThe exhibits: \nI remember a light: sculpture by Palestinian architect\, artist\, and researcher Ahmed Alaqra that reimagines shadows as urban traces\, referencing the traditional mashrabiya lattice screen. Made of stacked acrylic cubes containing 3D-printed shapes from shadow photographs of Sharjah\, the sculpture transforms fleeting encounters of light and architecture into enduring sculptural artifacts. \nEcho: an interactive light installation by Emirati artist and musician Jumairy. Visitors encounter a still water pond\, a single flower\, and ambient sound; reimagining the myth of Echo and Narcissus\, the work uses light and shadow to transform absence into intimacy and invite a deeper encounter with memory and the unconscious. \nskadw: an immersive audiovisual installation of light\, fog\, and sound by Japanese artist Ryoichi Kurokawa. Shadows are transformed into sculptural form; a single beam cuts through shifting mist\, creating ever-changing patterns of shadow and resonance. Inspired by the Japanese concept of Ma\, the beauty of negative space\, the work invites viewers into a meditative environment where absence becomes presence. \nTree Studies: the Kuwaiti-Pakistani artist Hamra Abbas has an installation of 31 stone inlay sculptures inspired by trees found in Pakistan and in the UAE\, including olive\, pomegranate\, and cherry. Using her distinctive lapis-on-lapis technique to create shadow-like foliage\, the works balance realism and abstraction. \nA Sundial for the Night Without End: a sculptural sundial conceived for a world after the sun by Japanese artist Rintaro Fuse. Formed from polished stainless steel\, the work reflects its surroundings while aligning three gnomons to past\, present\, and future North Stars. Installed beneath the museum’s dome\, it transforms cosmic time into a meditation on memory\, absence\, and the persistence of eternity. \nDancing shadows: a pavilion of swaying stainless-steel mesh\, inspired by traditional Kawachi weaving. Supported by slender columns\, the structure creates shifting patterns of shadow and light. Using recycled industrial material\, the architect duo YOKOMAE et BOUAYAD (Takuma Yokomae from Japan and Ghali Bouayad from Morocco) have created an installation that blends Tokyo and Marrakesh design traditions\, offering a poetic space where architecture moves like nature.
URL:https://magpie.ae/event/last-chance-art-here-2025/
LOCATION:Louvre Abu Dhabi\, Saadiyat Island\, Abu Dhabi
CATEGORIES:Art,Exhibition
GEO:24.5302924;54.4451578
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Louvre Abu Dhabi Saadiyat Island Abu Dhabi;X-APPLE-RADIUS=500;X-TITLE=Saadiyat Island:geo:54.4451578,24.5302924
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251231
DTEND;VALUE=DATE:20260101
DTSTAMP:20251110T123526Z
CREATED:20251110T123526Z
LAST-MODIFIED:20251110T123526Z
UID:10013046-1767139200-1767225599@magpie.ae
SUMMARY:CLOSING TODAY Fereydoun Ave\, Raana Farnoud\, Shaqayeq Arabi: IMPROVISATIONS
DESCRIPTION:The artists in this group show have distinct visual languages that do find commonalities: they “transform the familiar through acts of care\, attention\, and intuitive play … a shared attentiveness to what is provisional\, such as a line that wavers\, a form that repeats with variation\, or a gesture made in passing but left to settle”\, as the gallery has it. \nIn Farnoud’s paintings\, forms hover between presence and disappearance. Ave’s works honour simplicity\, allowing small elements to settle into poetry. Arabi assembles delicate sculptures\, where fragility becomes a kind of resilience. \n“In a time that often demands spectacle\, these works ask us to slow down\, pay attention\, and find presence in the modest\, fragile\, and unresolved …”
URL:https://magpie.ae/event/last-chance-fereydoun-ave-raana-farnoud-shaqayeq-arabi-improvisations/
LOCATION:Gallery Isabelle\, Unit 17\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gallery Isabelle Unit 17 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Unit 17\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
END:VCALENDAR