BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//magpie - ECPv6.15.20//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://magpie.ae
X-WR-CALDESC:Events for magpie
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Asia/Dubai
BEGIN:STANDARD
TZOFFSETFROM:+0400
TZOFFSETTO:+0400
TZNAME:+04
DTSTART:20240101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20250917T193000
DTEND;TZID=Asia/Dubai:20250918T210000
DTSTAMP:20260419T095533
CREATED:20250917T141723Z
LAST-MODIFIED:20250917T141723Z
UID:10012679-1758137400-1758229200@magpie.ae
SUMMARY:Hester Street: dir Joan Micklin Silver (1975)
DESCRIPTION:Carol Kane is extraordinary as a Jewish immigrant arriving in late 19th-century New York with her young son Yossele (Paul Freedman) to join a husband (Steven Keach) who she hasn’t seen in three years. He’s embraced the new world and regards his wife as a throwback to a culture that he desperately wants to forget; she finds it hard to adapt to the new life\, too attached to the traditions of her former community to envelop herself fully in New York’s modernity. It could’ve been gloomy\, the underbelly f the Gilded Age\, but in fact it’s an entertaining and humorous film that earned Kane an Oscar nomination.
URL:https://magpie.ae/event/hester-street-dir-joan-micklin-silver-1975/
LOCATION:Manarat al Saadiyat\, Abu Dhabi\, United Arab Emirates
CATEGORIES:Film
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/09/Hester-Street-Micklin-Silver.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250918
DTEND;VALUE=DATE:20250919
DTSTAMP:20260419T095533
CREATED:20250804T141551Z
LAST-MODIFIED:20250804T141551Z
UID:10012620-1758153600-1758239999@magpie.ae
SUMMARY:Marwan Bassiouni: New Western Views (Preview)
DESCRIPTION:This first solo exhibition in the region for Bassiouni offers a first look at an ongoing international project that reframes landscape photography through the lens of lived Muslim presence in the contemporary West. Each of these photographs – taken from inside mosques across the Netherlands\, Switzerland\, and the UK – centres on a window\, an aperture on to the outside world that is rarely found in purpose-built mosques. Through them we glimpse familiar Western landscapes: traffic junctions\, supermarkets\, apartment blocks\, sports fields. But these views are framed by examples of Islamic visual culture – patterned tiles\, rugs\, wooden minbars\, and more. \nNew Western Views is a counterpoint to a long history of Orientalist image-making. Bassiouni’s landscapes are no longer the backdrop for conquest\, curiosity\, or romanticisation; they are simply what exists outside the mosque window. In doing so\, the work avoids the familiar tropes of victimhood or spectacle … \nTo 5 November. \nAbove: Marwan Bassiouni\, New British Views #06\, England (2021)
URL:https://magpie.ae/event/marwan-bassiouni-new-western-views-preview/
LOCATION:Lawrie Shabibi\, Unit 21\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/08/Marwan-Bassiouni-New-British-Views-06-England-2021.webp
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Lawrie Shabibi Unit 21 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Unit 21\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250918
DTEND;VALUE=DATE:20250919
DTSTAMP:20260419T095533
CREATED:20250806T113529Z
LAST-MODIFIED:20251209T112224Z
UID:10012623-1758153600-1758239999@magpie.ae
SUMMARY:The Only Way Out Is Through: The Twentieth Line
DESCRIPTION:Shumon Basar curates this project marking the gallery’s 20th anniversary\, a look back on “two decades of The Third Line’s story in relation to global cultural\, political\, and economic shifts”. The exhibition component features both early and more recent works from every artist currently represented by The Third Line; it’s arranged in four chronological sections – 2005-2009\, 2010-2015\, 2016-2020\, 2021-2025 – each contextualised with key political\, economic\, and cultural moments. \nArtists represented include Abbas Akhavan\, Ala Ebtekar\, Amir H. Fallah\, Anuar Khalifi\, Bady Dalloul\, Farah Al Qasimi\, Farhad Moshiri\, Fouad Elkoury\, Hassan Hajjaj\, Hayv Kahraman\, Huda Lutfi\, Joana Hadjithomas & Khalil Joreige\, Jordan Nassar\, Kamran Samimi\, Laleh Khorramian\, Lamya Gargash\, Monir Shahroudy Farmanfarmaian\, Nima Nabavi\, Pouran Jinchi\, Rana Begum\, Sahand Hesamiyan\, Sara Naim\, Sarah Awad\, Shirin Aliabadi\, Slavs and Tatars\, Sophia Al-Maria\, Tarek Al-Ghoussein\, Vian Sora\, yasiin bey\, and Youssef Nabil. \nThe exhibition is complemented by a series of conversations with key individuals from the gallery’s history\, and Flash Sales Specials – a series of 48-hour pop-up sales of long-unseen works from the gallery’s archive\, announced via The Third Line’s social media platforms over the course of the exhibition. \nTo 28 December.
URL:https://magpie.ae/event/the-only-way-out-is-through-the-twentieth-line/
LOCATION:The Third Line\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Third Line Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250918
DTEND;VALUE=DATE:20250919
DTSTAMP:20260419T095533
CREATED:20250807T153319Z
LAST-MODIFIED:20250807T153544Z
UID:10012625-1758153600-1758239999@magpie.ae
SUMMARY:Elias Izoli: Inside Out ‘25
DESCRIPTION:After a long break from painting\, Izoli has returned with a new body of work centred around “the circus of life” – Izoli uses the circus as a metaphor for the unpredictability and complexity of life as a Syrian citizen. The circus and its family become a symbol of the broader social body\, with each character representing the individuals who comprise the state’s fabric \nRendered in his signature style of fragmented colours\, each portrait speaks of resilience\, illusion\, and “the spectacle of existence”. Each character is confined within their own space\, each gesture reflects the emotional weight and psychological barriers imposed by our world. The figures seem unable to escape or engage with a reality beyond their own world. \nTo 7 November. \nAbove: Elias Izoli\, Untitled (2024)
URL:https://magpie.ae/event/elias-izoli-inside-out-25/
LOCATION:Ayyam Gallery\, B11\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/08/Elias-Izoli-Untitled-2024-Acrylic-and-paper-collage-on-canvas-150-x-150-cm.webp
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Ayyam Gallery B11 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=B11\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250918
DTEND;VALUE=DATE:20250919
DTSTAMP:20260419T095533
CREATED:20250909T073443Z
LAST-MODIFIED:20250909T175927Z
UID:10012664-1758153600-1758239999@magpie.ae
SUMMARY:Abdelkader Benchamma: Rumors from the Skies
DESCRIPTION:Says the gallery: “Drawing on literature\, philosophy\, and astrophysics\, Benchamma transforms celestial phenomena into symbolic landscapes that invite us to move beyond the material and the real\, into dimensions where the rational and the fantastical coexist”. For his third solo exhibition here\, the French-Algerian artist has taken inspiration from Kometenbuch (The Comet Book)\, a 16th-century Flemish treatise depicting comets and fantastical apparitions; Benchamma suggests how astronomy and astrology\, science and folklore\, continue to overlap in shaping our perception of the cosmos via a new body of intricate ink drawings and landscapes . Meteorites\, crying stones\, and shooting stars drift across forests and horizons\, hovering between recognition and mystery; there’s also a monumental mural paired with a projected animation that extends this vision into immersive territory\, opening onto swirling\, otherworldly sequences of light\, texture\, and form. \nTo 2 November. \nAbove: Abdelkader Benchamma\, Komentenbuch – Couronne (2025)
URL:https://magpie.ae/event/abdelkader-benchamma-rumors-from-the-skies/
LOCATION:Gallery Isabelle\, Unit 17\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/09/abdelkader-benchamma-komentenbuch-couronne-2025.webp
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gallery Isabelle Unit 17 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Unit 17\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250918
DTEND;VALUE=DATE:20250919
DTSTAMP:20260419T095533
CREATED:20250909T175320Z
LAST-MODIFIED:20250909T175654Z
UID:10012671-1758153600-1758239999@magpie.ae
SUMMARY:Mahmoud El Safadi: Personal Sea
DESCRIPTION:Exhibiting for the first time in Dubai\, Lebanese artist Mahmoud El Safadi is showing a collection of miniature paintings on playing cards\, a series of works that reflect on the Mediterranean as a site of memory\, inheritance\, and continuity – “a littoral space that is at once connective and exclusionary\, communal and privatised\, fluid and heavily policed”. Referencing the card game ‘quatorze’\, Safadi layers imagery across the cards to create “a visual palimpsest where personal and inherited memory converge with broader histories of struggle\, surveillance\, and belonging”. \nThe backstory lies in the fact that the artist shares the same name as his grandfather\, who served with the British between 1939 and 1946. His grandfather’s silence about those years\, a time of war\, empire\, and displacement\, becomes an absence that El Safadi approaches through archival research\, fragmentary narratives\, and speculative painting. \nTo 2 November. \nAbove: Mahmoud El Safadi\, Personal sea (2025)
URL:https://magpie.ae/event/mahmoud-el-safadi-personal-sea-2/
LOCATION:Gallery Isabelle\, Unit 17\, Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/09/Mahmoud-El-Safadi-1.webp
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Gallery Isabelle Unit 17 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Unit 17\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250918
DTEND;VALUE=DATE:20250919
DTSTAMP:20260419T095533
CREATED:20250909T184844Z
LAST-MODIFIED:20250909T184910Z
UID:10012676-1758153600-1758239999@magpie.ae
SUMMARY:Mona Al Khaja: Caravan of Colors
DESCRIPTION:A retrospective celebrating over four decades of work by the Sharjah-born artist. It traces Mona Al Khaja’s journey from her studies at the Faculty of Fine Arts in Cairo to her continued exploration of abstraction\, symbolism\, and colou\, featuring works from every stage of her career that capture the UAE’s deserts\, architecture\, and ephemeral light through a distinctive Emirati lens. \nTo 5 November. \nAbove: Mona Al Khaja\, Untitled 33 (2024)
URL:https://magpie.ae/event/mona-al-khaja-caravan-of-colors/
LOCATION:Aisha Alabbar Gallery\, Warehouse C19\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/09/mona-al-khaja-untitled-33-2024.webp
GEO:25.1196663;55.217749
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Aisha Alabbar Gallery Warehouse C19 Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Warehouse C19\, Alserkal Avenue:geo:55.217749,25.1196663
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250918
DTEND;VALUE=DATE:20250919
DTSTAMP:20260419T095533
CREATED:20250917T151020Z
LAST-MODIFIED:20250917T151031Z
UID:10012680-1758153600-1758239999@magpie.ae
SUMMARY:The Narrative of Decline
DESCRIPTION:Bernhard Buhmann curates this group show based on the idea that plunging downwards is both terrifying and liberating – the gallery quotes Andrea Roelig: “We stand between death and life\, and decline is dangerously enticing because it also carries an element of seduction”. Given those premises\, this could be an exciting show … \nThe artists: \nTamina Amadyar\nMonika Grabuschnigg\nMonia Ben Hamouda\nRidley Howard\nMaureen Kägi\nClaudia Larcher\nOliver Laric\nNour Malas\nPhilip Mueller\nChristoph Ruckhäberle \nTo 6 November. \nAbove: Oliver Laric\, Hermanubis (2019)
URL:https://magpie.ae/event/the-narrative-of-decline/
LOCATION:Carbon 12\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/09/narrative-of-decline-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250918
DTEND;VALUE=DATE:20250919
DTSTAMP:20260419T095533
CREATED:20250917T183738Z
LAST-MODIFIED:20250918T092002Z
UID:10012682-1758153600-1758239999@magpie.ae
SUMMARY:Gail Spaien: Arranging Flowers
DESCRIPTION:The inaugural show of Taymour Grahne’s new project space in Dubai features the Maine-based painter\, the recipient of numerous fellowships amd now (after 30 years as faculty at the Maine College of Art and Design) a full time artist. Her wprk is precise\, full of strong colour and redolent of time and place yet at the same time slightly mysterious – and often providing what the accompanying text calls “an asymmetrical chorus line of color and texture” . Recommended. \nTo 20 November. \nAbove: Gail Spaien\, Looking Out (2025) \n  \n 
URL:https://magpie.ae/event/gail-spaien-arranging-flowers/
LOCATION:Taymour Grahne Projects\, Warehouse 31A\, Alserkal Avenue\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/09/gail-spaien.webp
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Taymour Grahne Projects Warehouse 31A Alserkal Avenue Dubai;X-APPLE-RADIUS=500;X-TITLE=Warehouse 31A\, Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250918
DTEND;VALUE=DATE:20250919
DTSTAMP:20260419T095533
CREATED:20250917T184901Z
LAST-MODIFIED:20250917T184901Z
UID:10012684-1758153600-1758239999@magpie.ae
SUMMARY:Edges of Perception
DESCRIPTION:A group show of paintings\, sculptures\, and photographs by a number of well-known contemporary artists that explore contrasts of material\, form\, and colour. \nThe artists: \nKenia Almaraz Murillo\nNick Brandt\nIan Davenport\nHubert Le Gall\nUmberto Mariani\nLandon Metz\nMarc Quinn\nArnaud Rivieren\nTomás Saraceno\nManolo Valdés\nSophia Vari\nFabienne Verdier\nBernar Venet \nTo 1 November.
URL:https://magpie.ae/event/edges-of-perception/
LOCATION:Waddington Custot\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
GEO:25.2048493;55.2707828
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250918
DTEND;VALUE=DATE:20250919
DTSTAMP:20260419T095533
CREATED:20250917T185453Z
LAST-MODIFIED:20250917T185814Z
UID:10012686-1758153600-1758239999@magpie.ae
SUMMARY:Heritage\, Memory & The Body
DESCRIPTION:A group exhibition for four distinguished Palestinian women artists – Rania Amoudi\, Dina Matar\, Fatima Abu Rumi\, and Marwa Alnajjar – that offers a powerful counterpoint to static portrayals of femininity and nationhood. Grounded in place yet transcending borders\, the works collectively reclaim the female figure as a vessel of memory\, heritage\, and quiet resistance. The curator is Rula Dughman.  \nTo 31 October. \nAbove: Marwa Najjar\, The Fence (2025)
URL:https://magpie.ae/event/heritage-memory-the-body/
LOCATION:Artbooth Gallery\, Centro Capital Center\, Al Khaleej Al Arabi Street\, Abu Dhabi
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/09/artbooth.webp
GEO:24.4176064;54.4408235
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Artbooth Gallery Centro Capital Center Al Khaleej Al Arabi Street Abu Dhabi;X-APPLE-RADIUS=500;X-TITLE=Centro Capital Center\, Al Khaleej Al Arabi Street:geo:54.4408235,24.4176064
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250918
DTEND;VALUE=DATE:20250919
DTSTAMP:20260419T095533
CREATED:20250918T123941Z
LAST-MODIFIED:20250918T123941Z
UID:10012705-1758153600-1758239999@magpie.ae
SUMMARY:Amina Illuminati
DESCRIPTION:Says the gallery: “In an era of visual noise and the relentless pace of modern life\, Amina Illuminati offers a moment of stillness — a space where matter becomes light\, and form becomes revelation”. It’s a group show for work by Alessandro Montalbano (Italy)\, Valeriya Isyak (Russia)\, Hadil Moufti (Saudi Arabia)\, Elnaz Javani (Iran/USA) and Alyazya Almansoori (UAE). The artists come from different cultures but the exhibition title reflects a shared artistic pursuit: “transforming matter into light\, emotion into form\, and tradition into present experience”. The curator is Marina Baisel\, founder of the gallery. \nTo 21 November.
URL:https://magpie.ae/event/amina-illuminati/
LOCATION:Rarares Galllery\, Zone C\, Gate Avenue\, DIFC\, Dubai
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/09/AMINA-ILLUMINATI-.webp
GEO:25.2130676;55.2800766
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Rarares Galllery Zone C Gate Avenue DIFC Dubai;X-APPLE-RADIUS=500;X-TITLE=Zone C\, Gate Avenue\, DIFC:geo:55.2800766,25.2130676
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250918
DTEND;VALUE=DATE:20250919
DTSTAMP:20260419T095533
CREATED:20250919T082333Z
LAST-MODIFIED:20250919T082608Z
UID:10012709-1758153600-1758239999@magpie.ae
SUMMARY:Bahman Mohasses: The Existential Grotesque
DESCRIPTION:The gallery describes Mohasses (d.2020) as “one of Iran’s most enigmatic modern artists … A painter\, sculptor\, and translator\, Mohasses carved out a unique space in Iranian art\, setting himself apart through his radical embrace of European modernism and a profound existential inquiry into human existence”. His characteristic disfigured bodies\, grotesque figures\, and tragic mythological creatures suggest existentialism\, nihilism\, and the destruction of modern humanity – “themes that align closely with Umberto Eco’s exploration of ugliness in art and culture”. \nTo 5 November. \nAbove: Bahman Mohasses\, Untilled (1966)
URL:https://magpie.ae/event/bahman-mohasses-the-existential-grotesque/
LOCATION:Leila Heller Gallery\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/09/mohasses.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250918
DTEND;VALUE=DATE:20250919
DTSTAMP:20260419T095533
CREATED:20250919T082603Z
LAST-MODIFIED:20250919T082633Z
UID:10012710-1758153600-1758239999@magpie.ae
SUMMARY:LAST CHANCE Bahman Mohasses: The Existential Grotesque
DESCRIPTION:The gallery describes Mohasses (d.2020) as “one of Iran’s most enigmatic modern artists … A painter\, sculptor\, and translator\, Mohasses carved out a unique space in Iranian art\, setting himself apart through his radical embrace of European modernism and a profound existential inquiry into human existence”. His characteristic disfigured bodies\, grotesque figures\, and tragic mythological creatures suggest existentialism\, nihilism\, and the destruction of modern humanity – “themes that align closely with Umberto Eco’s exploration of ugliness in art and culture”.
URL:https://magpie.ae/event/last-chance-bahman-mohasses-the-existential-grotesque2/
LOCATION:Leila Heller Gallery\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250918
DTEND;VALUE=DATE:20250919
DTSTAMP:20260419T095533
CREATED:20250919T091257Z
LAST-MODIFIED:20251010T142947Z
UID:10012720-1758153600-1758239999@magpie.ae
SUMMARY:Lala Rukh: The importance of staying quiet
DESCRIPTION:The first exhibition of the new iteration of The importance of staying quiet\, a survey of Pakistani art\, features photographic archives from Lala Rukh’s years at the University of Chicago (1974–76). It includes early works that carry a cinematic sense of composition before arriving at her later language of minimal abstraction\, revealing the sharpening of her framing and the intent of her gaze\, \nUnlike her formal exhibitions\, the Chicago photographs are not minimal or abstract. They contain architecture\, people\, animals\, objects\, and most importantly\, construct narratives; the ‘set’ and direction recall filmic technique. These photos document Lala’s new surroundings and influences as she encountered the art\, music\, and politics that encouraged experimentation … \nTo 5 November.
URL:https://magpie.ae/event/lala-rukh-i/
LOCATION:Grey Noise\, Unit 24 Alserkal Avenue\, Dubai\, United Arab Emirates
CATEGORIES:Art,Exhibition,Photography
GEO:25.1431157;55.2246127
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Grey Noise Unit 24 Alserkal Avenue Dubai United Arab Emirates;X-APPLE-RADIUS=500;X-TITLE=Unit 24 Alserkal Avenue:geo:55.2246127,25.1431157
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20250918T200000
DTEND;TZID=Asia/Dubai:20250918T220000
DTSTAMP:20260419T095533
CREATED:20250918T081515Z
LAST-MODIFIED:20250918T122059Z
UID:10012690-1758225600-1758232800@magpie.ae
SUMMARY:La Bohème
DESCRIPTION:Dubai Opera opens its new season with with a genuine opera epic done in the grand scale. Puccini’s tale of artists\, dreamers\, and lovers in 19th-century Paris is presented by the Hungarian State Opera\, directed by Kálmán Nádasdy with set design by Gusztáv Oláh – a production that has been a mainstay of the company’s repertoire since 1937. Praised for its authenticity and emotional depth\, it’s a genuine piece of theatrical heritage … \nThere’s a second performance tomorrow (19 September). \nUse promo code OPERA15 to get 15% off tickets.
URL:https://magpie.ae/event/la-boheme/
LOCATION:Dubai Opera
CATEGORIES:Opera
ATTACH;FMTTYPE=image/webp:https://magpie.ae/wp-content/uploads/2025/09/la-boheme-puccini-large.webp
GEO:25.1928528;55.2789648
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Dubai:20250918T203000
DTEND;TZID=Asia/Dubai:20250918T220000
DTSTAMP:20260419T095533
CREATED:20250904T120506Z
LAST-MODIFIED:20250904T120506Z
UID:10012660-1758227400-1758232800@magpie.ae
SUMMARY:The Laughter Factory Premium Comedy Club
DESCRIPTION:A new Ras Al Khaimah gig for the September Laughter Factory tour\, albeit minus Peter Flanagan (who’s doing the Dubai and Abu Dhabi stops). The acts” \nDana Alexander The Canadian standup is a Laughter Factory favourite with material drawn from her occasionally raw life experiences; she’s been named one of NOW Magazine’s Top 10 Comedians three years running \nDenisa Alexe A Russian-Romanian comedian with a TikTok following and an act of sharp\, funny skits drawn from aher challenging upbringing in Eastern Europe followed by 16 years in the Middle East \nIsmail Local social media star with a sharp\, culturally aware act \nThe rest of the schedule: \n19 Sept Radisson DAMAC Hills\n20 Sept Dukes The Palm \n 
URL:https://magpie.ae/event/the-laughter-factory-premium-comedy-club-60/
LOCATION:The Bay\, Al Hamra Golf Club\, Al Hamra\, Ras Al Khaimah
CATEGORIES:Comedy
GEO:25.689375;55.7875436
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Bay Al Hamra Golf Club Al Hamra Ras Al Khaimah;X-APPLE-RADIUS=500;X-TITLE=Al Hamra:geo:55.7875436,25.689375
END:VEVENT
END:VCALENDAR